West Town, Wicker Park, Ukrainian Village, Kinzie Corridor, Humboldt Park

West Town

Wisconsin

IL • MI • IN

West Loop, Fulton Market, East Garfield Park

West Loop and West Side

Evanston, The North Shore, Northern, Western and Southern Suburbs

Suburbs

Old Town, Lincoln Park, Lakeview, Roscoe Village, Bucktown, Wicker Park, Logan Square, Lincoln Square, Ravenswood, Uptown, Edgewater, Andersonville, Rogers Park

North Side

Michigan Avenue, Streeterville, The Gold Coast, The Loop, and South Loop

Michigan Avenue

Pilsen, Bridgeport, Chinatown, plus Hyde Park, Jackson Park/Dorchester, and Bronzeville

South Side

Superior and Franklin streets, West Chicago Ave, and down to Merchandise Mart and the River

River North

Bert Green Fine Art&nbsp;is pleased to present our first solo show by Indiana-based contemporary artist&nbsp;Tom Torluemke.Tom Torluemke&nbsp;is known for his ambitious and evocative socio-political paintings. Drawing is the rarely seen starting point and driving force in his practice. It serves as a meditative and relaxing exercise, a testing ground for ideas, and a springboard for the direction the artist takes when pursuing a project. This exhibit features a selection of drawings by the artist stemming from three areas of the artist's work: plein air landscape drawings of the area near the artist's home, fanciful and personal autobiographical graphite drawings, and studies for the artist's large, imaginative, ambitious socio-political paintings.Born in Chicago, Illinois, his practice spans 40+ years and includes works in painting, drawing, sculpture, and installations in various mediums. Torluemke is known for his powerful, no-holds-barred approach to subject matter relating to socio-political, ethical, and humanistic themes. With over 150 solo and group exhibitions and 30 public art commissions throughout the Midwest, his work testifies to the relevance and scope of his ideas and his ability to present them in a meaningful context within their communities. In 2025, Torluemke's work on paper was the subject of a career retrospective,&nbsp;Tom Torluemke: Live! On Paper, 1987 – 2024&nbsp;curated by&nbsp;Dan Cameron&nbsp;at the&nbsp;Chicago Cultural Center&nbsp;with a monograph published by&nbsp;SKIRA Editore, Milan. The show was reviewed in&nbsp;Art Forum&nbsp;magazine in October 2025.&nbsp; All gallery events are free and open to the public. Additional information found at the gallery website at&nbsp;<a rel="noopener noreferrer" href="https://bgfa.us./" target="_blank">https://bgfa.us.</a>&nbsp;Please forward to any interested parties.

Tom Torluemke: Sorted Sheets

Join us to celebrate the healing power of nature and the arts.&nbsp;At Ease in Nature&nbsp;features artwork created during our 2025&nbsp;<a rel="noopener noreferrer" href="https://brushwoodcenter.org/initiatives/at-ease/" target="_blank">At Ease</a>&nbsp;programs, as well as work inspired by experiences in nature from members of the Military Community.Started in 2015, Brushwood’s&nbsp;At Ease: Art and Wellness for Veterans&nbsp;initiative offers programs for Veterans, Service Members, and their families designed to empower wellbeing through nature-based art, music, and photography workshops.&nbsp;At Ease&nbsp;helps build skills in creative expression and provides Veterans with access to mental health support.<a rel="noopener noreferrer" href="https://secure.qgiv.com/for/artexhibitionsandmarkets/event/ateaseinnature2025/" target="_blank">REGISTER</a> | This exhibition will open with a reception and panel discussion on November 9, at 1 pm.&nbsp;

At Ease In Nature

Devin Ingram, a Chicago-area artist, husband, and father, creates artwork reflecting his life experiences encompassing tragedy, love, pain, and joy. His diverse artistic approach, utilizing acrylics, oils, ink, pastels, and pencils, demonstrates his commitment to employing readily available materials to convey his artistic vision. Dev intends to convey his concepts visually, creating a presentation that is not only seen but is also felt.&nbsp;Reception and Gallery Talk: November 13, 7-9pm

Devin Ingram

The Kim Storage Gallery is pleased to announce the upcoming exhibition&nbsp;Mostly Stripes: Assemblages and Collages&nbsp;featuring Madison Artist&nbsp;Kevin Henkes.&nbsp;Kim Storage Gallery is pleased to present Mostly Stripes – Assemblages and Collages, a solo exhibition featuring a striking body of paper collages and wooden box assemblages by acclaimed artist and author Kevin Henkes. In this exhibition, stripes emerge as a recurring visual language—sometimes bold and rhythmic, other times subtle and understated. Whether appearing as cut paper elements in collages or as linear structures within wooden box assemblages, stripes anchor Henkes’s explorations of space, repetition, and variation. The title Mostly Stripes reflects both the prevalence of this motif across the works and the artist’s playful acknowledgement of its quiet insistence.Known internationally for his award-winning career as a children’s book author and illustrator, Henkes here extends his visual practice into new material realms. His collages, assembled from cut and layered papers, embody a delicate interplay of line, shape, and color. The wooden box constructions, by contrast, explore depth, texture, and spatial composition, creating intimate environments that feel at once playful and contemplative.Drawing upon a lifetime of storytelling through images and words, Henkes’s fine art reflects the same clarity, restraint, and emotional resonance that distinguish his books. Influences range from modernist abstraction and collage traditions to the narrative sensibility honed across more than four decades of bookmaking. Together, these works offer a glimpseinto the artist’s evolving exploration of form, material, and imagination.Kevin Henkes is the celebrated creator of over fifty books for young readers, spanning picture books, beginning readers, and novels. He is the recipient of the Caldecott Medal for Kitten’s First Full Moon and a Newbery Honor for Olive’s Ocean, among numerous other distinctions including Caldecott Honors, Geisel Honors, and the Children’s Literature Legacy Award. His work has been translated into many languages and cherished by generations of readers worldwide.Beyond his literary acclaim, Henkes has long pursued drawing and painting as part of his daily practice. His collages and assemblages—now presented publicly in this exhibition—extend that visual language into a new and surprising register.He lives in Madison, Wisconsin with his wife, Laura Dronzek, a renowned artist and illustrator.Image: Cathedral, Mixed Media, 9 x 6.75 x 2.5"

Mostly Stripes: Assemblages and Collages: Kevin Henkes

We are pleased to present Once upon a midnight dreary, a solo exhibition of new works by French-artist Djabril Boukhenaïssi. This show marks the artist's first solo presentation in the United States, and the first with the gallery. This presentation of engravings and paintings meditates on the Night as a space of contemplation and connection where darkness dissolves the boundaries between self and the world. Drawing from literary and philosophical references including Baudelaire, Novalis, Rilke, and Max Milner, Boukhenaïssi’s palette of deep blues and mauves activates abstraction through opacity and illumination. His canvases transform the shadows of night into a site of memory and imagination, asking what emerges under the moonlight when the visible gives way to the unseen. The exhibition will run from November 14, 2025, to January 17, 2026, with an opening reception on Friday, November 14, 2025, from 6 - 8 PM.

Once upon a midnight dreary

Image: 'Mar des cierto' | Óleo sobre yute | 35 cm x 45cm 2022

Pedro Montilla

Maia Cruz Palileo&nbsp;(they/them) is a multidisciplinary artist whose paintings, installations, sculptures, and drawings navigate themes of migration and the permeable concept of home. Influenced by the oral history of their family’s arrival in the United States from the Philippines, as well as the history between the two countries, Palileo infuses these narratives using both memory and imagination. They produce paintings of dream-like quality that hover between fact and fiction. Investigating the malleable language of the medium, Palileo’s works offer a panoramic lens through which to investigate the larger questions&nbsp;pertaining to&nbsp;forgotten histories and how best to honor these stories in perpetuity. Sourcing subject matter through various photographic archives, their paintings recontextualize the stories, portraits, and images to resuscitate these figures from the exploitative gaze of the ethnographic image.&nbsp; Palileo (b.1979, Chicago, IL) received an MFA in sculpture from Brooklyn College, City University of New York, Brooklyn, NY (2008) and BA in Studio Art at Mount Holyoke College, South Hadley, MA (2001). Palileo has had solo exhibitions at&nbsp;David&nbsp;Kordansky&nbsp;Gallery, Los Angeles, CA (2025);&nbsp;moniquemeloche, Chicago, IL (2023, 2021, 2019);&nbsp;The Cummer Museum, Jacksonville, FL (2023);&nbsp;Kimball Arts Center, Park City, UT (2022); the CCA Wattis Institute for Contemporary Arts, San Francisco, CA (2021); the&nbsp;Katzen&nbsp;Arts Center, Washington D.C. (2019);&nbsp;Pioneer Works, Brooklyn, NY (2018); Taymour&nbsp;Grahne&nbsp;Gallery, New York, NY (2017); and&nbsp;Cuchifritos&nbsp;Gallery + Project Space, curated by Jordan&nbsp;Buschur, New York, NY (2015).&nbsp;Palileo has been featured in recent group exhibitions at&nbsp;the Pérez Art Museum, Miami, FL (2024);&nbsp;Cantor Arts Center at Stanford University, Stanford, CA (2024); Sargent’s Daughters, Los Angeles, LA (2024);&nbsp;Moderna Museet, Stockholm, Sweden (2023);&nbsp;Bemis Center for Contemporary Arts, Omaha, NE (2023); The Nasher Museum, Durham, NC (2023);&nbsp;National Portrait Gallery, Washington D.C. (2022); Seattle Art Museum, Seattle, WA (2022); San Jose Museum of Art, San Jose, CA (2022); Jeffrey Deitch Gallery, Los Angeles, CA (2022); The Rubin Museum of Art, New York, NY (2018); and the Bureau of General Services Queer Division, New York, NY.&nbsp;Palileo will present&nbsp;a&nbsp;solo show&nbsp;at&nbsp;moniquemeloche, Chicago, IL&nbsp;(2025).&nbsp;&nbsp;Their work is in the collections of The Baltimore Museum of Art, Baltimore, MD;&nbsp;The San Jose Museum of Art, San Jose, CA;&nbsp;Cummer Museum of Art &amp; Gardens. Jacksonville, FL; The Library of Congress, Washington, D.C;&nbsp;The Nasher Museum of Art at Duke University, Durham, NC;&nbsp;The Speed Museum, Louisville, KY;&nbsp;and The&nbsp;Fredriksen&nbsp;Collection at the National Museum of Oslo, Norway.&nbsp;Palileo is a recipient of the Sharpe-Walentas&nbsp;Studio Program Award, NY (2022); NYFA Painting Fellowship (2021); Jerome Foundation Travel and Study Program Grant (2017); Rema&nbsp;Hort&nbsp;Mann Foundation Emerging Artist Grant (2014); Astraea Visual Arts Fund Award (2009); Joan Mitchell Foundation Painters &amp; Sculptors Grant (2008); and Joan Mitchell Foundation MFA Award (2018).&nbsp;Palileo has&nbsp;participated&nbsp;in residencies at Skowhegan School of Painting and Sculpture, Madison, ME; Lower East Side Print Shop, NY; Millay Colony, Austerlitz, New York; and the Joan Mitchell Center, New Orleans. They currently live and work in Brooklyn, NY.&nbsp; Image: And the Fragrant Greenery,&nbsp;2025, oil on linen, 60 x 48 in, 152.4 x 121.9 cm

Maia Cruz Palileo

SAWHORSE is pleased to present Great Mud Flood, a group exhibition featuring work by Ryan Richey, Yigit Ural, Fallon Wrede, Pedro Albertini, Amy Pearl Lang, and Jackson Daughety.

Great Mud Flood

Arts of Life is pleased to announce our next exhibition&nbsp;Hail Mary,&nbsp;guest curated by&nbsp;<a style="color: rgb(0, 112, 168);" rel="noopener noreferrer" href="https://margaretcrowley.com/" target="_blank">Margaret Crowley</a>&nbsp;and&nbsp;<a style="color: rgb(0, 112, 168);" rel="noopener noreferrer" href="https://www.instagram.com/brozgold/?hl=en" target="_blank">Tim Callahan</a>.Hail Mary&nbsp;is an exhibition about sport. It examines the complexity and inherent spirituality of participating, watching and being a fan of any sport. James Naismith’s Guiding Principles of Basket-Ball, 1891(Glossed by Dave Hickey)1)&nbsp;&nbsp;There must be a ball; it should be large.(This in prescient expectation of Connie Hawkins and Julius Erving, whose hands would reinvent basketball as profoundly as Jimi Hendrix’s hands reinvented rock-and-roll.)2)&nbsp;There shall be no running with the ball.&nbsp;(Thus mitigating the privileges of owning portable property. Extended ownership of the ball is a virtue in football. Possession of the ball in basketball is never ownership; it is always temporary and contingent upon your doing something with it.)3)&nbsp;No man on either team shall be restricted from getting the ball at any time that it is in play.(Thus eliminating the job specialization that exists in football, by whose rules only those players in “skill positions” may touch the ball. The rest just help. In basketball there are skills peculiar to each position, but everyone must run, jump, catch, shoot, pass, and defend.)4)&nbsp;Both teams are to occupy the same area, yet there is to be no personal contact.(Thus no rigorous territoriality, nor any rewards for violently invading your opponents’ territory unless you score. The model for football is the drama of adjacent nations at war. The model for basketball is the polyglot choreography of urban sidewalks.)5)&nbsp;The goal shall be horizontal and elevated.(The most Jeffersonian principle of all: Labor must be matched by aspiration. To score, you must work your way down court, but you must also elevate! Ad astra.)&nbsp;Margaret Crowley&nbsp;(b. Ottawa, IL) is an artist&nbsp;living and working in Chicago. Crowley founded Produce Model Gallery in 2016.Timothy Callahan&nbsp;(b. Chicago, IL) co-organized Produce&nbsp;Model Gallery with Crowley from 2020 to 2024.

Hail Mary

The&nbsp;Community ⇄ Members’ Show&nbsp;is a cherished celebration of local art and talent. Whether you’re an artist or an art lover, this exhibition is a must-see, offering a rich experience of creativity in our community. Mark your calendar for the Public Preview Party on November 21, 2025 from 6 - 8 PM and join us in celebrating the vibrant artistic talent that makes our region shine. The exhibition will be on view from November 22, 2025 to January 11, 2026. Ending on our annual Pizza with the Artist event on January 11, 2026 from&nbsp;﻿4 - 6 PM.For more information regarding the exhibitions, visit&nbsp;<a rel="noopener noreferrer" href="https://sfpwlrdab.cc.rs6.net/tn.jsp?f=001HIHBgKWmfZFsj0uHJ8VS6FYkXzlFj1PARabvKe9x6XrZh5wDwqoWvtixSV_KM9xNOhFAk0Eq0O0DZzQD_BVu0gksqKFqx4NaE1jJqHTmI3S6PEIQqABLG_SOgW7guNLw4SGU5KlRTgyOZXEK78x_B2ulQNaviEeZ&amp;c=50MTjcCJ5tDmXgKjPU21Qy_xlB1XX3MATKetvAKehRF50lfOQVCU3g==&amp;ch=9wQzHSEWPOeXK11nDqeX7IBDdcQBIg92SboG0_lYCtouAIT8l5ynVQ==" target="_blank">www.krasl.org</a>.

2025 Community ⇄ Members’ Show

Faceted Fiber, curated by Marci Rubin, showcases art involving diverse discourse and techniques of fiber or textile-based artworks. Focusing on the materials and process as part of the artworks’ significance, this exhibition emphasizes the artistic and aesthetic value of a fiber-based project over its utility.By reclaiming and celebrating textile arts in the 1970’s, feminist artists challenged the established art/craft binary. These inspiring artists employed techniques and actions such as sewing, quilting, macrame, crocheting, knitting, embroidery, rug-making, and basket weaving into their work, thrusting them into the realm of fine art. Artists such as Sheila Hicks, Bisa Butler, Judy Chicago, Faith Ringold, and Magdalena Abakanowicz, paved the way for the acceptance of non-traditional artistic practices and perspectives.Image: Lacy Bohannon – White Bird, Cotton, Polyester, Embroidery Thread, 36 x 24, 2024

Faceted Fiber

Andy will be in the gallery on Friday, November 21st from 6-8 pm.&nbsp;Newman’s journey to professional artistry is as compelling as his paintings. After spending over 15 years practicing law in Washington, D.C., he discovered his true calling when a friend gifted him painting tools. The choice became clear: he much preferred creating art to office life. At 36, Newman made the leap to become a full-time artist.Working primarily in oil while also exploring pastels, acrylics, and colored pencils, Newman specializes in landscapes, abstracts, and figures—often combining them in striking and creative ways. His artistic vision draws from diverse influences spanning 19th and 20th century American and European masters, including Giorgio Morandi, Edward Hopper, and Maurice de Vlaminck, alongside classical Baroque pioneers Georges de La Tour and Caravaggio. Represented in over ten galleries across Europe and North America, Newman maintains his studio at the Umbrella Arts Center in Concord, Massachusetts.&nbsp;Whether you’re seeking your first gallery piece or adding to a growing collection, or looking for the best holiday gift ever, these small wonders remind us that profound beauty can come in small proportions. ​​​​​​​​​​​​​​​​

Bright Lights, Small Treasures

Thoughtfully designed, One of a Kind Art Gifts

Gallery Seven Holiday Gift Show

Pistachios is hosting a solo exhibition with critically acclaimed artist, Sowon Joo. The work featured involves a labor-intensive metal weaving process that requires a tremendous amount of time and effort, resulting in sculptural jewelry that is in perfect harmony with the wearer.&nbsp;"I pour my thoughts, memories and spirit during the process of weaving, and the fragile and delicate nature of weaving with silver wire represents the vulnerability and fragility of life, especially in the early stages, which demands our care and protection. I design each piece as a subject within the context of the human body and consider it complete when the subject and the context are united in harmony and balance. In that sense, each person wearing my work is a part of my work; and my work, hopefully, is a part of the life of each person wearing it. By this relationship, even without direct communication, the user and I are part of each other’s life and experience." - Sowon Joo

Sowon Joo: Whispers of Winter Blooms

The Art Center's Annual Members and Faculty Exhibition.

In View 2026

"Sabina Ott: all this and not ordinary" is the first solo exhibition of the artist’s work since her death in 2018, presenting 33 works created in the final years of her career. The exhibition’s title is drawn from a poem in Gertrude Stein’s "Tender Buttons" (1914), a text that remained a pivotal source of inspiration for Ott throughout her life. Employing materials such as polystyrene and spray foam, Ott transformed the ordinary into the extraordinary, constructing works of art that are at once imaginative and dreamlike. For Ott, art offered a space of transformation, a means of turning trauma inside out and reshaping it into forms of play and wonder. This exhibition highlights the depth of her experimental practice and affirms her enduring legacy as an artist who expanded the possibilities of material and meaning.

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