Who Do We Say We Are? Irish Art 1922 | 2022

Opening: Saturday, Feb 5, 2022 1 – 3 pm
Saturday, Feb 5 – May 15, 2022

University of Notre Dame
100 Moose Krause Circle
Notre Dame, IN 46556

Saturday, February 5, 2:00–4:00 p.m. ET

Join us for the opening of Who Do We Say We Are? Irish Art 1922 | 2022

There will be a program in the Galleries beginning at 2:30 p.m. with a talk by the exhibition curator, Cheryl Snay; a reading by poet Julie Morrissy (as a prelude to her readingon February 25); and a performance by concertina player Shannon Dunne.

The reception is co-sponsored by the Friends of the Snite Museum and the Keough-Naughton Institute for Irish Studies.

O’Shaughnessy Galleries (East) 

The Exposition d’Art Irlandais organized in conjunction with the Irish Race Congress in Paris in 1922 used culture as a signifier of Ireland’s distinctive character worthy of the independence from the United Kingdom it had just negotiated in the Anglo-Irish Treaty. As part of the Irish government’s Decade of Centenaries commemorations, the Snite Museum partners with Notre Dame's Keough-Naughton Institute for Irish Studies and the O’Brien Collection in Chicago to present an exhibition examining the use of art as a nation-building tool, asking “If we were to organize a similar exhibition today, who might be included and what themes continue to resonate?”

Paintings from the O’Brien Collection by Sean Keating, Jack B. Yeats and Paul Henry are juxtaposed with contemporary artists Patrick Graham, Hughie O’Donoghue, and Diana Copperwhite, among others to explore issues of national identity rooted in the diaspora and landscape. Expanding into the realm of photography, the rural landscapes of Amelia Stein, RHA, describe epic legends and folkloric memories that reveal history and evolving culture. An “In Dialogue” presentation of the Snite Museum’s recent acquisition of a painting by Walter Osborne, At the Breakfast Table (1894), rounds out the discussion of home and homecoming.

This exhibition is made possible through the support of the Kathleen and Richard Champlin Endowment for Traveling Exhibitions, the Milly and Fritz Kaeser Endowment for Photography, and the Irish Government through the Department of Foreign Affairs and the Decade of Centenaries Programme