Flying Kites in a Windless World is composed of artworks from Filley’s projects over the past eight years. The works are inspired by a wide range of influences, including Emily Dickinson’s poem “We Send the Wave to Find the Wave,” drawings and weavings by Lenore Tawney, quilts passed down through generations, migratory patterns of birds, the shifting light of sunrise and sunset, and other investigations into the built and natural world. Filley generates her paper-based works using a methodical, repetitive process which functions as an act of discovery for the artist and a form of ritual that opens a pathway to the spiritual. Doing the same things over and over again--dot making, stitching, blending pencil marks—facilitates a close analysis of the how and why of doing. Repetition also allows for pattern to emerge and invites the question of how something might grow, shift or evolve over time. For Filley, moving through the world is an act of gathering disparate pieces—of “massing stardust,” in the artist’s words—that slowly cohere as experience is filtered into understanding. Her drawings, which can be likened to imagined cosmic maps, become the conduit for exploring an aspect of existence that is collective rather than individual. Beyond capturing a single moment, Filley’s art practice seeks to bridge time, expand an understanding of the present and come into harmony with that which is beyond the self. Merging sacred geometry and geometric abstraction with the error and energy of the human hand, her artwork expresses how the act of making transforms the body into a portal through which something unknown can pass.