September 4–October 3, 2026

Opening Reception: Friday, September 4, 2026, 5:00–9:00 PM

Closing Reception and Conversation: Saturday, October 3, 2026, 1:00–3:00 PM — Moderated by Chanelle Lacy

Oliva Gallery presents Witness to Bedlam, a two-person exhibition featuring Olivia Petrides and Lynn Basa.

Bringing Petrides’s fractured works on paper into proximity with Basa’s ceramic forms, the exhibition examines disorder through its physical traces.

Through ruptured structures, obscured language, unstable surfaces, cavities, and accretions, Witness to Bedlam considers what remains after coherence has broken down. Rather than treating disorder as spectacle, Petrides and Basa work across paper and clay with rupture, compression, and residue, creating forms that are unsettled but deliberate, marked by seams, collisions, fissures, and the suggestion of an unnamed aftermath.

Petrides presents works from her ongoing Split / Divide series, created with ink, gouache, and collaged newspaper on paper. Extended fields are interrupted by visible divisions, as though each composition has been broken apart and provisionally reassembled. Newsprint survives beneath veils of black ink and abrasive passages of yellow, pink, blue-gray, and mineral green. Printed language is cut, obscured, and absorbed into gestural surfaces, turning information into material. The works resist both conventional abstraction and descriptive landscape. They suggest damaged records, storm systems, geological faults, and walls layered with successive histories. Each composition holds together, but its unity remains visibly contested. Basa’s ceramic sculptures occupy related terrain through radically different means. Her forms shift between artifact, organism, vessel, fossil, and geological specimen. Surfaces are fissured, blistered, folded, and encrusted. Openings resemble mouths, vents, shells, or excavated chambers, with glaze and glass gathering inside cavities or clinging to irregular edges. The objects appear simultaneously ancient, damaged, and newly formed. Where Petrides works through division across the plane, Basa builds outward from rupture. Petrides preserves interruption through seams and exposed fragments of language.

Basa transforms fracture into volume. Together, their work presents bedlam as a material condition that can be mapped, excavated, and observed without being resolved. The title Witness to Bedlam emphasizes the position of the observer. To witness is not necessarily to understand. Petrides and Basa do not impose order on disorder. Their work records its pressure, studies its remnants, and gives form to what remains difficult to name.

About the Artists:

Olivia Petrides is a painter, illustrator, and Associate Professor Adjunct at the School of the Art Institute of Chicago, where she has taught since 1985. She received an Illinois Arts Council Individual Artist Fellowship in 2024 and a Pollock-Krasner Foundation Grant in 2021, in addition to multiple Illinois Arts Council project grants. Her research and residency history includes extended work in Iceland, the Faroe Islands, and Greenland. Lynn Basa is a Chicago-based artist whose work is held in numerous public, private, and museum collections, including the Museum of Arts and Design in New York, the Museum of Fine Arts in Boston, the Rhode Island School of Design Museum, the Spencer Museum of Art, and the Tacoma Art Museum. Her work appeared in Craft Today: Poetry of the Physical, organized by the American Craft Museum, and in the Smithsonian Institution’s traveling Threadworks exhibition.

Basa has taught at the School of the Art Institute of Chicago, the Hyde Park Art Center, and Creative Capital. She is the author of The Artist’s Guide to Public Art and holds an MFA from the School of the Art Institute of Chicago and an MPA in public art policy from the University of Washington.