After months of scheming and planning, we're thrilled to announce our year-end exhibition: General Strike. Working in acrylic, oil, ceramic, textiles, fire, pencil, watercolor, and vintage wallpaper, more than 70 artists have conceived of one-of-a-kind matchboxes for this incredible show. What does solidarity mean for the artist? Or, what can art do in a time of crisis? The concept of a general strike is appealing to many advocates and activists because, in the face of oppression or inequality, it’s one of the few options available to the general public. General strikes are sometimes thought of as the “people’s veto,” and for the un-unionized among us, are less about joining our colleagues on the picket lines and more a call for solidarity. They ask us to pinpoint our strengths and identify how our skills can best be of use. Writing about the need and dream of solidarity, activist and novelist Sarah Schulman describes recognition, risk, and creativity as the essential tools in harnessing “the people power necessary to reach the tipping point that transforms lives and, in the most extreme conditions of brutality, actually saves lives.” For artists, these three tenets–recongition, risk, and creativity–are often already the building blocks of a practice. Discerning eyes and trenchant observations, personal sacrifices and provocative positions, combined with a wealth of imagination, are evident in both the studio and the streets. Artists are in many ways world-builders, helping to illuminate what’s previously gone unnoticed or otherwise been thought impossible. In&nbsp;General Strike, we witness more than 70 approaches to a singular object: a large, wooden matchbox. Containing purple-tipped matchsticks, these vessels of potential display a wide array of mediums and methodologies offered by artists across North America. While some revel in whimsy, beauty, and the pleasures of life, others direct us toward bold, decisive action. All, in their own ways, speak to an innate impulse to transform something simple into another thing entirely. Like any crisis, whether tangible or of conscience, what’s required is a variety of responses, the best of which fan the flames of courage and ultimately insist on our shared humanity. The particularities of such approaches–and those stoking their creation–are what make this fight worthwhile, especially when we’re all striking together. General Strike&nbsp;opens on November 21 and runs through December 20. <ul><li>Please&nbsp;<a style="color: inherit;" rel="noopener noreferrer" href="https://luma.com/52i11blf" target="_blank">RSVP to our opening reception</a>, and join us for libations, friends, and s'mores.&nbsp;</li></ul> <ul><li>Interested in work? Join the&nbsp;<a style="color: inherit;" rel="noopener noreferrer" href="https://dashboard.mailerlite.com/forms/236793/146322049895236908/share" target="_blank">collector preview</a>.&nbsp;</li></ul>&nbsp;A portion of the proceeds from all work sold in General Strike will be donated to the ACLU.

General Strike

Joy Machine is a contemporary art gallery in Chicago’s Irving Park neighborhood. Founded in 2025 by Grace Ebert and Christopher Jobson, the gallery exhibits works by emerging and established artists, with a particular focus on creating dialogues between those working locally and others making their Chicago debuts. Fostering joy through accessibility and the unexpected remains a central tenet of our programming. Image: Installation view of Light Preserver (2025). Photo by Daniel Kwon

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