Diego Marcon, an artist known for his radical rethinking of cinema, sound, and space, makes his U.S. debut at the Renaissance Society this September. Marcon’s practice is rooted in entertainment and structural cinema—eschewing traditional storytelling to explore the mechanics of filmmaking itself. His works challenge the hierarchy between subject and image, dissolving narrative into abstraction. For this exhibition, Marcon presents Krapfen, a newly commissioned musical dance film that stages an encounter between the kid, performed by dancer Violet Savage, and four characters represented by costume props: gloves, foulard, trousers, and pullover. Krapfen is also an encounter between the golden age of American animation and Italian opera. The choreography—a mix of contemporary dance, classical ballet, and popular entertainment forms—reflects the juxtaposition of traditional and digital filmmaking processes, a hallmark of Marcon’s practice.

Curated by Myriam Ben Salah.

Lead support for this exhibition at the Renaissance Society is provided by the Robert and Penelope Steiner Family Foundation.

Diego Marcon’s Krapfen is co-commissioned and made possible by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, the Renaissance Society, and The Vega Foundation with additional support from Sadie Coles HQ, London, and Galerie Buchholz, Berlin/Cologne/New York.

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THIS PROGRAM WILL HAVE REALTIME CAPTIONING.

Image: Diego Marcon, Krapfen (Gloves), 2025 © Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, the Renaissance Society, The Vega Foundation. Photo: Brigida Brancale.