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Heart, Brain, Body and Soul

Aronkey

Friday, Sep 21 - Nov 10, 2018


Categories
  • Exhibitions
  • Location
    Aron Packer Projects
    Address
    By appointment
    Telephone
    773-458-3150
    Reminder
    Download to calendar

    Show Location: Chicago Ceramic Center in the Bridgeport Art Center / 5th Floor, 1200 W. 35th Street, Chicago, IL 60609 

    Opening Reception: Friday, September 21, 2018 from 6 - 9 PM

    Gallery hours: 12 to 5 PM Tuesday - Saturday

    Free parking in North parking lot

     

    Heart, Brain, Body and Soul / A two-person exhibition  

    Presented by Aron Packer Projects and the Estate of Charles Steffen (American, 1927-1995)

    Body and Soul / Charles Steffen / small and large scale works on paper 

    • Hearts and Brains / Iris Adler / kinetic and electric machines / sculpture 

     

    Body and Soul / Charles Steffen / small and large scale works on paper 

    Charles Steffen was born into a family of eight children in Chicago. He studied drawing, art history, and photography at the Illinois Institute of Technology in the late 1940s. Around 1950, while still in school, he suffered a mental breakdown and spent the next fifteen years at Elgin State Hospital undergoing treatments and electroshock therapy for schizophrenia. He continued to make art while institutionalized. 

    After leaving the hospital, unable to take a job, Steffen went to live with his mother, his sister, Rita, and his brother, George, in their childhood home. Steffen spent most of his time drawing, mainly on brown wrapping paper, with graphite and colored-pencils, often finishing between one and three pieces a day. His drawings derive mostly from memory, as well as, from within his limited sphere of existence (when not drawing, Steffen spent his time pacing the house while smoking or drinking, making trips to the bank or the bar, or working in the yard). His personal, more quotidian subject matter included: the bank teller who would cash his social security checks; neighbors; plants from the yard, etc. Beyond this immediate sphere, Steffen’s subject matter extended to the past and the general: his mother, her wheelchair and bed; self portraits and studies of his hands and feet; showgirls from the bar he frequented during his school days; scenes from Elgin; a classmate he had loved before his hospitalization; then, female nudes and crucifixions. Steffen experimented with his repeated subject matter; he began to merge the human form with plants, or with tobacco stains, or with the abstract tar splotches he saw on neighborhood sidewalks. His human figures began to merge as well, encompassing both male and female characteristics. In his later years, Steffen wrote notes in the margins of the drawings. His notes varied from thanks to God, to recollections and observations, to the mundane (what he had just eaten, how much he paid for art supplies, etc.). 

    Steffen’s lifestyle and habits changed little after he left Elgin State Hospital. When the family house was sold upon his mother’s death in 1994, Steffen moved into a small room in a men’s retirement home in the Uptown neighborhood of Chicago. He was prepared to throw away a vast body of drawings, but instead, placed pieces with his nephew, Christophe Preissing, who had shown interest in his work. 

    Forty years of drawing and smoking had gnarled his body and given his voice a gravelly quality. Before he died, this voice was captured in a recording was made of him reading “Jabberwocky” from Lewis Carroll’s Through the Looking-Glass and What Alice Found There (1872), a book both dear and inspirational to him. 

     

    Hearts and Brains / Iris Adler / kinetic and electric machines / sculpture 

    Iris Adler (1932 – 2004)

    Iris Adler's art is beyond description. Adler creates table-top open dioramas, made from unusual materials: colored resins and plastics-- doll parts, found objects, various fake grasses, stones, and model trees, etc.. These works stand on their own as static sculpture though Adler takes them to the next level by making certain aspects kinetic and inserts simple sound and light effects.   Usually they are no larger than 24“ square.  All low tech.  Pretty eccentric and obscurely charming. For this body related show, the featured pieces are heart or brain machines, along with body sized sculpture made from laminated wood or cast resin.