<html><head></head><body>By CGN StaffFebruary is quickly drawing to a close, even with one more day in the month this leap year. This weekend there are a handful of notable exhibitions opening in galleries and art spaces around the city, from Friday, February 28 through Sunday, March 1.&nbsp;Our overview of highlights from this coming weekend is below, and our full calendar may be <a href="https://www.chicagogallerynews.com/events?filter=openings">viewed&nbsp;here</a>.See you in the galleries!&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418724/vzb8azlg1dsrxuhl5vxn.png"></figure><a href="https://www.chicagogallerynews.com/events/tony-tasset-the-weight">Tony Tasset: The Weight</a>Opening Friday, February 28, 5–8&nbsp;pmKavi Gupta GalleryA Post-Atomic visual troubadour, Tony Tasset continues to define the vanguard of Pop Conceptualism. From the monumental stoicism of a massive fiberglass Eye sculpture watching over downtown Dallas (but was also once sited in Chicago) like a Neo-Surrealist sentinel, to a slumping, exhausted Paul Bunyan (at suburban Nathan Manilow Sculpture Park) that pays sad tribute to manifest destiny gone awry, to the frailty and nuanced melancholy of a to-scale sculpture of a ripped Styrofoam cup, Tasset has demonstrated, time and again, a unique ability to memorialize the peculiar beauty and pathos of the American visual vernacular.For The Weight, Tasset mined the innermost provinces of the contemporary human psyche, responding to the anxiety of our times with wit, gravitas, and salt-of-the-earth sagacity.&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418724/dgwpqeliwqpfxyprm1iv.png"></figure><a href="https://www.chicagogallerynews.com/events/tenure-a-10-year-anniversary-celebration">TENURE</a>Opening Friday, February 28, 5–8&nbsp;pmVOLUME GalleryVolume Gallery has focused on design and art, with a strong emphasis placed on emerging contemporary designers and artists for a decade now. On Friday night they will open an exhibition to mark the milestone and spotlight the gallery's roster of artists, including Tanya Aguiñiga, Ross Hansen, Sung Jang, Ania Jaworska, Krueck + Sexton, Snarkitecture, Christy Matson, Jonathan Muecke, Anders Ruhwald, Sam Stewart and Thaddeus Wolfe.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418725/douayagsjdjskbuczfcu.jpg"></figure><a href="https://www.chicagogallerynews.com/events/nkame-a-retrospective-of-cuban-printmaker-belkis-ayon-1967-1999">NKAME: A Retrospective of Cuban Printmaker Belkis Ayon (1967–1999)</a>Opening Friday, February 28, 5–8&nbsp;pmChicago Cultural CenterThis landmark retrospective is the first in the&nbsp;U.S.&nbsp;dedicated&nbsp;to&nbsp;the work of Belkis Ayón, the late Cuban visual artist and printmaker who mined the founding myth of the Afro-Cuban fraternal society of Abukuá to create an independent and powerful visual iconography. The exhibition’s 47 prints encompass a wide range of the artist’s graphic production including her signature calligraphy technique, a printing process combining materials of various textures and absorbencies.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418727/am7o69mbvq62ka4hwup0.jpg"></figure><a href="https://www.chicagogallerynews.com/events/miller-shellabarger-homo-entanglement">Miller &amp; Shellabarger: Homo-entanglement</a>Opening Friday, February 28, 5–8&nbsp;pmWestern ExhibitionsMarried artist collaborators <a href="http://r20.rs6.net/tn.jsp?f=001gXZxQv0kNzKJlOZqXLLpdxJ_hIUkMNJL47XnraU5ZwpEhwSWlaBJROasGxYaL5vzsOSn_k2P99Bsm-n0Z0ucTNHkyVtgsrdp5dfrYnAe4lpXKSNyYwS0ZKeUIXK6eif8mx6YgSHYJd0CfuzZSebFooySf5Qbf_ekSyvduCIC3-YOZmkB02YllB018EJnIRdP&amp;c=ngQ78RgssXh0gDJFZrriIq7Y30AQzDaRWQ2DxRpQEXIibJEofx47Hw==&amp;ch=tgvPPaDzUNJ-MLVNOLIKaqiEmGVZ8SjRw2txPsDLHY_-zCXUOyYGmQ==">Miller &amp; Shellabarger</a> explore physicality, duality, time and romantic ideals in their multidisciplinary work. Performance, photography, artists’ books, sculpture and cut paper silhouettes document the rhythms of human relationships, speaking both to common experiences of intimacy as well as the specifics of queer identities. For their third show at Western Exhibitions, Miller &amp; Shellabarger present artists’ books, prints, photographs, and a cut-paper installation that address their ongoing concerns with an emphasis on entanglement, compression of time, mortality, and bodily and temporal limitations.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418727/lzhxwcr1melomot5upgu.gif"></figure><a href="https://www.chicagogallerynews.com/events/rene-romero-schuler">René Romero Schuler</a>Opening Friday, February 28, 5–8&nbsp;pmZolla/Lieberman GalleryRené Romero Schuler creates powerful images of strength and vulnerability that speak to the heart of the human condition: love, sorrow, solitude, and heartbreak. Through these depictions of difficult subjects, she aims to inspire her viewers with hope, fortitude, and ultimately, enduring strength. The figures Schuler captures are equal parts self-portraiture and portraits of the range of human emotions that she has experienced in her all-too-colorful life.&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418728/bjtqgkeoxgwbhxu2fbgl.jpg"></figure><a href="https://www.chicagogallerynews.com/events/duro-olowu-seeing-chicago">Duro Olowu: Seeing Chicago</a>Opening Saturday, February 29Museum of Contemporary Art (MCA)Nigerian-born British designer Duro Olowu is internationally recognized for his womens wear label launched in 2004. Characterized by unique fabrics, evocative patterns, and impeccable construction, the London-based designer’s garments are informed by his international background and curator’s eye. Olowu’s multinational and multicultural viewpoint has translated into wildly popular platforms and projects from his dynamic Instagram account to his revelatory curatorial projects in London and New York.Now Olowu turns his cosmopolitan eye to Chicago. Drawing from the city’s public and private art collections including works in the MCA’s collection, Olowu curates a show that reimagines relationships between artists and objects across time, media, and geography. Moving away from traditional exhibition formats, Olowu combines photographs, paintings, sculptures, and films in dense and textural scenes that incorporate his own work.&nbsp;</body></html>

Weekend Art Highlights: February 28–29

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418724/uemyc7thws5srgbep77c.png"></figure>‘The Scream’ Is Fading.“The Scream” is fading. And tiny samples of paint from the 1910 version of Edvard Munch’s famous image of angst have been under the X-ray, the laser beam and even a high-powered electron microscope, as scientists have used cutting-edge technology to try to figure out why portions of the canvas that were a brilliant orangeish-yellow are now an ivory white.By Sophie Haigney, New York Times<a href="https://www.nytimes.com/2020/02/07/arts/design/the-scream-edvard-munch-science.html">Read More</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418725/sta6vtzq2euqmovxgqv0.jpg"></figure>Critic Shatters Artwork at Zona Maco Art Fair in Mexico CityDon’t call it a smashing success. On Saturday at the Zona Maco art fair in Mexico City, art critic Avelina Lésper shattered a glass portion of a sculpture by Gabriel Rico. Some of the details surrounding the work’s breaking are unclear, though the damage has been done: photographs of the sculpture after Lésper visited the booth show shards all over the booth’s floor.A representative for OMR, the Mexico City gallery that brought the work to the fair, told ARTnews that the shattering occurred after Lésper attempted to place a Coca-Cola can on Rico’s piece.By Alex Greenberger, ARTnews<a href="https://www.artnews.com/art-news/news/gabriel-rico-artwork-shattered-zona-maco-1202677398/">Read More</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418725/ev9jiuyrnw1uz2yfravn.png"></figure>Ai Weiwei Is Selling a DIY Artwork That You Can Buy Right off the Shelf&nbsp;The Chinese artist and activist Ai Weiwei and a German home improvement store have collaborated on a work of art aimed at the mass market. Ai and the Hornbach DIY chain have launched a self-assembly soft sculpture, which comes with an instruction manual and authentication certificate.By Kate Brown, Artnet<a href="https://news.artnet.com/art-world/ai-weiwei-hornbach-1774629">Read More</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418726/tr86x0qfn1kedsciuibq.jpg"></figure>A Small Pennsylvania Museum Just Discovered It Has Owned a Rembrandt for 70 Years Without Knowing ItFor five decades, a museum in eastern Pennsylvania believed it owned a painting that was made in the studio of Rembrandt van Rijn. After sending it out for routine maintenance, they learned that the 388-year-old work was in fact made by the Dutch Golden Age artist himself.&nbsp;By Taylor Dafoe, Artnet<a href="https://news.artnet.com/art-world/pennsylvania-museum-rembrandt-discovery-1773954">Read More</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418727/vns4llanmrermdozif65.png"></figure>Artist-Run Galleries Defy the Mega-Dealer Trend in Los AngelesSmall, resourceful artist-dealers are flourishing even as big galleries dominate. But along with its scrappy appeal, the model comes with some challenges.By Jori Finkel, New York Times<a href="https://www.nytimes.com/2020/02/07/arts/design/artist-run-spaces-los-angeles.html">Read More</a>&nbsp;&nbsp;</body></html>

News From Around the Art World: February 11, 2020

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418362/m6j7aspl636k1uzvkhnz.jpg"><figcaption>Carrie Mae Weems, Untitled (1996-97), detail). Courtesy of Swann Galleries.</figcaption></figure>Sale of &nbsp;Johnson Publishing Company’s Art Collection Shatters ExpectationsA collection of artwork that once adorned the offices of the legendary Johnson Publishing Company shattered records left and right at Swann Galleries. The sale marked a concluding chapter in the turbulent history of a much-admired institution that changed the landscape of American magazines with the publication of&nbsp;Ebony and&nbsp;Jet&nbsp;before declaring bankruptcy last year.Still, the power of the Johnson name—as well as a growing interest in African American artists who have often been pushed to the art-historical and art-market margins—combined to create what was, in the words of the auction house’s director of African American fine art Nigel Freeman, “a perfect storm of an auction.”&nbsp;By Caroline Goldstein, Art News<a href="https://news.artnet.com/market/johnson-publishing-white-glove-auction-1766616">Read More</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418363/qeib6czexu62isikinfa.png"></figure> Tate Britain's £40k 'head of coffee' role sparks row over low curator pay<a href="https://www.theguardian.com/artanddesign/tatebritain">Tate Britain</a> has defended an advert for a head of coffee with a salary of nearly £40,000 – more than the average wage of a London-based curator – after critics said the role highlights how low museum professionals’ wages are.Via The Guardian<a href="https://www.theguardian.com/artanddesign/2020/jan/29/tate-britains-40k-head-of-coffee-role-sparks-row-over-low-curator-pay">Read More</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418364/xlmuraq7iayuv2bhiqbz.png"></figure>&nbsp;The World’s Largest Digital Art Center Is Opening Inside a WWII Submarine Base in FranceScheduled to open on April 17, 2020,&nbsp;Les Bassins de Lumières, a concrete bunker that was built in 1943 by Bordeaux’s occupying Germans, is being transformed into a permanent exhibition space featuring digital art installations on the venue’s walls and reflected in the water of its enormous basins.&nbsp;By Sarah Buder, Afar<a href="https://www.afar.com/magazine/a-wwii-submarine-base-in-france-is-being-converted-into-the-worlds-largest-digital?utm_campaign=tw_fb&amp;utm_content=1580669521&amp;utm_medium=social&amp;utm_source=facebook&amp;fbclid=IwAR2iXW8VGBG8BQmlvuKk_oHqQeZw8wS4WtWWZEwl60RSfQzxtO2sOnGoyRA">Read More</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418365/j46siehy7pgyyfyavhet.jpg"></figure>&nbsp;The cost of Venice's worst floods since 1966The worst floods to hit Venice in 50 years have caused €360m worth of damage to public property, say representatives of the mayor Luigi Brugnaro. The estimate is based on an initial survey of repairs needed for jetties, paved areas, street lighting and buildings owned or managed by the municipality, including the civic museums. The Italian government declared a state of emergency for the city on 15 November, three days after the high tide reached 187cm above mean sea level, approving €20m in urgent recovery funds that will barely dent this bill.By Veronica Rodenigo, The Art Newspaper<a href="https://www.theartnewspaper.com/news/venice-counts-the-cost-of-worst-floods-since-1966">Read More</a>&nbsp;</body></html>

News From Around the Art World: February 3, 2020

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418641/wmh0nv2rwzhpieueync3.gif"><figcaption>Judy Bowman</figcaption></figure>ART Is... is an ongoing series for CGN by former intern Riley Yaxley, who seeks to write about underrepresented perspectives and voices in the arts community. This is the fourth installment in the series.&nbsp;By RILEY YAXLEYThe sculpture rests on the battered remains of an ornate, wooden chair, mounted atop a white swan with two legs dangling on either side. On each shoulder of the body fashioned out of found objects, ceramic and plaster birds are perched or in mid-flight, suggesting a figure in angelic repose or alluding to an innate freedom within the subject.Vanessa German’s A Love Poem to Nia Wilson #2 is one of the standout pieces from This Stillness, an exhibition at <a href="https://www.chicagogallerynews.com/organizations/intuit-the-center-for-intuitive-and-outsider-art">Intuit: The Center for Intuitive and Outsider Art</a> curated by Jamillah Hinson. I cannot help but find myself transfixed by the meticulous accumulation of materials bound together to form the regal, delicate figure of the sculpture. The work is on loan from the <a href="https://www.chicagogallerynews.com/organizations/carl-hammer-gallery">Carl Hammer Gallery</a>, where I would later encounter it again during a private event for Intuit. A Love Poem to Nia Wilson #2 feels at home in both the white cube of Intuit’s galleries and when positioned as a centerpiece in the warm study-like atmosphere of Hammer Gallery.The title of the sculpture refers to Nia Wilson, a black teenager who was stabbed to death by a white man while waiting on a Bay Area Rapid Transit station platform in Oakland, California in 2018. Nia’s death prompted nearly 1,000 people to hold a vigil for an attack that many in the community considered a hate crime. Vanessa German created a number of these “power figures” to represent the secret lives of black girls in America and to show how they save their power and pain to triumph in hostile environments.<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418642/m4slatun7g6pptgnbknk.gif"><figcaption>Vanessa German, A Love Poem to Nia Wilson #2</figcaption></figure>For This Stillness, Jamillah placed the work of Vanessa German in conversation with the work of Detroit-based artist Judy Bowman and painter Tracy Crump, who was represented by famed Chicago gallerist Ann Nathan and now exhibits at Pagoda Red. Jamillah curated This Stillness to explore the complexities of Black girlhood and womanhood and the quiet reflections of self that arise from these circumstances.I first met Jamillah while I was interning at Intuit in 2018. She was the Financial Manager and Assistant to the Executive Director at Intuit but would later leave to work as an office assistant in the Textiles Department at the Art Institute of Chicago. Deb Kerr, the Executive Director at Intuit, remarked to me after Jamillah’s departure that she wished Jamillah would pursue curating rather than working in another administrative position. Deb’s words were not an empty aside. Alison Amick, the Chief Curator at Intuit, approached Jamillah this year to write a proposal for the exhibitionJamillah and I now serve together on Intuit’s Young Professionals Board, an auxiliary leadership group at the museum designed to support Intuit’s mission to celebrate the power of and explore Outsider art as well as spread awareness about the genre. We reconnected at the Young Professionals’ inaugural meeting.*<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418643/tktubr6lqfy3lbx8miiq.gif"><figcaption>Jamillah Hinson</figcaption></figure>I climbed the steep, carpeted stairs to the second floor of Intuit’s unique space. Long folding tables had been set up with neatly laid out materials and bowls of M&amp;M’s. I immediately see Jamillah. She has one of the kindest faces I know, with a broad smile, and dainty glasses that give her an air of quiet, focused intellectualism. During the meeting, she leans forward when she has something to contribute to the discussion and she often laughs after making a precise observation about why something would or wouldn’t work well for the event. A week after the meeting, I sent an email asking Jamillah to interview for CGN, knowing that This Stillness would be opening in a few weeks. She enthusiastically agreed, signing her email with “Bright moments, Jamillah.”We meet at the Goddess and The Baker during my lunch break. I ask Jamillah to give me a brief elevator pitch of This Stillness to begin, and as she describes the aim of the exhibition to survey Black womanhood, girlhood, and adolescence, as well as contemporary assemblage and collage. Both assemblage and collage have a rich history in both Folk art and Black art tradition. She stops herself briefly, self-consciously confessing how “arty” (read: pretentious) she is being.“Oh please, I am constantly at risk of being pretentious.” I say to her.Jamillah’s simultaneous ability to code switch between the vernacular of art theory and everyday conversation is one of the many reasons I admire her work. This skill allows her to curate with an inclusive eye, focusing on collaboration with artists and curators to best present the work so that it is accessible to its audience.Jamillah started curating in Omaha, after graduating from Creighton University with her Bachelors in Art History, Criticism and Conservation, because she recalls she had friends who were making incredible work and she offered, she says, to try and put something together for them, which explains why she describes her curatorial method as very grassroots and cautions herself against becoming too 'professionalized.'Describing her maximalist approach to filling the gallery space, Jamillah explains, “I wanted people to come into the space and feel softly suffocated. I love a salon wall.” This Stillness deviates from Intuit’s usual minimalist curatorial approach, allowing Jamillah to create an overwhelming sensation for visitors as they encounter the abundance of Judy Bowman’s, Tracy Crump’s, and Vanessa German’s work.Jamillah hoped that this experience would elicit a feeling similar to that of growing up Black in America. The array of media—including sculpture, assemblage, and hand drawing—gives visitors the opportunity to admire the works, the broader statements, and themes upon which the pieces are built, or immerse themselves in the nuances and identities that are drawn out and put on display.My interest is immediately piqued when Jamillah points out, “With Judy Bowman I was pushing to see what Intuit considers self-taught art.”I was first introduced to self-taught and intuitive art when I interned for Intuit in 2018, so I am admittedly not an expert on the genre. However, I have always been intrigued with self-taught and intuitive art, especially as technology rapidly alters our social landscapes. Communities and individuals that previously would have been considered “outsiders” can now be connected through digital networks.“I want to be as transparent as possible because that’s how I am,” Jamillah warns me, and I nod affirmatively. As I ask about the process of curating This Stillness, Jamillah alludes to envelope-pushing conversations with Intuit’s board that drew out, but ultimately deepened, the process of bringing the exhibition from proposal to execution.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418644/jhaiel3t6kvusjxl7xtu.gif"><figcaption>Tracy Crump</figcaption></figure>Like most museums, Intuit’s board has an Exhibitions Committee that governs the museum’s exhibitions. Board member perspectives on the genre may be informed by their personal collections and knowledge of art history, which supplements, but not does not replace, the professional expertise of curatorial staff. Feedback from board members to Jamillah’s initial proposal, which included the work of Chicago-based Brittney Leeanne Williams, indicated they were concerned that the aesthetic of Williams’s work was not “Outsider” enough, despite being primarily self-taught after dropping out of the School of the Art Institute a year into her studies. Williams was recently included in Show Me Yours, an exhibition featuring the work of emerging artists at Chicago’s renowned Monique Meloche Gallery.A previous exhibition at Intuit featured the work of Stephen Warde Anderson, who attended the University of Chicago for a year before dropping out to serve in the United States Navy for four years.Intuit, as a leader in the genres of Outsider, Intuitive, and self-taught art, is faced with the challenge of remaining flexible even as these genres shift and are redefined.Jamillah states, “A lot of the planning for this show was trying to help the board understand what they wanted from [my] show. I decided to give them what I think they need.”Despite these ambitious aims in challenging the institution, Jamillah’s biggest concern when planning an exhibition was the artist’s experience. She wanted, she says, for them to be happy at the end of the day, even if they never came to see the show. Judy Bowman did visit from her hometown of Detroit and loved the exhibition, demonstrating Jamillah’s careful attention and stewardship of the artists.Intuit’s Exhibitions Committee initially argued that Bowman’s inclusion in the exhibition may not be a fit with Intuit's program, since she had some formal training, earning a degree in education from Atlanta’s Spelman College and took a few art classes at the time. However, she would not create work for another 35 years following her time in school, when she retired and began crafting multimedia portraits and scenes depicting Black American life in Detroit’s Black Bottom and the South. The Black Bottom neighborhood was demolished in the early 1960’s during the City’s Urban Renewal program to combat “Urban Blight," and the predominantly black neighborhood, as well as Paradise Valley, was replaced by the Chrysler Freeway and Lafayette Park, a mixed-income development designed by Mies van der Rohe as a model neighborhood combining residential townhouses, apartments and high-rises with commercial areas. Many of the residents of these neighborhoods were displaced and moved into public housing.Bowman’s work reimagines an earlier generation heavily inspired by the tradition of collage, assemblage and material work in Black American history. These works offer a “non-traditional” documentation of Black life placed in conversation with the works of Vanessa German and Tracy Crump. Their works are, as Jamillah says, a response to the now, something she thinks should be included more often in Intuit’s programming.As the criteria for Outsider, Intuitive, and self-taught art inevitably shift, museums that exhibit the work of self-taught or intuitive artists will have to remain nimble and capable of change as well. This Stillness represented a new endeavor for Intuit or, as Jamillah suggests, “It may not look like what Intuit has done in the past, but to me it looks like what Intuit can be doing in the future."&nbsp;&nbsp;</body></html>

ART IS… Jamillah Hinson: Outside the Boundaries of Self-Taught Art

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418306/osj8phnrwwtfyk3avu3o.gif"><figcaption>William Conger, Chicago Trails, 43' x 68', 2019</figcaption></figure>&nbsp;By GINNY VAN ALYEAEncountering a work of art can, in large part, be about the initial encounter and the first impression it leaves on the viewer. Do you like it, or does it make you uncomfortable? Is it two dimensional or 3D? Large or small? Dark or light? Do you think it's beautiful? Is there a deeper message to interpret? The vast majority of art that you come across tends to be constructed on a relatable scale – a 2' x 4' painting on a gallery wall, or a near life-size sculpture in a park. When art is big – especially when it's really big – the terms of the first impression change. You have to take the art in piece by piece, before you see the big picture.&nbsp;Last summer a collaboration, formed between artist William Conger and real estate developer Robert Koerner, resulted in a large-scale, months-long undertaking to create a work of art that will exist for decades and is sure to be enjoyed by many. I spoke with Conger and Koerner, as well as supporting artist Jeff Zimmerman, to find out how the project came to be and what it was like to bring an idea to life at 43 x 68 feet.&nbsp;The mural, titled Chicago Trails, is the largest work Conger has ever created, and it is located in Lakeview near Clark and Belmont.&nbsp;An edited transcript of our conversation is below.&nbsp;First we spoke with developer Robert Koerner, who selected Conger’s work for the project. Then we followed up with Conger himself. Finally we asked artist Jeff Zimmerman about his process for working so accurately on such a scale, something for which he is highly regarded and well known.Note: CGN was asked in spring of 2019 to provide a list of mural artists for this project, and William Conger was part of that list. This interview is a follow up to share more about the project from start to finish.&nbsp;Robert Koerner, Real Estate Developer&nbsp;CGN: Please share a little about your real estate background.Robert Koerner: I head the Midwest office of Standard Companies, a private investment company that was founded to create, preserve, and improve affordable, workforce, and market rate housing nationwide. Standard is one of the 50 largest affordable housing owners in the country (per Affordable Housing Finance, April 2019) and has acquired a portfolio of over 12,425 apartment units – of which more than 8,600 are affordable. Standard has completed more than $2 billion of multifamily investment, including 11 properties that we own in Illinois.CGN: Have you always been interested in art?&nbsp;RK: I was an Art History major at Brown University, and I have always tried to apply that background in my real estate career, usually focusing on the architectural elements of development. It was particularly gratifying to commission a painting for this project.CGN: What inspired you to make art such a key part of this project in Lakeview?RK: The first unit I saw in the building was a small studio on the lowest floor that faced a blank wall.&nbsp;Every time I walked into that unit (which was understandably vacant!) I tried to think of different ways to make it nicer.&nbsp;Painting a mural outside was a natural solution to turn that blank wall into a positive.<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418307/gmqmd59ckwqedhtub9se.gif"><figcaption>A view from a property unit looking towards the mural</figcaption></figure>&nbsp;CGN: What made you choose William Conger to do the mural?RK: After deciding to proceed with the mural, we had a hard time figuring out how to select an artist. We quickly decided that we wanted a local artist, and eventually concluded that an abstract image would fit the program best. William Conger has a long history in Chicago, which appealed to me, but the formal qualities of his work made the strongest impression.&nbsp;I particularly appreciated the illusion of depth and motion in his painting and felt that would be the perfect antidote to the flat, static wall that was blocking our building’s views. I also was curious to how his work could be transformed onto such a large scale (the finished mural is 43 feet by 68 feet!)CGN: What do you hope residents appreciate about&nbsp;living with this mural?&nbsp;RK: I hope the residents appreciate the thoughtfulness and attention to detail that went into the design.&nbsp;William [Conger] was very deliberate in laying out the mural to fit our building, including a fairly detailed analysis of how each window would face the completed image.&nbsp;Since each unit window reveals only a portion of the mural, William took great pains to ensure that there were “paintings within the painting” that made compositional sense. He also drew inspiration from the building’s location - the work’s title, Chicago Trails, alludes to Chicago’s diagonal streets (such as Clark Street, where our building is located), which echo the original Native American trails.<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418308/x1xbwc4vtvubbylso4s9.gif"></figure>&nbsp;CGN: What were the challenges as well as some exciting elements of making an effort like this happen?RK: One of the fun things about this project was that we hired a second artist, Jeff Zimmerman, to copy and enlarge the painting onto the wall.&nbsp;Jeff painted a mural by Kerry James Marshall onto the outside of the Cultural Center in 2016, and he has done many other murals in the city. William and I were both initially unsure how the finished mural would look, but after several weeks in Jeff’s studio and on scaffolding, Jeff produced a perfect replica of the original oil painting (the painting itself will be displayed prominently in our third floor lobby).I was also concerned we wouldn’t get permission from the neighboring building to paint the mural on their wall, but as it turns out the owners (Craig Knapp and Bill Cline from Meta Properties) are great guys. We have become friends as a result of the mural.&nbsp;William Conger, Commissioned Artist&nbsp;CGN: How did you first approach this project?William Conger: I began the project by consulting with Robert [Koerner], who commissioned it, visiting the site, getting photos, and obtaining architects’ plans for the building with the mural wall as well as for the building of apartments facing it.Then I had to consider the first, and most difficult, challenge of creating a very large work that would be viewed in parts from nearby apartment windows instead of the usual long view for murals. Almost no one would see the completed mural as a whole at one time, and they would need to mentally assemble it from partial views, due to its proximity to the windows facing it.I then began by making sketches and small gouache studies as I centered on the concept of Chicago’s vibrant history, which I’ve long studied.A second challenge was to keep the mural scale in mind as I developed the concept and composition. I made little paper figures, which I attached to my studies, to keep me mindful of the ultimate size of the mural.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418309/raozu6rb6xwxuaoedy7r.gif"><figcaption>An initial ink sketch of mural</figcaption></figure>&nbsp;CGN: What was the inspiration for this work?WC: I wanted to celebrate Chicago’s vibrant history and urbanity. The mural site is on North Clark Street, which traces the old Green Bay Trail, one of the many ancient trails that led to and from the hinterland to the Chicago River and Lakefront. Those trails became busy routes as Chicago’s population and commerce grew so very rapidly. They outlined, cut through, and shaped the many different Chicago neighborhoods where people from every part of the globe come to seek their dreams.As with all my work, the mural, titled Chicago Trails, connects formal abstraction to the world of things and feelings by allusion. Just as abstract shapes always retain some ambiguous reference to other things, so do those things allude to abstract form and to art. As Chicago Trails alludes to the multi-faceted and interconnected energy of urban life, it also invites viewers to perceive their own energy, memories, and feelings as if they were abstract form and color.&nbsp;&nbsp;The lines and bright colors of the mural both connect and divide the overall composition, enabling partial views that nevertheless lead to adjacent areas, forming new centers of interest. While working on the final sketch I imagined it embodying a spirit of free-flowing, figural animation suggesting a shamanistic dance, and maybe jazz, thus celebrating the different cultures intermingle in Chicago, embraced by the city’s architectural rationality.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418310/qpclo3rkvek2a9jkj8s7.jpg"><figcaption>Final sketch, about 7 x 11 inches. Gouache on rag paper, 2019</figcaption></figure><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418311/mo3aajibpmy7dzpzhdet.gif"><figcaption>Scale painting in progress, 43 x 68 inches.&nbsp; Final gouache study on wall, cut-out figures at bottom of painting for size of mural.</figcaption></figure><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418312/fcjqk0nngxjyujrszgfl.gif"><figcaption>Scale painting, 43 x 68 inches, oil on linen, 2019</figcaption></figure>&nbsp;CGN: Tell us about the actual execution of the piece and what it took to get it up on such a large surface.WC: After completing sketches, I made a scale oil painting, 43 x 68 inches, as a model for the mural. Artist Jeff Zimmerman then made large outline drawings of that model, which he traced onto the prepared wall. He mixed quantities of a special outdoor acrylic paint perfectly matching the colors of my model painting.&nbsp; Then he had a scaffold placed and began to paint by hand, replicating my composition. It took Jeff about 6 weeks to complete the mural and then he coated it with a varnish. During his weeks of painting I visited the site and watched the progress and enjoyed talking with Jeff about his process. Since the mural wall is more than 90 feet high, I was glad not to be needed on the scaffold! Yet I could observe Jeff at work through various windows, amazed by his ability to perfectly paint a modulated shape as large as a truck from inches away.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418313/akm9fjb5ejb1wupbkser.jpg"></figure> CGN: What was it like to collaborate with another artist to bring your art to life?WC: It was great working with Jeff! His confidence and skill erased my trepidations about how the enormous size and physical challenges of the mural.&nbsp; He enlarged an image of the mural painting onto large sheets of paper attached to his studio wall. Then he traced the outlines and punctured them with tiny holes. On the mural wall he “pounced” the holes, transferring dotted outlines to it. This laborious transfer process is identical to the method employed by Renaissance mural masters.CGN: What are you working on now?WC: I’m opening a show of new paintings for a solo show on January 24, 2020 at <a href="https://www.chicagogallerynews.com/organizations/zolla-lieberman-gallery">Zolla/Lieberman Gallery</a>. These are smaller paintings, and somewhat experimental.&nbsp;I also have a plan to begin working on a large fresh canvas, about 7 x 8 feet, that’s been staring at me in my studio for a year! It was fun to do the Chicago Trails mural, and I’m interested in developing its concept in another big painting.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418314/hszjc8mwvhxuiutcxlum.gif"></figure>&nbsp;Jeff Zimmerman, Mural Artist&nbsp;CGN: Please share details about your process for taking a smaller scale work of art and translating it onto a large surface.Jeff Zimmerman: I enlarge anyone’s work, including my own, by “pouncing.” I draw the artwork to scale on paper and use a pounce wheel to transfer the full size drawing onto the wall, where it becomes one big piece of artwork to be painted. It’s the same process Michelangelo used for the ceiling of the <a href="https://www.smithsonianmag.com/videos/category/smithsonian-channel/museum-secrets-revealed-pouncing-on-the-sis/">Sistine Chapel</a>. I also use a special brand of acrylic that’s True Tone. It has enough pigment to last outdoors for a long time. From experience I’ve learned what colors will fade, so I avoid them.CGN: What was it like to collaborate with William Conger?JZ: I’ve collaborated with many other artists, including some other very established and internationally known ones. William was really easy to talk to, which made it easy for him to guide me verbally to achieve his needs. I think it was one of my best collaborations ever.CGN: What else have you been working on?&nbsp;JZ: I’ve got a new body of my own work in my studio, and I created a piece of street art for Hermosa [near Humboldt Park] recently. I’m also prepping for upcoming projects in Lucerne, Switzerland and in Mexico.This past fall I put Andy Warhol’s Orange Marilyn onto the side of 633 N. Michigan Avenue for the Art Institute of Chicago's exhibition (on view through January 26, 2020)&nbsp;&nbsp;</body></html>

Art On the Wall: A Large-Scale Commission Takes William Conger to New Heights

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417946/tubxzpyxblkysjkq2yq0.gif"></figure>&nbsp;As 2019 comes to a close, we wanted to share some of CGN's top interviews, features and announcements from this past year.&nbsp;We welcomed a new mayor, plus a new art fair, we covered major anniversaries as well as retirements, we profiled several of Chicago's most prolific and interesting artists, and we highlighted a couple of very special art collectors and their collections.&nbsp;Below is a summary of what we want to share with you again before this year ends. We look forward to sharing even more news and events with you in 2020!&nbsp;Happy new year!– Ginny Van Alyea, CGN Publisher&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417947/avxukaxvpewhwxsopiq7.gif"></figure><h3><a href="https://www.chicagogallerynews.com/news/2019/4/30-years-later-the-1989-river-north-fire">30 Years Later: The 1989 River North Fire</a></h3>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417948/ormqnobaotdfmjt9nlfk.jpg"></figure><h3><a href="https://www.chicagogallerynews.com/news/2019/5/a-new-mayor-and-a-new-role-for-the-arts-in-chicago">A New Mayor's Welcome Embrace of the Arts in Chicago</a></h3><h3>&nbsp;</h3><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417949/nchehxo1tlwgvcdeapxv.gif"></figure><h3><a href="https://www.chicagogallerynews.com/news/2019/9/collector-robert-buford-embracing-the-connectivity-of-art">Collector Robert Buford: Embracing the Connectivity of Art</a></h3>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417950/hqwydugw1qtuttm5rnoc.jpg"></figure><h3><a href="https://www.chicagogallerynews.com/news/2019/12/andrew-bae-announces-retirement-after-30-years-in-river-north">Andrew Bae Announces Retirement After 30 Years in River North</a></h3>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417951/rgf1mtoerqoynzydao8y.gif"></figure><h3><a href="https://www.chicagogallerynews.com/news/2019/1/6511e2a7-7a9d-4ec2-8a75-2baeb79ce99e">Tony Fitzpatrick's Second Act</a></h3>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417952/xnrwtzeuqleiv5dis7so.gif"></figure><h3><a href="https://www.chicagogallerynews.com/news/2019/7/money-talks-what-does-it-really-cost-to-make-a-gallery-last">Money Talks: What Does It Really Cost to Make a Gallery Last?</a></h3>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417953/u11yvshmlex0v6esfzrt.gif"></figure><h3><a href="https://www.chicagogallerynews.com/news/2019/9/nada-s-first-chicago-fair-invites-viewers-to-engage-with-art">NADA's First Chicago Fair Invites Viewers to Engage With Art</a></h3>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417954/cdrf6pog3undmofirvzo.gif"></figure><h3><a href="https://www.chicagogallerynews.com/news/2019/9/richard-hull-chicago-s-lasting-impression-on-an-artist">Richard Hull: Chicago's Lasting Impression on an Artist</a></h3>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417955/nn3dupg7h42bwspy9crs.gif"></figure><h3><a href="https://www.chicagogallerynews.com/news/2019/5/stewards-of-art-and-history-the-expansive-collection-of-lee-wesley-and-vicki-granacki">The Expansive Collection of Lee Wesley and Vicki Granacki</a></h3><h3>&nbsp;</h3><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417957/wc9mfgcfoosabhjcmgh9.gif"></figure><h3><a href="https://www.chicagogallerynews.com/news/2019/5/artist-edra-soto-mining-personal-history-to-create-artistic-engagement">Artist Edra Soto: Mining Personal History to Create Artistic Engagement</a></h3>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417958/ugd7r7tj7svjyetpxju5.gif"></figure><h3><a href="https://www.chicagogallerynews.com/news/2019/9/phyllis-bramson-reimagining-imagism-s-chicago-legacy">Phyllis Bramson: Reimagining Imagism's Chicago Legacy</a></h3>&nbsp;&nbsp;</body></html>

CGN's 2019 News Highlights

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418716/h2jbms0aebkvpfjwx0lr.gif"></figure>&nbsp;By CGN STAFFBuying art does not have to bust your bank account.&nbsp;CGN is home to hundreds of galleries and art spaces that each have dozens if not hundreds of works of art available—many at totally approachable price points. One of the most common queries we have heard from readers and friends over the years is, especially from those who are starting out and want to build a collection, 'Can you buy good art that doesn't cost a fortune?" Our answer is of course, yes! The challenge is more likely, where do you start?&nbsp;Art buying is very personal, and there are no right or wrong answers for what to buy and live with. But as we have been updating our website with 2020's new listings and shows, we have come across plenty of works of art priced under $1,000. We want to share them as a way to show just what one can expect to purchase in dozens of art spaces in the city and suburbs – each is a small business supporting many artists and creative professionals. We have selected a total of seven approachable works, ranging in price from $75–$1,000, highlighting one gallery from each of our geographic districts (from Michigan Ave. and West Town to the Suburbs). We have relied on prices posted on gallery websites and their (increasingly common) e-commerce sites. We love the conversations we have with dealers and artists in person, but there's no denying the rise of art buying online. In each example posted below, you will NOT find these items on Amazon, making these perfect for yourself as well as for gift giving.&nbsp;&nbsp;Some tips to keep in mind:• There are many factors that go into pricing art, such as the medium (photography and prints vs paintings), the quantity available (in an edition of 25 or a unique work) as well as the reputation of and career stage of the artist (a young, emerging artist vs a contemporary master)• Not all prices are marked when you visit a gallery exhibition or art fair. But that does not mean that you cannot ask for a price, and maybe even discuss a (be reasonable!) discount.&nbsp;• Payment plans are often available. Ask before you buy what the options are.• Explore on your own, and don't hesitate to contact a gallery or artist to get a conversation started.• Use CGN as your guide to learn when shows are happening where and then get out there and look for yourself!&nbsp;&nbsp;<h1>&nbsp;</h1><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418716/khfaacaegnvnk7lnex48.jpg"></figure>JOEL OPPENHEIMER INC. (DOWNTOWN/MICHIGAN AVE.)<a href="https://www.audubonart.com/shop/product/ocb-051-audubon-1st-ed-octavo-pl-51-rough-winged-swallow-7943?page=17&amp;order=list_price+asc">JOHN JAMES AUDUBON&nbsp;</a>1st Ed. Octavo Pl., 51 Rough-winged Swallow1839–1844Hand-colored lithograph, 6 1/2" x 10 1/4" (approx.)$75.00&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418717/a7m0uftppj3gktvwcgjy.jpg"></figure>&nbsp;CHICAGO PRINTMAKERS COLLABORATIVE (NORTH SIDE)<a href="https://www.chicagoprintmakers.com/purchase-prints/">KUMI OBATA&nbsp;</a>Day and Night That Scatter in the Universe9" x 7", color etching$140&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418718/fxnuaknmcfo2vnpivavm.jpg"></figure>VALE CRAFT GALLERY (RIVER NORTH)<a href="https://valecraftgallery.indiemade.com/product/david-huang-luminosity-1686copper-wpatina-sterling-silver-23-karat-gold-leaf-3-x-3-x-3-400">DAVID HUANG</a>Luminosity 1686Copper w/patina, Sterling Silver, 23-Karat gold leaf, 3" x 3" x 3"$400&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418719/kiyhu6fol4lv4kqm0r0m.png"></figure>FLXST CONTEMPORARY (SOUTH SIDE – PILSEN)<a href="https://www.flxst.co/shop/roberto-jamora-notes">ROBERTO JAMORA</a>Notes2019Silkscreen print on cotton rag paper, 15 x 18". Edition size: 20From $500.00&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418721/jhxdnn0ibgbdnw3zzxdx.png"></figure>WANTOOT GALLERY<a href="https://www.wantoot.com/collections/modern-american-art/products/mineral-point">RICHARD ABRAHAM</a>Mineral Point&nbsp;2015Original oil painting painted "en plein air" in Mineral Point, WI. Canvas board in wooden frame19.375" W x 16.375" H$700.00&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418722/zqiokcy37rbnqtqetbh6.jpg"></figure>ART POST GALLERY (SUBURBS – GLENCOE)<a href="https://artpostgallery.com/artists/rath-berger/strawberries/">RATH BERGER</a>StrawberriesOil on wood panel, 12" x 13" (Framed)$990 (Framed) &nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418722/puzyjovwcleffifjfydz.png"></figure>LINE DOT EDITIONS (WEST SIDE)<a href="https://www.linedoteditions.com/products/josh-grotto-80s-woman-with-a-cigarette">JOSH GROTTO</a>80s Woman with a Cigarette2019Mixed Media on Paper, 22" x 29" (26.5" x 33.5" Framed)$ 1,000.00&nbsp;<figure class="image"><img></figure>GALLERY VICTOR ARMENDARIZ (RIVER NORTH)<a href="https://www.galleryvictor.com/jim-rose-steel-furniture">JIM ROSE</a>Structure #210found steel7.50h x 7.25w x 3d in$725 &nbsp;&nbsp;(Also pictured at top of page as key image for article, Josh Grotto: Bonfire of the Vanities, $ 800.00 from Line Dot)&nbsp;&nbsp;</body></html>

Art Picks: Works Under $1,000

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418641/rhnzapqrb973p3lczmzg.gif"><figcaption>Could this be CGN’s publisher, Ginny Van Alyea?</figcaption></figure>By GINNY VAN ALYEAThe caption for the photo shown above reads, “Ginny made a fool of herself in the art gallery by admiring the fire alarm.”&nbsp;A friend gave it to me as a custom birthday card several years ago, and I have it framed and hanging in my office, mostly because it makes me laugh, but also because it’s a reminder that the art world can seem so intimidating to some people that they never fully explore it. For more than 35 years CGN’s mission has been to poke holes in that very perception. Art is about looking, which is why CGN truly wants readers to know that they are always invited to view art and to ask questions about it, and they are encouraged to seek out those who make art as well as champion it.There are currently many situations in our society where people worry about being perceived the wrong way or that what they think may be unpopular. As far as art is concerned, the enigmatic market influences of money, taste, and access can, understandably, lead people to assume that eye-popping auction prices or art fair name dropping mean that the average person could make a fool of himself if they don’t have the right knowledge or connections.I’ve been part of this community since 2002, and I’m honestly still figuring it out. Plenty of things, places and people continue to intimidate me, but I am committed to continually learning about what I like and don’t like as well as what’s current, even when it makes me feel uncomfortable or awkward. Ultimately, my experience, beyond market headlines and in the real world, is among a community of earnest and welcoming artists, dealers and collectors eager to connect through art, regardless of how it is personally interpreted. I’ve become more confident that it doesn’t matter so much what I think, relative to the prevailing consensus, but it matters that I observe and participate, and that I don’t hide out. I don’t even have to wear all black!The Art Institute of Chicago’s fall 2019 exhibition spanning decades of <a href="https://www.chicagogallerynews.com/news/2019/10/charting-andy-warhol-from-a-to-b-and-back-again">Andy Warhol’s career</a> demonstrated that artists often see things before others, and we can be the beneficiaries of knowledge offered through their vision. Warhol elevated the mundane to art. He also knew that what you see matters as much as being seen.We live in an intensely visual culture. Nearly everyone today has the tools to create and share their own images, while messages are relayed more rapidly and subject to the collective culture of ‘likes.’ It’s important to see art in person and for yourself – whether in a gallery, museum, or sculpture park – in order to take a break from the content bombardment and to participate in a deeper visual conversation.This is the fourth edition of our CGN Arts Guide, a 164 page invitation to go see art for yourself all year long, from Andy Warhol, to the artist who isn’t a household name yet.Maybe admiring that fire alarm – whatever form it takes – means I am not a fool, I am just slowing down to notice something in an every day detail. After all, everyone is a work in progress.&nbsp;</body></html>

Publisher's Letter: 2020

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418641/ewlbth4efylfweudhzit.gif"><figcaption>Visitors to Addington Gallery during a busy fall opening night</figcaption></figure>By CGN StaffArt walks have long been popular, since they are an inviting and manageable way to visit galleries and art spaces, usually in a single evening.&nbsp;In 2020 there are once again lots of local openings and open studio nights happening throughout the city, in the suburbs and beyond. Some events take place monthly and are named accordingly, while other events take place bi-monthly or quarterly. In every case it is good to <a href="https://www.chicagogallerynews.com/events?filter=openings">check in with CGN</a> or with individual organizations in advance of your visit in case a certain regular event happens to coincide with a holiday weekend, for instance.&nbsp;2020, because of the leap year (and a presidential election year! And a summer olympics year!) means that some dates which normally would be 'First Friday' are actually on the Second Friday, which is why it's so important to <a href="https://www.chicagogallerynews.com/events?filter=openings">check the CGN calendar</a> before heading out. Some date change-ups to note: galleries are mostly closed on Friday, January 3 and opening instead on January 10; the same goes for being closed July 3 but opening July 10; closed September 4 but opening on September 11, and so on!With galleries not quite as geographically concentrated as they once were, openings are sometimes spread out too, which can actually makes seeing all the shows a little easier, since you can have your pick of new shows on any given weekend throughout the year. Go to one district one evening and then to another one the following weekend. When there are clusters of openings happening, CGN will often share previews so you know what not to miss.Check out our updated list of regularly occurring walks and open houses below, and plan ahead to enjoy a night (or Saturday morning) out with art. Events are listed in order of when they take place (First Friday, 2nd Friday, 3rd Friday, Saturdays, Monthly, Quarterly and so on) and they take place all over: Chicago, the suburbs and beyond.&nbsp;Contact CGN to add a new event: info@chicagogallerynews.com–&nbsp;&nbsp;CHICAGO &nbsp;• Flat Iron – First Fridays&nbsp;&nbsp;&nbsp; 6–10pm. 1579 N. Milwaukee&nbsp;&nbsp; <a href="http://www.wickerparkbucktown.com/">Wickerparkbucktown.com</a>&nbsp;• River North Friday Openings&nbsp;&nbsp; 5–8pm. New shows generally open Jan 10, Mar 6, May 1, Jul 10, Sept 11, Nov 6&nbsp; &nbsp;<a href="https://www.chicagogallerynews.com/events?district=river-north&amp;filter=openings">CGN District Calendar</a> &nbsp;• Chicago Arts District – 2nd Fridays&nbsp; &nbsp; 6–10pm. S. Halsted/18th St. (Pilsen East)&nbsp; &nbsp; <a href="https://www.chicagogallerynews.com/organizations/chicago-arts-district--2">Chicagoartsdistrict.org</a> &nbsp;• Fine Arts Building – 2nd Fridays&nbsp;&nbsp; 5–9pm. 410 S. Michigan&nbsp;&nbsp; <a href="https://fineartsbuildingstudios.com/open-studios">Fineartsbuildingstudios.com</a>&nbsp;• Bridgeport Art Center – 3rd Fridays &nbsp; &nbsp;&nbsp;&nbsp; Open Studios, 7–10pm&nbsp;&nbsp; 1200 W. 35th St.&nbsp;&nbsp;&nbsp; &nbsp;<a href="https://www.chicagogallerynews.com/organizations/bridgeport-art-center">Bridgeportart.com</a> &nbsp;• Bronzeville Arts District Trolley Tour&nbsp;&nbsp; 3rd Fridays, June–September&nbsp;&nbsp; <a href="https://www.bronzevilleartdistrict.com/">Bronzevilleartdistrict.com</a>&nbsp;• Zhou B Art Center – 3rd Fridays&nbsp;&nbsp; 7–10pm. 1029 W. 35th St.&nbsp;&nbsp;&nbsp; &nbsp;<a href="http://www.zhoubartcenter.com/3rd-fridays.html">Zhoubartcenter.com</a> &nbsp;• River North Design District Gallery Walk&nbsp;&nbsp; Friday, September 11.&nbsp;&nbsp; &nbsp;Select showrooms and galleries&nbsp;&nbsp;&nbsp; &nbsp;<a href="https://rivernorthdesigndistrict.com/fall-gallery-walk/">Rivernorthdesigndistrict.com</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418642/tyvvtzyatuad1t6p239m.gif"><figcaption>Gallery nights, like Evanston Made’s member mixers, are an ideal way to gather with friends to see art, to meet artists and to tour creative neighborhoods</figcaption></figure>SUBURBS&nbsp;• First Saturdays and Evanston Made&nbsp;&nbsp; Check website for dates and times. &nbsp;&nbsp;&nbsp;&nbsp; Open studios and more on Chicago’s North Shore.&nbsp;&nbsp; &nbsp;<a href="https://evanstonmade.org/">Evanstonmade.org</a>&nbsp;• Oak Park Arts District (OPAD) – 3rd Fridays&nbsp; &nbsp;6–10pm. On Harrison St.&nbsp;&nbsp; <a href="http://oakparkartsdistrict.com/">Oakparkartsdistrict.com</a> &nbsp;MILWAUKEE &nbsp;• Gallery Night and Day MKE&nbsp;&nbsp; Milwaukee, WI – Historic Third Ward&nbsp;&nbsp; Jan 17–18, April 17–18, July 17–18, October 16–17.&nbsp; &nbsp;<a href="https://gallerynightmke.com/">gallerynightmke.com</a>&nbsp;</body></html>

2020 Art Walks

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418631/ndz6yrpvkr5ldtjbg9zc.jpg"><figcaption>CPC Director Deb Lader operates a press with visitors to the shop</figcaption></figure>&nbsp;By JACQUELINE LEWIS&nbsp;The longest running, independent print shop in Chicago, hits the big 3-0 with an eventful year planned to celebrate its exciting history.A Modest BeginningThe Chicago Printmakers Collaborative (CPC) is a gallery and workshop run by artists for artists. 30 years ago CPC first opened its doors in an old, rented, 2nd story walk-up in Chicago's west-side, Ukrainian Village neighborhood. The shop was born because artist Deborah Lader, CPC's eventual director, was searching for a place to print her work in Chicago. Frustrated by a lack of suitable places, Deborah eventually decided to open her own space, and then everything fell into place.&nbsp;Deborah used money she had saved, from teaching at Indiana University Fort Wayne, to purchase a defunct print shop, previously owned by artists Bill Cass and Lee Stoops. Now with a space to fill, she began scavenging the city for needed supplies. Deborah's initial worries about her new business venture were dispelled when her beloved grandmother passed away, leaving her the exact amount of money she needed to purchase her first lithography press. Despite the personal loss, she now believed that the printmaking shop was meant to be. Deborah named that first press, bought in 1990, ‘Edith,’ after her grandmother. And with that key piece of equipment, CPC was born.With the space, supplies and press in place, Deborah hoped that if she found some lithographic stones, as well as some important – but toxic, she admits – chemicals, the artists would come. And they did.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418632/s1navutgurhyt1byfbt6.png"><figcaption>Catherine Winings prints a 4-color etching</figcaption></figure>CPC Today30 years later Chicago Printmakers Collaborative now occupies their own space in Lincoln Square, featuring natural skylights that illuminate improved equipment – and less toxic chemicals. Though they moved just four tedious, stressful and expensive blocks in 2015, Deborah says now she feels like acquiring the space was “nothing short of a miracle” and that everyone feels at home in this location.They're also able to offer more than ever. CPC currently houses an affordable print shop and hosts classes, workshops and lectures that serve the Chicago community. They feature equipment and materials to facilitate an impressive array of printmaking techniques, including lithography, etching, relief, monotype, books, and photography. Since screen printing was introduced in 1994, it has remained the shop's most popular class.CPC also hosts international, as well as many local, print exhibitions, which have included resident group shows, touring shows and visiting artist exhibitions. Exhibitions often show traditional prints as well as works that challenge the more standardized “rules” of printmaking, with the hope that highlighting a range of work can expand the boundaries of the medium.The Community &amp; RecognitionCPC teaches hundreds of students who work diligently alongside professional printmakers, many of whom have wonderful things to say. CPC student George Bodmer shared, “The class was engaging, eye-opening, and addictive. Since then I have worked in various venues, with different presses, but constantly. The class at CPC really changed my life and hooked me on etching. Somebody last year asked me how many etchings I had done, and I looked and saw that I had averaged 25 a year for the last eight years; that’s an average of one every other week. The CPC provides a supportive artistic community, and provides a real addition to the neighborhood. When I was in a serious accident and hospitalized for a month four years ago, the CPC sent me some grounded plates to draw on, which really cheered me up.&nbsp;For the last several years I have exhibited almost continuously. CPC started the ball rolling for me.”&nbsp;CPC has also collaborated with a diverse group of civic organizations and corporations, ranging from the Chicago Park District and Gallery 37, to Target, with the intent of getting young artists excited about printmaking. The shop has also participated in international exchange collaborations with similar institutions, such as the Hard Ground Printmakers Studio in Cape Town, South Africa, and Galerie la Hune-Brenner in Paris, France, to name a few.&nbsp;Colleagues who have partnered with CPC also have raving reviews regarding their experiences. Mindy Neveaux, Events Manager of the Inspiration Corporatio said, “As the Event Manager at a local non-profit that helps homeless and low-income Chicagoans get back on their feet, I am so thankful for our partnership with CPC.&nbsp; Every March we hold our biggest fundraising event, One Inspired Evening. It’s a silent art auction and is dependent on art donations from local and national artists.&nbsp; The CPC has generously recruited their artists on our behalf and donated many, many wonderful pieces of art to the event.”The institution’s efforts have not gone unnoticed by the greater community. CPC's director, Deborah, has been awarded the Columbia College of Chicago Paul Berger Arts Entrepreneurship Award, which honored CPC as an innovator among the many artistic institutions in Chicago. CPC also received the Arts Advocate Award from the Ravenswood Art Walk in 2007, as well as the Cultural Contributor of the Year award from Lincoln Square Chamber of Commerce in 2003.&nbsp;CPC’s gallery walls and flat files are now home to the works of over 85 artists, including: Hiroshi Ariyama, Matt Bodett, David Driesbach, Tony Fitzpatrick, Christine Gendre-Bergere, Karinna Gomez, Michael Goro, Dan Grzeca, Eric Hoffman, Mirka Hokkanen, Teresa James, Raeleen Kao, Ryan Kapp, Amos P. Kennedy Jr., Damon Kowarsky, Karen Kunc, Deborah Maris Lader, Kim Laurel, Carrie Lingscheit, Kumi Obata, Dennis O’Malley, Jaco Putker, Artemio Rodriguez, Jay Ryan, Jeff Sippel, Sarah Smelser, Megan Sterling, Kouki Tsuritani, Nicola Villa, Art Werger, Scott Westgard and others.Exhibition openings and open houses for group shows occur throughout the year on Saturday evenings, from 5–8pm.<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418633/ucekwxyumzhnopexydwq.png"><figcaption>A CPC STEAMROLLER event from 2018</figcaption></figure>What’s NextBesides continuing to improve the Lincoln Square location, CPC will be anchoring a brand new neighborhood arts fest, STEAMROLLER 2020, which will take place on July 25, 2020. This fest will close down an entire section of Lincoln Avenue so Deborah can live out one of her own "bucket list" items. During this fest visitors will have the chance to see Deborah print eight-foot woodcuts in the middle of a busy city street.CPC will first kick off their year of celebrations this weekend, when the <a href="https://www.chicagogallerynews.com/events/the-30th-international-small-print-show">30th Annual International Small Print Show</a> opens. Visit the shop from 11am–7pm on Saturday, December 7 and Sunday, December 8 to begin toasting CPC’s anniversary and to view the new exhibition, shop for the holidays and enjoy the festivities. The show boasts over 60 artists from all over the world as well as handmade gifts plus refreshments.There is a plethora of other “30” themed events to celebrate CPC's milestone in 2020, including open houses, a collaborative print portfolio called 30/2020, an exhibition called 30 artists/30 years, a $30 sale, a stellar parade of visiting artists (Beauvais Lyons, Stephen Prince, Charles Cohan, and others), the 30-year celebratory STEAMROLLER arts fest, and much more.Keep track of all these events on <a href="https://www.chicagogallerynews.com/organizations/chicago-printmakers-collaborative--3">CPC’s listing</a> and by checking their <a href="https://www.chicagoprintmakers.com/">website.</a>Happy anniversary!&nbsp;&nbsp; &nbsp;</body></html>

Chicago's Longest Running, Independent Print Shop Celebrates 30 Years

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418705/klyo4ar1hnidnzlvnbrz.jpg"><figcaption>The tree in Daley Plaza (before moving to Millennium Park) next to the Picasso</figcaption></figure>By GINNY VAN ALYEAQuick! The holidays are upon us! This can either be stressful or a chance to be inspired by the season. In the CGN office, with our annual guide deadline behind us (early!) we are having fun thinking of all the ways we can actually enjoy art and the holidays this month, though we are highly aware that the shortened season means we have a lot to pack in in the next couple of weeks.Seeking out and appreciating art, and the artists who make it, can give you a special chance to enjoy culture and art this time of year. In this age of shop-from-your-couch from the world's mega companies, buying tickets to area museums and visiting local galleries and studios is an important way to support our vital, creative neighbors who do something independent every day of the year.&nbsp;Here for you is an artistic round-up of under-the-radar things to experience as well as share with loved ones from now until the new year. Go check out a museum you haven't visited before, take a selfie with the Art Institute's wreathed lions, buy art from a student, and just try to add some creativity and a unique spirit to your holidays. From luxe auctions to visits with Santa, there is a lot to do!&nbsp;There are also, of course, many ways – from checking out public art to attending a gallery talk or artist demonstration – to enjoy art without spending a dime.We add new events and exhibitions to the <a href="https://www.chicagogallerynews.com/events">CGN Calendar</a> every day, so check it out to discover more holiday art events as well as plan for a new year of art.&nbsp;Enjoy art however you can this time of year, and be on the lookout soon for our red, 2020 CGN Arts Guide, arriving mid-month!&nbsp;&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418706/tfekb2bkiheuptj3bxlc.jpg"><figcaption>The Art Institute's Lions are festive</figcaption></figure>Buildings Decorated for the HolidaysThe Chicago Architecture Center rounded up a list of some of the city’s iconic architecture decorated for the holidays. As they say, these buildings bring new meaning to the phrase “deck the halls”, including: the Railway Exchange Building (former home of CAC), 875 N. Michigan Ave (formerly John Hancock Center), the Art Institute of Chicago, Daley Plaza and Christkindlmarket, and others.&nbsp;CAC also offers many walking and bus tours of architecture throughout the area this time of year. Plus they have a <a href="https://shop.architecture.org/shop-by-collection/gifts.html">full store</a> of design and architecture-themed items in their new center on the Chicago River at the Michigan Ave. bridge, with special discounts for CAC members.&nbsp;And this Saturday from 1-2pm CAC offers a family day featuring <a href="https://www.chicagogallerynews.com/events/gingerbread-bungalows-with-pastry-chef-gale-gand">Gingerbread Bungalows</a> with Pastry Chef Gale Gand.<a href="http://www.architecture.org/news/historic-chicago/buildings-decorated-for-the-holidays/?utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=ENEWS_December2019&amp;utm_content=Buildings%20decorated_version_A&amp;sourceNumber=101053">Chicago Architecture Center</a>&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418707/ujido0tkisntjfjhpypx.gif"><figcaption>EXPO CHICAGO is selling a limited edition print by artist Nick Cave as well as an EXPO 2019 poster.&nbsp;</figcaption></figure>EXPO CHICAGO Limited Edition Nick Cave Print/Poster&nbsp; EXPO CHICAGO unveiled a special 2019 Poster,&nbsp;designed by Nick Cave and Bob Faust of Facility, at the fair in September. The image is a collectable&nbsp;momento to the artistic legacy of Chicago. Now through December 30, use promo code "HOLIDAY20" to score 20% off the artist-designed&nbsp;poster. A portion of all proceeds will go to <a href="https://expochicago.us4.list-manage.com/track/click?u=feab88d1702b05fff44372e88&amp;id=2123148e6f&amp;e=c5b146cc27">Facility Foundation</a>, which provides scholarships and opportunities for emerging and established artists alike.&nbsp;This is a great, affordable way to own a frameable piece&nbsp;from the artist that T Magazine hailed as "The&nbsp;Most Joyful, and Critical, Artist in America."The limited edition print is $3,000. The poster is $50.<a href="https://www.expochicago.com/print/purchase-limited-edition-print-poster">EXPO CHICAGO</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418708/iko7eonjrucuhbaqdi2y.jpg"><figcaption>A miniature menorah is placed in Mrs. James Ward Thorne's A-37: California Hallway, about 1940. Gift of Mrs. James Ward Thorne.</figcaption></figure>The Holiday Thorne Rooms at the Art InstituteWe highlighted this one last year, but we have to include it again. There is no shortage of festivity at the Art Institute of Chicago, but make sure to visit the Thorne Rooms this season, as they are once again getting their seasonal trimmings. Among the most elaborate is the English Drawing Room of the Victorian Period, the only room with a Christmas tree. The Thorne Room tree and accoutrements are based on a famous engraving of Prince Albert and Queen Victoria and their children surrounding a trimmed and toy-bedecked tree, an image that would forever popularize this holiday fixture.&nbsp;Other ornamented rooms include:&nbsp;<ul><li>The English Great Hall of the Tudor period with a wassailing bowl, yule log, and an essential part of the costuming for that period’s singing and dancing revelers—a mummer’s mask</li><li>The Virginia Entrance Hall with mistletoe, wreath, and garland</li><li>The French Provincial Bedroom with shoes, or sabots, lined up before the fireplace, a crèche, and puzzle</li><li>The modern-era California Hallway with an Otto Natzler mid-century menorah and box with a dreidel</li><li>The New Orleans, New Mexico, and the Pennsylvania Dutch (German) rooms filled with regional treats of the season</li><li>The 1930s French Library with a tiny taste of Art Deco holiday glamour</li><li>The traditional Chinese interior filled with shadow puppets and instruments that would have been used to celebrate the Chinese New Year as well as other festive occasions</li></ul><a href="https://www.artic.edu/exhibitions/9128/holiday-thorne-rooms">The Art Institute of Chicago</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418709/ch7e7c0kxbue9x34tros.gif"></figure>Shop the School of the Art InstituteThe SAIC Store is the only online retail website that offers&nbsp;official School of the Art Institute of Chicago apparel and accessories, many of which are clever ways to support the school and to don cheeky messages about life as an art student. Popular t-shirts and accessories sell out fast, such as the falling ice pin (pictured above) to show your Chicago winter pride, and this 'sporty' t-shirt touting SAIC's remarkable athletic legacy...<a href="https://saicstore.myshopify.com/">SAIC Store</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418710/xukq9qgodrp8dgjgbfje.jpg"><figcaption>Wilson 1st Edition, Pl. 35 Winter Falcon; Magpie; Crow</figcaption></figure>Holiday Gallery Tours at Joel OppenheimerOn Saturdays through the end of the year Joel Oppenheimer Gallery, located in the Tree Studios near Michigan Ave., is offering short behind the scenes tours of Oppenheimer's Audubon and Natural History Art Collections from the 17–19th centuries. Tours begin at 11am on Saturdays during the Holiday Season and last about 20 minutes.<a href="https://www.chicagogallerynews.com/organizations/joel-oppenheimer-inc">Joel Oppenheimer Gallery</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418711/kpgsnld23sjtyldbyydf.gif"></figure>Wrap it Up!Gallery Victor Armendariz opens its annual holiday sale of works from the studio (Affordable art! Emerging! Small! Shareable!) on Friday, December 6 in River North.&nbsp;<a href="https://www.chicagogallerynews.com/organizations/gallery-victor-armendariz">Gallery Victor Armendariz</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418712/g4hlporkv7jthz1leg7g.jpg"></figure>Santa at the Driehaus MuseumFor the next two weekends you can see Santa at the Driehaus Museum just off of Michigan Ave. There's hardly a more festive way to time travel to the Gilded Age. The museum offers timed tickets for 9 a.m., 10 a.m., 11 a.m. and Noon. Children 3–17: $8, Adults: $15, 2 &amp; under: FREE. Get your picture taken with Santa, and afterward, get in the spirit with holiday games, live music, and performances as you explore the museum.The exhibition Eternal Light: The Sacred Stained Glass of Louis Comfort Tiffany is also on view.&nbsp;<a href="https://www.chicagogallerynews.com/organizations/richard-h-driehaus-museum">Richard H. Driehaus Museum</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418713/ulrddoggug4exw5ivjvl.gif"><figcaption>Suit by Vivienne Westwood, 1990s</figcaption></figure>Luxe Holiday Auction at HindmanHindman is having an online-only Luxe Holiday auction featuring Property from Ebony Fashion Fair: The Final Show starting this Friday, December 6. &nbsp;The auction contains the last available collection of clothing from Ebony Fashion Fair. Created in Chicago at Johnson Publishing Company in 1958 by the company’s co-founder, Eunice Walker Johnson, Ebony Fashion Fair became the world’s largest traveling fashion show and featured in cities around the United States, Canada and the Caribbean. The auction will include iconic and exceptionally rare designs from Ebony Fashion Fair by Yves Saint Laurent, Christian Dior, Paco Rabanne, Emanuel Ungaro, Pierre Cardin, Patrick Kelly, Vivienne Westwood, John Galliano, Issey Miyake, Bob Mackie, Jean-Louis Scherrer, Christian LaCroix and many more.In addition to Ebony Fashion Fair designs, Luxe Holiday features an impressive collection of luxury couture, fur and accessories for the holiday season.<a href="https://www.chicagogallerynews.com/events/luxe-holiday-6f7ee5f0-a778-4551-bff4-6826edbdce02">Hindman</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418713/jduu96orx64ll9gfsylm.gif"></figure>How to Buy Fine Art as a GiftVisit the Palette and Chisel Academy of Fine Arts to hear from Chicago artists Steve Puttrich,&nbsp;Virginia Ferrante-Iqbal and Mary Longe about how to look at and buy a painting for the pleasure of someone else. Learn how to consider what a person might like, and art that might please them. Understand basics of the art market and investment potential. The artists will give a tour of P&amp;C's current show by the Plein Air Painters Chicago as a way to illustrate the key points of the presentation.&nbsp;<a href="https://www.chicagogallerynews.com/events/how-to-buy-fine-art-as-a-gift">Palette and Chisel Academy of Fine Arts</a>&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418714/mg1wjagmlxb7l8l4qtlh.gif"></figure>The Gift of InformationTime to toot our own horn! Share a <a href="https://www.chicagogallerynews.com/print-subscriptions">print subscription</a> to CGN for 3 issues for $20 a year.&nbsp;If you sign up by December 9 and <a href="info@chicagogallerynews.com">get in touch</a> with us, we will mail a 2019 CGN Arts Guide or our fall magazine with a gift certificate to announce your 2020 gift subscription. The new edition will arrive in mid-December.&nbsp;CGN has been spreading the spirt of art since the winter of 1982/83, and what began as a four page pamphlet to promote 16 galleries is now a 160 page annual arts guide, a summer as well as fall magazine featuring art news and interviews, and a comprehensive website telling you everything you need to know about art everyday in Chicago and the near-Midwest.&nbsp;Subscribe to <a href="https://www.chicagogallerynews.com/print-subscriptions">Chicago Gallery News (CGN)</a>Tel 312 649 0064&nbsp;&nbsp;</body></html>

Embrace the Joy and Art of the Season

By Jacqueline LewisAfter almost two years of secretive construction, the world’s biggest Starbucks opened its doors on Michigan Avenue to winding lines of eager guests on Friday.<figure class="image"><img src="https://lh4.googleusercontent.com/8E-jZ-rbIEflzNLPuGB2RjIJnrzavuaoFB46M4yFPb4udBznpUnZnDg47_PLsmb-w59a_dv6vqNBlGmXVbt2JJS6Ga9b_XwuBDpFyAcoP1IY8-d7z9LpsMe7AfXrSyE3fNR1h2gy"></figure>At 9am on November 15th, Starbucks enthusiasts pushed their way into the long awaited Starbucks Reserve on the corner of Michigan and Erie. Once the flagship store for Crate &amp; Barrel, the building has been seemingly empty for two years. Now, this newly unveiled mega store is enticing to art, architecture and coffee enthusiasts alike!<figure class="image"><img src="https://lh5.googleusercontent.com/WCKeGpp51MhPOxh-wlj_H3gy5Q6xjboWiUvvwJ4RvQerv9grT4XIY7QeN2N_aLfnuF-9D9nixPeIiG_3H5wpbIytN-m6s6JMKa_yW96EWxbM-LRgVrDaK9CqC3wan99zPXS7stCe"></figure>The corner space boasts of 4 stories and a rooftop for a 35,000 square foot, coffee experience. Each floor has something different to offer, from liquid nitrogen gelato and Princi pastries, to barrel aged cold brew and a curated cocktail bar. If you are looking for a basic coffee, check your local Starbucks instead because this place is more of an experience than a coffee shop.<figure class="image"><img src="https://lh5.googleusercontent.com/EoIOnp1CtEAfhg8lg3mHr_0v1B2y4sGJ77f0LWNTfBK00RXop0Iy6z2-9ZdnZgYJBUgaCHI_1Vo1vrSMVKE0ur8q60bR_NMPt64LE9CjEn4mHezcxzvPRnB9OWnU8abFdj8VT7vX"></figure>The outside of the building resembles a french press, which is one of the many available brewing methods available inside. The interior celebrates the process of creation through its architectural choices. Instead of hiding the brewing and bean processes, the machinery is the store’s main focal point. Each floor twists around large golden shoots (Starbucks’ tallest steel casks) that blend sculpture with function. The casks moves and rests recently roasted beans while visitors watch as they accumulate throughout the day.<figure class="image"><img src="https://lh5.googleusercontent.com/ERT2OGUnxkJawWNk1SDKpsvzEqItqkA_vbNa6BkNBe-I5TCk2AL-yH5nuUStqCPcsB3j4wRQ6N0KpKFISJIye-n2BvFVTJlgerTCsi9DnpX1SqB31Aat-sh4acBtY5Fu2N6eS8sR"></figure>“The design of the Chicago Roastery was inspired by the iconic Chicago landmark, and the city itself,” said Jill Enomoto, vice president of Roastery Design &amp; Concept for Starbucks. The floor to ceiling windows allow for this natural light to enter and bring the bustling city into the space. At the same time, the light, the ceiling design, and the curved elevators (the first in the Midwest) direct visitors upwards through the space.<figure class="image"><img src="https://lh4.googleusercontent.com/dSl5HuajO7J5lgfWiO1ekCn0O6Ndp3hLD4Z7Bi_dBLPEGZpa1dfaROzM4jFBbaSWY9XBrtDhnU_rgcudFIz9HTxq2nbgMPLEhjEr5sbocKzDgwJXHCVUKtwAcA-WA6UwLI5dsn8G"></figure>On top of the intriguing architecture, the walls are lined with artwork from local Chicago artists. There is a mural by Eulojio Ortega that follows the staircase on the back wall up all five floors. The mural tells the true story of coffee. It explores the agricultural side of coffee, thanking the farmers and coffee farms that support the entire coffee industry.<figure class="image"><img src="https://lh3.googleusercontent.com/znTR46BrkWWN-VpSxSGf2mniXKyEtSPwfjNzmlpZXlhDwjQeGTeVTGf4bI8KS9YfbKqEVprhPHjJ5ElU8fWE_Q-FvAwSfrJ4b87ga-ZjVxmQpgOg4ndAn1QZ6h6wvVdrlRiAMNME"></figure>The store is also selling location specific, commemorative memorabilia by Chicago artist and designer Mac Blackout. This includes a hand painted, $6,500 La Marcozza Linea mini espresso machine as well as a painted jukebox.As opening day comes to a close, the lines are still long with an average wait time throughout the day of 2.5-3 hours. Chicagoans are definitely not missing their first chance to view this coffee store masterpiece!<figure class="image"><img src="https://lh5.googleusercontent.com/J716DdqWHqsKZ9X44MNouAsh9ObETIkcVv8hMJm6kEE1mtQeBfF9siIqZ_4UiCjRMoIriG_ZgyWb9XLFffvk1l_CRRHn1i1FMJNuKMPZoybZkgfx5d9Q8iHOPXj3WtVjMQ0-ZFKa"></figure>&nbsp;More info may be found <a href="https://www.starbucksreserve.com/en-us/locations/chicago">here</a>&nbsp;&nbsp;

Chicago's Coffee Mecca is a Lot of Buzz and a Little Bit Art 

<html><head></head><body>By GINNY VAN ALYEAWe are coming up on a busy weekend of art, but we can't forget that Halloween kicks things off this Thursday. Followed by Day of the Dead on Friday!&nbsp;Whether you are still looking for artistic costume inspiration, or just want to see Bob Ross costumes three ways, we hope you'll enjoy our summary of artist-inspired looks on the internet, as well as our wrap up of festive exhibitions and art events taking place around Chicago this holiday!&nbsp;Trick or treat!&nbsp;&nbsp;<h3>Dress up as an artist – Or if you are an artist, pretend to be another one!&nbsp;</h3>• <a href="http://thrifteye.com/2015/10/halloween-costume-ideas-yayoi-kusama/">Yayoi Kusama</a><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418631/dorx1wkdbu4ff2gnmlfd.png"></figure>&nbsp;• Munch's <a href="https://www.ebay.com/i/133147572542?chn=ps&amp;norover=1&amp;mkevt=1&amp;mkrid=711-117182-37290-0&amp;mkcid=2&amp;itemid=133147572542&amp;targetid=809743846505&amp;device=c&amp;mktype=pla&amp;googleloc=9016202&amp;poi=&amp;campaignid=6470742422&amp;mkgroupid=80120006760&amp;rlsatarget=pla-809743846505&amp;abcId=1141156&amp;merchantid=118867360&amp;gclid=Cj0KCQjw6eTtBRDdARIsANZWjYYZNUzp92Nftv0I6Lon3_X8Xkkkn3Gewobm2cU4Wkcvt6qFx6Z-lAIaAh2KEALw_wcB">The Scream</a><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418632/w4vmniply7o5ttgrkchc.jpg"></figure>&nbsp;&nbsp;• Bob Ross<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418633/wk69l2msvasb2hu6xjlo.gif"></figure>You can be <a href="https://www.partycity.com/adult-bob-ross-costume-accessory-kit-751709.html">Bob Ross</a>, <a href="https://www.amazon.com/Ross-Wearable-Painting-Couples-Costume/dp/B07GL3BVF4/ref=asc_df_B07GL3BVF4/?tag=hyprod-20&amp;linkCode=df0&amp;hvadid=241925891693&amp;hvpos=1o7&amp;hvnetw=g&amp;hvrand=6685068640271660877&amp;hvpone=&amp;hvptwo=&amp;hvqmt=&amp;hvdev=c&amp;hvdvcmdl=&amp;hvlocint=&amp;hvlocphy=9016202&amp;hvtargid=pla-571959136977&amp;psc=1">you and a significant other</a> can be Bob Ross at work, or you can just <a href="https://www.amazon.com/Bob-Ross-Painting-Tunic-Dress/dp/B01GNOVZ82/ref=asc_df_B01GNOVZ82/?tag=hyprod-20&amp;linkCode=df0&amp;hvadid=312142324708&amp;hvpos=1o5&amp;hvnetw=g&amp;hvrand=6685068640271660877&amp;hvpone=&amp;hvptwo=&amp;hvqmt=&amp;hvdev=c&amp;hvdvcmdl=&amp;hvlocint=&amp;hvlocphy=9016202&amp;hvtargid=pla-524451010921&amp;psc=1">be a canvas</a> for some happy little trees. The possibilities, as always, are truly endless.&nbsp;&nbsp;• <a href="https://mymodernmet.com/famous-paintings-art-history-halloween-costumes/">Go as a Group</a><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418634/dd1hpka60h7pzcahnonz.gif"></figure>Last Halloween marked the 22nd annual Halloween parade in the city of Kawasaki in Japan. 2,000 fish-net clad art lovers dressed as famous paintings. (Via My Modern Met)&nbsp;• POP! Goes the CostumeGet your own 15 minutes and channel <a href="https://theculturetrip.com/north-america/usa/articles/13-halloween-costume-ideas-inspired-by-the-art-world/">Roy Lichtenstein</a>, or if limiting costumes to your own children is more your speed, go for an <a href="https://theculturetrip.com/north-america/usa/articles/13-halloween-costume-ideas-inspired-by-the-art-world/">Andy Warhol </a>mini me.<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418635/bomzdwl4q37ipsa36ak7.gif"></figure><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418636/n5mbw45pvhnmwwktny1m.gif"></figure>&nbsp;&nbsp;<h3>Go in Search of Spooky Art</h3><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418637/dqn8s08wagnnymoyhpec.gif"></figure><a href="https://www.chicagogallerynews.com/organizations/pagoda-red--2">• Pagoda Red</a> is offering a selection of unique and antique spooky finds, from ravens and folk art crows to a portrait of mysterious sisters and a pair of scissors...&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418638/qp5xquekqedlfcczqnu8.png"></figure><a href="https://www.chicagogallerynews.com/events/vga-s-cosplay-ball">• Video Game Art Gallery</a> (VGA) is hosting a special (and ticketed) event where you are invited to rock a costume inspired by your favorite game character and enjoy an evening of art, games, music, hors d’oeuvres, and drinks while supporting exhibitions and programs in VGA Gallery's 2019-2020 season. Winners of the costume contest will be eligible for prizes. This year, VGA is proud to honor artist, professor and curator Jon Cates for his deep and significant contribution to video games and new media art.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418639/iamcjf3ra0fcxndj762s.png"></figure>• <a href="https://www.chicagogallerynews.com/events/i-walked-with-a-zombie-1943">The Block Museum</a> is screening I Walked with a Zombie (1943). The collaboration between RKO producer Val Lewton and director Jacques Tourneur is one of the most celebrated in the history of horror, and I Walked with a Zombie may be the pair’s masterpiece. This subtle and unnerving supernatural tale, inspired by Charlotte Brontë’s Jane Eyre, unfolds on a West Indies sugar plantation, where a voodoo curse seems to possess the soul of the plantation owner’s wife. The film’s mesmerizing low-key cinematography conjures an atmosphere of exotic dread and uncertainty, but the darkest shadow cast in this Gothic melodrama is the one cast by the island’s ugly history of slavery and colonialism.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418640/x3f4onzshqs3qgat40b5.jpg"><figcaption>Possession</figcaption></figure>• The MCA celebrates Halloween with a <a href="https://www.chicagogallerynews.com/events/bad-femme-halloween-double-feature-hosted-by-kat-sass-and-siichele">double-feature centered around evil women</a> characters. Watch two historical art house horror films, Dario Argento’s Suspiria (1977) and Andrzej Żuławski’s Possession (1981) hosted by Chicago horror drag queens Kat Sass and Siichele.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418640/cozshmcqq6fayjgs4o4t.jpg"></figure>• This weekend the <a href="https://www.chicagogallerynews.com/events/dia-de-muertos-day-of-the-dead-2019">Snite Museum of Art</a> in South Bend, IN hosts a lighter celebration of Día de Muertos (Day of the Dead). There will be ofrendas&nbsp;(small altars) honoring the lives of those who have passed before us constructed&nbsp;by local artists and organizations. Enjoy music and dancing by local performers. Participate in educational and entertaining children's activities.</body></html>

Boo! Have an Artful Halloween...

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418621/actl48sttebh7xjwjomu.gif"><figcaption>Visitors wait to enter the new Green Line Arts Center in 2018&nbsp;</figcaption></figure>&nbsp;By JACQUELINE LEWISVisitors who venture from Chicago’s established art centers can experience even more of the free, public spectrum of art that the city has to offer this fall. If you have wanted to check out these locations but aren’t familiar with where to go, use this list as a starting point and tour the uniquely creative, community-focused South Side in order to become acquainted with some of the area’s longest standing Institutions as well as glimpse exciting new cultural developments. Spend an entire day moving between each of the locations listed here, or stop in to any one on your own time, and you will start to appreciate what these often under-explored spaces have to offer. &nbsp;<a href="https://www.chicagogallerynews.com/organizations/smart-museum-of-art">Smart Museum of Art</a>Start in Hyde Park at the University of Chicago’s Smart Museum, where you can see multiple works by internationally-known artists in an intimate yet spacious museum that offers a rich permanent collection as well as a dynamic exhibition schedule. During EXPO Art Week an opening reception for Samson Young: Silver Moon or Golden Star, Which Will You Buy Of Me? takes place September 17, 7–9pm. In his first solo museum exhibition in the U.S., Young premieres a trilogy of animated music videos that explore varying concepts of social progress and utopia.Founded in 1974 this (free) museum’s collection includes works by artists from Toulouse-Lautrec and Otto Dix, to Frank Lloyd Wright and Nick Cave. &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;<a href="https://arts.uchicago.edu/apl/glpac">Green Line Performing Arts Center</a>The University of Chicago’s Green Line Performing Arts Center is the most recent addition to the UChicago Arts + Public Life initiative, connecting academics with local artists in the neighboring South Side communities. Opened in late 2018 the center offers a professional theater space, the first in the community in decades, with a focus on community involvement, specifically training in the performing arts. &nbsp; &nbsp; arts.uchicago.edu/apl/glpac&nbsp;<a href="https://www.chicagogallerynews.com/organizations/hyde-park-art-center-hpac">Hyde Park Art Center</a>While you are still in the area check out the Hyde Park Art Center, a hub for contemporary art – founded in 1939 – located near the lake on South Cornell Ave. Mounting about 20 exhibitions per year, offering classes for the public, plus hundreds of free events, there is something for everyone at every stage of arts engagement. HPAC even offers classes in curation as well as many opportunities for visual artists. Intersectional Touch, on view thru November 4, exhibits artists from HPAC’s professional development initiative. Artists may also apply for their own exhibitions. &nbsp; &nbsp;&nbsp;<a href="https://www.chicagogallerynews.com/organizations/stony-island-arts-bank">Stony Island Arts Bank</a>Not quite two miles south of HPAC, past the Midway Plaisance and Washington Park, you will arrive at the Stony Island Arts Bank, founded by artist Theaster Gates in 2015 in the Dorchester neighborhood. A one-of-a-kind gallery, media archive, library and community center, the Arts Bank offers free classes – even yoga, dance and meditation – weekly events and art programming. The Bank, as it is locally known, holds extended hours on Fridays and Saturdays and is home to an extensive media archive that includes Frankie Knuckles’s vinyl collection. If you don’t know him, he is known as the Godfather of House Music. &nbsp; &nbsp; &nbsp;<a href="https://www.chicagogallerynews.com/organizations/south-side-community-art-center">South Side Community Art Center</a>Heading back north, between Bronzeville and Bridgeport, you will find the South Side Community Art Center, a Chicago Historic Landmark that has been thriving for 77 years. Founded by Dr. Margaret Burroughs and other African American artists, SSCAC promotes the legacy and future of African American art through its series of exhibitions as well as a popular artist talks that cultivate conversation and engagement with others in the Chicago art scene and beyond. sscartcenter.org&nbsp;<a href="https://www.chicagogallerynews.com/organizations/bridgeport-art-center">Bridgeport Art Center</a>Along West 35th Street the Bridgeport Art Center, a 500,000 square foot arts base located in the former Spiegel Catalog Warehouse, prides itself on being a “multidisciplinary creative home” to more than 150 artists. With plentiful space to create and share art, including three galleries as well as multiple artist studios, small businesses, and even museums, on the 3rd Friday of each month from 7–10pm, you’re invited to enjoy free, lively opening receptions and events. There is parking in an adjacent lot. &nbsp;<a href="https://www.shanecampbellgallery.com/">Shane Campbell Gallery</a>Heading north towards downtown a final stop on the tour is the Shane Campbell Gallery, located in the South Loop. Campbell moved his gallery to the area after years in West Town. He offers exhibitions, as well as a shop bursting with media, music and rare books specifically curated by the artist on view – a unique opportunity to purchase books and glimpse the mind of the artist on display.Upcoming exhibitions by Zak Prekop of Brooklyn and Chris Bradley from Chicago are lined up for fall 2019.&nbsp;&nbsp;&nbsp;A New Direction – Following Changes on the City's South Side<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418622/zdrnpoy7gqjperiplcya.gif"></figure><a href="https://oi.uchicago.edu">THE ORIENTAL INSTITUTE</a>In honor of its centennial, the Oriental Institute at the University of Chicago is hosting celebratory exhibitions and plans all fall, including the completion of the Gallery Enhancements Project to improve the visitor experience in the galleries and to display artifacts from the museum’s collection that have not previously been publicly displayed. &nbsp; &nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418624/imzaf2fuwlsr1won6iyk.gif"></figure><a href="https://www.bronzevilleartdistrict.com/">BRONZEVILLE</a>Gallery Guichard, with the Purpose Foundation, received a formerly vacant lot from the City of Chicago to transform it into an exterior gallery with rotating sculpture exhibits.&nbsp;Illinois Tech Master of Landscape Architecture students, Jiaming Sun and Yu Si, designed a fence for the Great Migration Sculpture Garden in Bronzeville. Named for the experience of African-Americans moving from the South to the North between 1916 and the 1970s, the garden includes a commissioned solar pyramid by Chicago artist Shala.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418625/ys1nmv2wqcvnvidgkbte.gif"></figure><a href="https://www.chicagogallerynews.com/organizations/logan-center-exhibitions">THE LOGAN CENTER</a>Gifted by the Reva and David Logan Foundation, a rotating selection of Henri Matisse’s Jazz prints is now on permanent display at the Logan Center.&nbsp;Reflecting the spirit of inquiry at the University of Chicago, and working closely with artists, students, scholars, and the community, Logan Center Exhibitions also presents innovative exhibitions by emerging and established artists and supports ambitious new commissions and research projects.&nbsp;&nbsp;</body></html>

Following The South Side Spectrum: A Community Defined by Creativity Not Geography

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418621/bjdlsuugxpzadbqlkwcl.gif"><figcaption>Andy Warhol. Triple Elvis [Ferus Type], 1963. The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art. © 2019 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), NY</figcaption></figure>By JACQUELINE LEWISAndy Warhol – the influential artist who turned cultural icons into high art – will be exhibited at the Art Institute of Chicago in the first major Warhol exhibition to be organized by a US institution in 30 years.Warhol was a famously prolific artist, whose unmistakeable work has managed to be continually popular throughout the modern age. At a time when we are all laboring to manage and understand our consumerist, technology-jammed lives, the chance to view so much of Warhol’s art in this career sweeping exhibition may present some answers to our questions about a pop culture that continues to evolve, as well as the role of media in our society then, as well as now.Andy Warhol – From A to B and Back Again opens at The Art Institute of Chicago on October 20 and runs through January 26, 2020. This retrospective follows the entire scope of one of the world’s most recognized and renowned artists, featuring over 350 works, from his earliest images through the very end of his career, presented with an arsenal of research and scholarship attesting to the breadth and interconnectedness of a visionary’s lifelong creative pursuits.Warhol had the genius concept to present and distort cultural icons in a way that continues to challenge viewers into the 21st century. His work seems to have anticipated the issues of our current digital age, making his work as relevant and intriguing as ever.Instead of focusing solely on his most famous Pop artworks, this exhibition allows visitors to experience these classic works within the broader spectrum of a massive career. Displaying all aspects of Warhol’s career – from paintings and drawings to prints, videos and countless other media – gives visitors the privilege of seeing a more fully realized image of Warhol through an iconic exhibition that no one in Chicago this fall should miss.The Art Institute of Chicago • October 20, 2019 – January 26, 2020 • <a href="https://www.artic.edu/">artic.edu</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418622/fduxgesodvnullrddcl6.gif"><figcaption>Andy Warhol. Diana Vreeland, about 1956. Private collection. © 2019 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York.</figcaption></figure><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418623/cnga8scdq3vywiamisoh.gif"><figcaption>Andy Warhol. Mao, 1972. The Art Institute of Chicago;Mr. and Mrs. Frank G. Logan Purchase Prize and Wilson L. Mead funds. © 2019 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York.</figcaption></figure><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418624/pupmsdvedklhq0qw8tnv.gif"><figcaption>Andy Warhol. Self-Portrait, 1986. Solomon R. Guggenheim Museum, New York; gift, Anne and Anthony d’Offay in honor of Thomas Krens. © 2019 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York.</figcaption></figure>&nbsp;Editor's notes:&nbsp;1. Stefan Edlis, the donor of many of the Art Institute's key Warhol works that are featured in this exhibition, <a href="https://chicago.suntimes.com/2019/10/15/20916071/stefan-edlis-dies-obituary-94-refugee-plastics-art-institute-museum-mca-donations">passed away </a>on October 15, 2019 at the age of 94.&nbsp;2. River North gallery Hilton | Asmus currently has an exhibition on view of works by artist David Gamble, who tells a story through photographs of how Warhol really was, what he loved and how he lived. <a href="https://www.chicagogallerynews.com/events/david-gamble-andy-warhol-s-living-room">Andy Warhol’s House</a> runs thru November 12.&nbsp;&nbsp;&nbsp;</body></html>

Charting Andy Warhol: From A to B and Back Again 

<html><head></head><body>By GINNY VAN ALYEACGN has conducted dozens of <a href="https://www.chicagogallerynews.com/news/interviews">collector interviews</a> over the years, and they continue to be some of our most popular features. The chance to see works of art in people’s homes is an opportunity to see art outside of a commercial or institutional space and to understand the personal nature of collecting.We wondered what works continue to join an evolving collection? The following four collectors were kind enough to update CGN on what they’ve recently acquired.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418595/tt6magll9g755xjuurj2.gif"><figcaption>Chris Uphues, The Happy Garage</figcaption></figure>&nbsp;Collectors: BRIAN WESTPHAL AND MICHAEL MCVICKARArtist: CHRIS UPHUESRead CGN's 2016 interview with Brian and Michael <a href="https://www.chicagogallerynews.com/news/2018/5/building-a-home-for-art-reviving-an-industrial-space-in-ravenswood">here</a>“We started talking to Chris about creating a new piece in January of 2018. The prior installation, known as ‘The Happy Garage’ has its own Instagram following (<a href="https://www.instagram.com/thehappygarage/">#thehappygarage</a>) and had suffered some vandalism and was showing some wear, so we were interested in getting a refresh, but Chris had a bigger project in mind. Because the side of the garage is corrugated, he proposed preparing a dozen 4’ x 8’ panels with his mural, which would then be affixed to the garage. He began work on the piece (at least the painting part) in early June 2018, and it was completed at the end of the month. The new piece is approximately 24’ x 14’ and has become a well-known backdrop for photographs, including fashion shoots and weddings.2018–19 has otherwise been a dry year for new acquisitions but a great year for travel.”&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418596/ksnf1jjstpavhnpse6t2.gif"><figcaption>Brian Calvin (b. 1969) SAIC MFA 1994, Untitled, Marker and pastel on paper, 25.5 “ x 19.75”, 2018. Purchased from Corbett vs. Dempsey (Chicago)</figcaption></figure>&nbsp;Collectors: NANCY AND BOB MOLLERSArtist: BRIAN CALVIN&nbsp;Read CGN's 2016 interview with the Mollers <a href="https://www.chicagogallerynews.com/news/2016/4/nancy-and-bob-mollers-down-to-earth-collectors">here</a>“This is the second work by Brian Calvin in our collection, and is hanging in our home now. We do not keep works of art in storage.”&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418598/njog0sxso3qdcmzqp9jc.gif"><figcaption>Devan Shimoyama (b. 1989) Yale MFA 2014, Sensitive, oil, color pencil, jewelry, flashe, collage and glitter on canvas stitched over panel, 48” x 36”, 2018. Purchased in 2018 at EXPO CHICAGO from De Buck Gallery</figcaption></figure>&nbsp;Collector: TIM GARVEY&nbsp;Artist: DEVAN SHIMOYAMA&nbsp;&nbsp;“I’ve always been interested in and collected works by outsiders — self-taught visionaries like Henry Darger and Martín Ramírez. More recently I’ve been complementing their work with that of new ‘outsiders’, trained artists who represent viewpoints and subjects not traditionally seen in museums or mainstream galleries. Recent purchases include works by Devan Shimoyama, a young artist who recently had a great solo show at the Warhol Museum, and who is represented by Kavi Gupta and David De Buck; and another by David Alekhuogie, a recent Yale MFA repped by Commonwealth and Council in LA.” &nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418599/sbgsdjzhnnvc5ktjjqzj.gif"><figcaption>Ari Norris, Bushing Hammer, 2018, Cast Resin, Paint, 9 x 8 x 4”</figcaption></figure>&nbsp;Collector: JASON PICKLEMANArtist: ARI NORRISRead CGN's 2016 interview with the Jason <a href="https://www.chicagogallerynews.com/news/2016/8/collector-jason-pickleman-s-creative-life">here</a>“I purchased this recent acquisition for $400.00 from David Salkin Creative. It is currently installed at my gallery, Lawrence &amp; Clark – where all my newly acquired works first go!”&nbsp;</body></html>

The Newest Thing: What Collectors Are Buying Now

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418610/eypw8flqvb0yu0deeipq.gif"><figcaption>A visitor talks to the dealer from Proyectos Ultravioleta of Guatemala City&nbsp;</figcaption></figure>&nbsp;By GINNY VAN ALYEAOn a picture perfect Chicago morning in the city's most photogenic part of downtown, the nonprofit&nbsp;<a href="https://www.newartdealers.org/">New Art Dealers Alliance</a> debuted the Chicago Invitational at the restored Chicago Athletic Association Hotel, one year after it <a href="https://news.artnet.com/market/nada-new-york-shuts-down-1330418">cancelled</a> its New York fair. At the time NADA announced the new fair, it was a win for Chicago, but the reality is even better.The fair opened to VIPS at 10am, one day before EXPO Chicago's Vernissage, just a mile away on Navy Pier. I made my way through hotel guests and young professionals popping into the CAA for coffee to walk the first of three floors of the exposition. Running September 18-21, the Invitational overlaps with but is distinct from EXPO.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418611/mtnfgfvj0wm0hd19svr8.gif"></figure>&nbsp;The addition of a new fair in the city with a commitment to newer voices and unconventional initiatives in the art community will broaden the scope and appeal of events taking place during this busy time in Chicago and build on and extend the profile of the city as a hub for contemporary art and culture.&nbsp;Earlier this year NADA Executive Director Heather Hubbs said, “Historically, Chicago has been a hotbed of artist-run galleries and alternative spaces. The city then and now embodies the experimental spirit of NADA, and we look forward to connecting our exhibitors with this audience.“The fair takes place in various spaces throughout the iconic Chicago Athletic Association Hotel, with a curated selection of galleries in the hotel’s historic Stagg Court and Tank spaces, and a takeover of 13 hotel rooms on the fourth floor. Word spread throughout the fair on Wednesday morning that though dealers were given the option to have the room beds removed for a $120 fee, most opted to work with the beds in the room and to fully work within the confines of a hotel fair. In the larger, some what more conventional spaces with side-by-side gallery booths on the first as well as the fourth floor, dealers featured solo shows as well as gallery selections. CGN's highlights are shown below.&nbsp;Fair organizers emphasize that the inaugural edition of the Chicago Invitational further exemplifies NADA’s expanded commitment to year-round programming and producing alternatives for galleries to exhibit artwork in a new setting. NADA recently held the New York Gallery Open, a new initiative designed to bring visitors and collectors to over 50 art spaces across New York City for public tours, talks, and performances, and NADA House, the organization’s second off-site exhibition on Governors Island, which was recently on view from May through August 2019.<a href="https://www.newartdealers.org/fairs/2019/chicago">The Chicago Invitational</a> runs through September 21, 2019 at the Chicago Athletic Association Hotel at 12 S. Michigan Ave., Chicago&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418612/axlxcrgdnnmvvmdkfqdd.gif"><figcaption>Et al. Gallery from San Francisco featured Brook Hsu's verdant lucite boxes placed atop crisp white pillowcases and sheets, with coordinating framed see-through menu panels pasted to east facing windows overlooking Millennium Park.&nbsp;</figcaption></figure>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418613/fbik1xnpkju0qv9jqh7l.gif"><figcaption>Floral still lifes by Shana Sharp of Good Weather Gallery from Little Rock, Arkansas stood in for real flower arrangements as well as in place of clothing that otherwise would be hanging in the closet. At the bottom is another panel by Brook Hsu.</figcaption></figure>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418614/t1haflhogr4dpfejqxub.gif"><figcaption>Shane Campbell Gallery, Chicago, displayed a mega-sized pair of black pants by artist Amanda Ross Ho across most of a king-sized bed.&nbsp;</figcaption></figure>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418615/dhtf4av6lmsa4mii9iwu.gif"><figcaption>Misako &amp; Rosen Gallery of Tokyo featured a cheeky white canvas with blue painted letters that stated "Oil on Canvas" by Ken Kagami.&nbsp;</figcaption></figure>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418616/q0kafs3hku55kegmmngk.gif"><figcaption>Galerie Christian Lethert, &nbsp;from Cologne, Germany displayed a series of small scale, framed color collages made from acrylic on plastic film by Imi Knoebel.</figcaption></figure>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418617/lmnvppug3bl0lpdhycbv.gif"><figcaption>Chicago-based DOCUMENT hung a series of embossed monotypes by Elizabeth Atterbury on its outer wall, while inside they featured a selection of work by gallery artists, including several photographs.&nbsp;</figcaption></figure>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418618/cfghf4evtdjliokigbwy.gif"><figcaption>Proyectos Ultravioleta of Guatemala City curated a booth full of small collages made out of magazine cutouts by Viennese artist Elisabeth Wild, who is 97 years of age.</figcaption></figure>&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418619/de4el0qhuf37vw7qyebx.gif"><figcaption>Regards showed work by artists such as Judith Geichman and Devin T. Mays, as well as John Pittman's The Mondrian Trio, made of Alkyd/Wood with concave strips of primary color carved out of each beige block of resin.&nbsp;</figcaption></figure>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418620/enrntgktrgqn0pfgmoy2.gif"><figcaption>PATRON, also from Chicago, mixed two and three dimensional work. The center of the booth features an installation of three works by Alex Chitty, Linnet I, II and III, which trace the flight patterns of the common linnet bird in constructions made from powder, coated steel and cast aluminum.</figcaption></figure>&nbsp;&nbsp;&nbsp;</body></html>

NADA's First Chicago Fair Invites Viewers to Engage With Art

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418595/p2gumrlsxc7cfmtfmscs.gif"></figure>By GINNY VAN ALYEATo my children it probably seems like I do this job all the time; when I come to my office it means I am not with them. To others I’m never actually at my desk, busy with school pick ups and errands. I admit I don’t get around to as many galleries and museums as often as I would like to. There are also plenty of days where I just want to be with my own kids without one eye on a deadline. Such is life as a working mom with two young children of my own, and a hundred other ‘gallery children,’ as CGN founder Natalie van Straaten used to say.I couldn’t do the work I do at CGN if not for the help of several key people (Alby, Elvia, Emily) and if it were not to fulfill the positive mission that has always been a part of the magazine and this art community. Work that means something to others is reaffirming and important and it’s worth not giving up on. As artist Phyllis Bramson says <a href="https://www.chicagogallerynews.com/news/2019/9/phyllis-bramson-reimagining-imagism-s-chicago-legacy">in her interview</a> with Alison Reilly for this issue, “I want my work to mean something to myself and those around me.”I have been thinking of persistence as well as regeneration since I wrote about <a href="https://www.chicagogallerynews.com/news/2019/4/30-years-later-the-1989-river-north-fire">the 1989 gallery fire</a> this past spring. External forces – not just fires, but recessions, real estate, art fairs, and the internet – have continually forced the art community, as well as most small businesses, to adapt in order to survive. Despite the many challenges there are still those who are committed to making and selling art and working hard. At the time of the fire there were 65 galleries in River North alone, with a few more in other parts of the city. Today, while the concentrations are much less pronounced and the business landscape keeps changing, CGN still lists well over 100 spaces. They each work to support their artists and their own positive missions too. Isn’t that remarkable?<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418596/gn60gygp89od1ehooct5.gif"><figcaption>Emilia and Ilya Kabakov pictured with the Miami rendition of the Ship of Tolerance on the Watson Island waterfront in 2012, in conjunction with the Miami Children’s Museum and Art Basel Miami Beach. Photo: Jenia Friedlyand. Copyright © The Ship of Tolerance</figcaption></figure>So many conversations featured in this issue carry a hopeful message I am pleased to be able to share:• Artist <a href="https://www.chicagogallerynews.com/news/2019/9/richard-hull-chicago-s-lasting-impression-on-an-artist">Richard Hull</a> came to Chicago 40 years ago at the encouragement of his professor. His career has thrived here, and today he enjoys helping and teaching his own students at SAIC.• Gallerist <a href="https://www.chicagogallerynews.com/news/2019/8/mariane-ibrahim-a-west-coast-gallery-moves-to-chicago-for-its-authenticity">Mariane Ibrahim</a>, who built an international reputation in Seattle, says she moved here because all roads lead to Chicago; it’s a city whose authenticity is a rarity in the U.S.• For collector <a href="https://www.chicagogallerynews.com/news/2019/9/collector-robert-buford-embracing-the-connectivity-of-art">Bob Buford</a> art is a means of having conversations with people of every age and walk of life. He says it’s the most inclusive thing he’s ever been a part of• Artists Ilya and Emilia Kabakov’s <a href="https://www.chicagogallerynews.com/news/2019/8/cultivating-winds-of-change-the-ship-of-tolerance-docks-at-navy-pier-for-expo-chicago">Ship of Tolerance</a> comes to Navy Pier during EXPO. The ships these artists have built over 14 years have united struggling communities and children around the world through messages of hope. &nbsp;Even when meeting a CGN deadline means last minute surprises and a week of all-nighters, I believe it’s worth it, because the stories of and testaments to resilience I learn from so many in the art world I am able to pass along to my children and those around me.&nbsp;I hope you enjoy this fall issue of CGN and all the messages within it.&nbsp;&nbsp;</body></html>

Publisher's Letter, Fall 2019 – Keep it Positive: There's a Lot to Celebrate 

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418595/czfmtrrxnsth5abnyao6.gif"><figcaption>Ship of Tolerance © Zug Tourismus, Fotografie Daniel Hegglin</figcaption></figure>By GINNY VAN ALYEA“People can communicate with culture. They don’t need language,” says artist Emilia Kabakov. Together with her artist husband, Ilya, the Kabakovs, two of Russia’s most famous artists, are working to heal communities from the inside out through an ambitious, utopian art project called the Ship of Tolerance, which has been growing in reach and reputation since 2005.&nbsp;This September the ship’s port will be Navy Pier, where its launch will align with <a href="https://www.expochicago.com/">EXPO CHICAGO</a> and the <a href="https://chicagoarchitecturebiennial.org/">Chicago Architecture Biennial</a>.By building an ancient symbol of exploration and progress, the ship, in cities around the world, the Kabakovs have found a resonant means of constructive communication.&nbsp;“All this war and misunderstanding comes from fear,” proclaims Emilia. “When we communicate and we eliminate fear, those problems will hopefully get better. That’s really important for children.”When the Chicago Ship is finished, it will have been nearly two years in the works, an extension of the international program initiated by the Kabakovs, both of whom were born in the Soviet Union and eventually fled Communism — Emilia left in 1973, and Ilya in 1987. Married in 1992, today they consider the United States home.Previous interpretations of the Ship have taken place in Siwa, Egypt; Venice; San Moritz; Sharjah, UAE; Miami; Havana; New York; Moscow; Zug, Switzerland; Capalbio, Italy and Rome.&nbsp;The first version, in the oasis town of Siwa, was in a very old and isolated religious art community with a long history, “It’s like a story book – Alexander the Great went there,” recalls Emilia. “When we brought students from Manchester, England, with their teachers, to build the Ship of Tolerance in Siwa, on both sides they hadn’t met children from another country.” Today that ship, and the message it carries, is still there.<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418597/eke4vc2fj8to7by0xm2z.gif"><figcaption>Emilia and Ilya Kabakov pictured with the Miami rendition of the Ship of Tolerance on the Watson Island waterfront in 2012, in conjunction with the Miami Children’s Museum and Art Basel Miami Beach. Photo: Jenia Friedlyand. Copyright © The Ship of Tolerance</figcaption></figure>When the Kabakov’s sixth ship was being built in Cuba in 2012, Emilia remembers her granddaughter Orliana asked the children questions like, What did they think tolerance was? How could they improve the situation in the war? What did they prefer?&nbsp;Originally the artists intended to construct two ships to be simultaneously unveiled in Miami and in Havana, to honor the cities’ close historical and cultural ties, but political factors prevailed. Instead one ship was based in Miami during Art Basel and another resided on the grounds of Old Havana’s historic fortress, Castillo de la Real Fuerza, during the Havana Biennial. One ship was eventually given to the Maritime Museum, where it reminds the two worlds to work together and talk about tolerance. Keeping the ship in a host city ensures the positive strides that were made do not recede.Emilia says though the concept is simple, “The drawings are done by children, after they talk about tolerance,” organizing things is another story. Everyone involved in bringing the ship to Chicago – the project is partly a family affair, as the Kabakov’s daughter Viola is the concert organizer, and her daughter Orliana is the youth ambassador in Chicago – is very thankful for the help given by the teams at EXPO CHICAGO and Navy Pier to make it happen and build enthusiasm for the project.Each ship must start with outreach to school children, ages 8 to 12, to discuss the meaning of tolerance and the merits of other cultures, races, and ideas. The children work with local teaching artists to expand on a variety of artistic as well as conceptual exercises. At the end of the workshop, they draw pictures that will become part of the installation. In Chicago MacArthur Middle School is one partner. “They saw it on the internet,” says Viola, “And when they heard we were coming they wanted to participate. We also have members of area churches, synagogues and mosques in Chicago participating.”Viola stresses they make every effort to bring local children, and those from other cities and countries, together in a short period to put on an opening dance or music performance. The limited time means the kids must communicate with each other any way they can. For Chicago there was so much interest that several concerts will take place, since as many people as want to be a part of the project may participate.<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418597/gmuv2fujmxjdrncrmb9w.gif"><figcaption>Sails for the Havana Ship of Tolerance</figcaption></figure>“When we started at MacArthur,” explains Viola, “we went to show them a video presentation of the ships and samples of the sails. We started the conversation about tolerance and how it affects their daily lives and we did it class by class. For the last five months they have been having this conversation and then producing the sails, which they send back to us in New York, where my parents decide which colors go on the mast of the ship.”Even the ones that aren’t chosen are stitched together and displayed in various museums, in airports or on the street, so children have the opportunity to see their work everywhere.When the sails are ready, a team of master carpenters from Manchester arrives to start building the wooden ship – based on the Kabakovs' design – from the keel up, hopefully also working with local teenage volunteers, who learn carpentry skills as well as cooperation.<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418599/pf674dckszpucvgz7u2a.gif"><figcaption>Ship builders in Rome, Italy</figcaption></figure>Chicago’s ship will measure 50’H x 24.6’W x 65.6’L and will launch during EXPO CHICAGO as part of IN/SITU Outside, a program for large-scale public sculpture. Additionally there will be a special exhibition booth of the Kabakovs’ artworks at EXPO CHICAGO, and the artists will participate in the /Dialogues program in partnership with the School of the Art Institute of Chicago.While the project itself takes years to bring to life, the key components of the ship are made over a matter of days. The true message of the Ship of Tolerance comes more from the effort put into the act of creation rather than the work itself.“The artwork is just the presentation. If you write a note to someone at this moment, you concentrate very strongly on what your message is and what you are thinking about. So for children the conversation about tolerance is the real art,” says Emilia. Much like slipping a message into a bottle before it’s tossed into the sea, there’s no telling how far the message will drift. The Ship of Tolerance will carry the pure, earnest wishes of so many children into the minds of many more.By now the Kabakovs have done many projects around the world with thousands of children – from various cultures and of different religions. People tell the artists they are changed after a ship arrives in their city.In a world where the headwinds are always strong, Emilia emphasizes, “We are not fighting against something. We are fighting for something.”&nbsp;For a list of programs planned for Chicago visit <a href="https://www.expochicago.com/">expochicago.com</a> and <a href="https://shipoftolerance.org/">shipoftolerance.org</a>.&nbsp;Events begin September 17, 2019.&nbsp;</body></html>

Cultivating Winds of Change: The Ship of Tolerance Docks at Navy Pier for EXPO CHICAGO

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418595/kgok8puzmhnck18vva0s.gif"></figure>By CGN Staff&nbsp;An event coming up on the area's busy fall art calendar is the one of the country’s premier fine craft shows, the 35th annual <a href="http://americancraftexpo.org/">American Craft Exposition</a> (ACE) which will take place September 20-22, 2019 in suburban Glencoe.Presented by The Auxiliary of NorthShore University HealthSystem, and taking place at an always-amazing destination, the Chicago Botanic Garden, ACE brings together over 140 superior artisans exhibiting one-of-a-kind pieces, luxury collections and uniquely creative, museum quality artwork in 12 media – baskets, ceramics, fiber decorative, fiber wearable, furniture, glass, jewelry, leather, metal, mixed media, paper and wood.The weekend promises to be a celebration of beautiful things and artistic ingenuity.&nbsp;This event is also a major fundraiser supporting research and care at NorthShore University HealthSystem, specifically the Psychiatric Urgent Care Program currently being run out of Evanston Hospital. Last year, the event raised over $550K.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418597/uaxbozo5zjozrww2dwvf.jpg"><figcaption>A past artist winner</figcaption></figure>&nbsp;Artists support ACE’s fundraising goal by participating in the voluntary Craft for a Cause program and donating a percentage of a designated sale.Approximately 8,500&nbsp;visitors attend each year. Out of the 149 artists exhibiting at the 2018 show, approximately&nbsp;30 were new to the show, including&nbsp;three Emerging Artists.&nbsp;Show Dates 2019:September 20–22, 2019. Preview party on September 19Friday 10–6 Saturday 10–6 Sunday 10–5&nbsp;Location: Chicago Botanic Garden1000 Lake Cook Road, Glencoe, IL&nbsp;Tickets are on sale now. More information&nbsp;may be found <a href="http://americancraftexpo.org/">here</a>. Additional images from 2019 artists are pictured below.&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418598/q2serywimm1qonumquvd.gif"></figure>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418599/efyeswjdp5eefsqvgm9a.gif"></figure>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418600/yvpknziotlibtrr5aga4.gif"></figure> &nbsp;&nbsp;&nbsp;</body></html>

September's American Craft Exposition Benefits NorthShore University HealthSystem's Psychiatric Urgent Care Program

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418254/qcqzkkkidpkpcqn62do6.gif"></figure>By GINNY VAN ALYEAHeadline-making auction results never fail to draw in established collectors tracking art’s hottest names, speculators monitoring investment opportunities, and of course many casual observers. Art prices are frequently at the heart of the attraction of the global art market as well as the source of the intimidation people new to the art world feel when they wonder why a piece of art costs what it costs.With more than 130 galleries operating in the Chicago area, there is no single best way to work on behalf of artists and collectors, but there are a few key ways to keep the lights on year after year: save, and build a good reputation.Here we share five examples of the financial expense side of running a physical gallery in Chicago in order to pull back the curtain on what the numbers can look like in our local art market. While the overall income figures remain mostly private, I am grateful to these five local art dealers, who each agreed to be candid about a significant portion of their own unique operational costs and to share why being in the art business is worth more than money. &nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418255/einf9jez1st82h62poxs.gif"><figcaption>A view into McCormick Gallery</figcaption></figure>&nbsp;<a href="https://www.chicagogallerynews.com/organizations/mccormick-gallery">McCORMICK GALLERY</a>Features both modern and contemporary art, focusing primarily on painting, works on paper and sculptureLocation: West LoopPrincipal: Tom McCormickYears in business: 50, although McCormick Gallery opened in 2000Number of artists represented: 20 living; 12 estatesNumber of art fairs per year: We used to do up to 10 per year. Now it’s down to 3, and shrinking! In 2018 our 3 fairs totaled $115,000 in expenses.Major expenses: Commissions to artists on sold works: $996,110. Salaries: $101,659 (I don’t take a salary)Other necessary expenses: taxes, framing, shipping, publications, utilities, repairs, etc.Annual rent: $72,000. We own this building, which helps, but I have to pay the mortgage and taxesCGN: What single factor has mostly kept you afloat?TM: I am at heart very conservative with money. I started almost 50 years ago, very modestly as a picker and runner (antiques, textiles, paintings… whatever), and didn’t have a proper gallery until I was in my 50s. So I built up a very solid base of knowledge and experience and never got too big for my pants, which helps in the down times. I think a reputation for being honest and reputable is very important. We also believe in giving clients artwork they will love and want to live with at a fair price. That’s sort of old fashioned, I suppose.CGN: What makes the gallery business worth it for you?TM: I make a good living, so no complaints there. After all this time I’m pretty good at this and don’t know what else I’d do. While I am more and more disheartened by the whack-a-doodle art world, and what passes for “contemporary art”, I still love finding and selling a good painting. I like the artists we represent and enjoy seeing careers flourish. I love the occasional letter from a satisfied client who writes to say how much they enjoy their purchase. That pretty much makes it worthwhile. &nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418256/i010fci7dlnfifyep51z.gif"><figcaption>Western Exhibition’s booth at the 2019 Art Los Angeles Contemporary art fair, held in February 2019, with works by Elijah Burgher, Edie Fake, Robyn O’Neil and Deb Sokolow.</figcaption></figure>&nbsp;<a href="https://www.chicagogallerynews.com/organizations/western-exhibitions">WESTERN EXHIBITIONS</a>Contemporary gallery that shows artists who work across most media, also featuring artist books and multiplesLocation: West TownPrincipal: Scott SpehYears in business: 15Number of art fairs per year:3–5Number of artists represented: 21Expenses: Without sharing dollar amounts, here’s a list of expenses that are part of the business, in no particular order. I’m sure that I’m missing something: Insurance (Art as well as liability); Utilities; Photography; Advertising; Framing; Shipping and supplies (FedEx and art handlers); Rent; Professional organization dues; Accountant/bookkeeping fees; Quickbooks; Credit card processing platform; Software (MS Office / Photoshop, as well as an Inventory management system, plus Constant Contact); Artsy; Telephone; Office supplies; Refreshments for opening receptions; Website host; Artist book inventory; Hardware and paint; Physical improvements/maintenance; Artist dinners; Tickets to non-for-profit galas/benefits; Employee wages; and my wages (LOL).CGN: Single biggest expense:SS: Combined art fair costs, which include art fair application fees, booth fees, art fair shipping, lodging, travel, and entertainment.CGN: What single factor has mostly kept you afloat?SS: I don’t have mouths to feed, I’m on my wife’s health insurance, and our rent is relatively cheap. And I don’t own a car. My personal life expenses are pretty low.CGN: What makes the gallery business worth it for you?SS: It beats working! &nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418258/zgosctoelzfxxa3pef3d.gif"><figcaption>Courtesy of VGA Gallery and Gallery 400, Opening night of Chicago New Media 1973-1992, 2018</figcaption></figure>&nbsp;<a href="https://www.chicagogallerynews.com/organizations/vga-gallery">VIDEO GAME ART GALLERY (VGA)</a>Focused on increasing cultural appreciation of and education about video games and new mediaLocation: Wicker ParkExecutive Director: Jonathan Kinkley (Co-Founder with Chaz Evans)Years in business: 6Number of art fairs per year: 4-5CGN: Single biggest expense:JK: Artist fees and staff compensation was around $20K in 2018, higher than normal because we had a huge exhibition Chicago New Media 1973-1992 that was grant-supported, allowing us to pay artists, scholars and workers. Also, we are nonprofit.CGN: Average annual art fair fees (booths, travel, shipping):JK: About $3–5K in 2018, all for local fairs like BitBash, C2E2, Minefaire, GDEX. In 2019 since we are traveling Chicago New Media to the Ars Electronica fair to reach 100K people, with the help of the Terra Foundation, that presentation will cost around $10K. We estimate $3–5K for additional local fairs but also for a trip to present at Games For Change Festival in NYC and also the Game Developers Conference in San Francisco.CGN: Annual or monthly rent:JK: In 2018, monthly costs averaged around $500. VGA has generous landlords (my wife Melissa and I!) who subsidize rent and post the space on AirBnB when it is not in use by VGA, freeing up funds for programming. We worked with a law firm to draft a transparent lease that was approved by the VGA board.CGN: Annual revenueJK: About $70,000 in 2018CGN: What single factor has mostly kept you afloat?JK: The Chicago video game and art community believes in us, and that takes the form of material support through grants, donations and volunteering, plus hundreds of people buy VGA prints. Sheer grit and determination are factors too!CGN: Why is it all worth it?JK: This is a tough question I confess I ask myself often. We bring pure delight and wonder, and people’s reactions are amazing and appreciative. The artists too, are so hungry and deserving of recognition. Without VGA, kids at Humboldt Park Library wouldn’t learn how to make games; artists working in games and new media wouldn’t be appreciated in artistic spheres. Books about gaming wouldn’t be published, and people seeking art and games wouldn’t have this dedicated place to go.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418259/ehl1zlbvisp1intjw56j.gif"><figcaption>Works by Meg Leary and Scott Horsley installed at Bert Green Fine Art, summer 2019</figcaption></figure><a href="https://www.chicagogallerynews.com/organizations/bert-green-fine-art--2">BERT GREEN FINE ART</a>Exhibiting emerging, mid-career and underrepresented artistsLocation: The Loop/Michigan Ave.Principal: Bert GreenYears in business: 20Number of art fairs per year: 1–2 art fairs a year at at cost of about $8,000 per fair.Number of artists represented: 14 represented, plus about 20 more exhibited but not represented.CGN: Did you have a ‘real job’ before becoming an art dealer? Was it more or less lucrative?BG: I had been curating freelance since 1982, directly out of college, but did not open my own gallery until 1999. In the meantime I was a freelance graphic designer but did now and then hold the occasional job, never as a career and never was my previous work especially lucrative.CGN: Single biggest gallery expense:BG: The rent ($15,000 per year)CGN: Annual revenue:BG: It varies, but gross sales are usually between $150–$200KCGN: What single factor has mostly kept you afloat?BG: Low overhead, especially cheap rent.CGN: Why is it all worth it?BG: Being self employed is liberating and allows for an amazing amount of independence and freedom. Plus, the world of art and artists is unconventional — the people who inhabit that world are the most interesting characters and do not fall into the predictable patterns of tiresome career-based drudgery and unhappiness that so many people experience. &nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418260/a5vlmyg1znaghw37iebp.gif"><figcaption>The gallery's inaugural exhibition in the new West Town space featured the work of Joel-Peter Witkin in May 2019</figcaption></figure><a href="https://www.chicagogallerynews.com/organizations/catherine-edelman-gallery">CATHERINE EDELMAN GALLERY</a>Devoted to the exhibition of prominent living photographers, alongside new and young talent.Location: Newly in West Town (after 31 years in River North)Principal: Catherine EdelmanYears in business: 32 in December 2019Number of art fairs per year: 4-6Number of artists represented: Approximately 30CGN: Major expenses?CE: My single biggest expense is rent. I pay over $100,000 a year in rent and have for a long time. I have always had long term leases, but everything was off the base rent [from 1987], which when I started was either $11 a square foot or $13. Now rents are $31–$34. We just moved to West Town, where rent will still cost me $31/sf but it is $2,000 less per month for almost twice as much space as what I had in River North.CGN: Average annual art fair fees (booths, travel, shipping):CE: They all average to $40,000–$45,000 per art fair, all included. I do 4–6 per year, depending on my energy level.CGN: How do the fairs stack up for you financially?CE: Up until a year and a half ago we probably netted anywhere from 2–4 times our expenses. The last year and a half I’ve been losing money at art fairs, which is a first for me. I don’t know what changed, but it’s been pretty consistent, well except for EXPO CHICAGO – we always do well there. Miami, we usually are pretty good – six figures net, but we lost money the last two years, which is just unheard of. I know some of it is one of my artists, who is a real mainstay financially, is not producing work that’s of quality that he used to, so where we might have done $1 million of sales of his work, it’s dropped to $200,000. Because the art fairs cost so much money, and the average piece of art that I bring is between $2,000–$10,000, that’s a lot of art that one has to move if it doesn’t come from him. I have to sell 20 $2,000 pieces to make up for one work that is $40,000. I specialize in discovering new people and bringing their careers up, so it’s a hard balance.CGN: There is a financial obligation tied to representing artists. How many artists do you represent now?&nbsp;CE: Probably around 30 – I think that’s been consistent. I work on projects now, so that can be a year, year and a half and then they go. I’m finding that’s much more rewarding for everybody. It’s not as much pressure on the artist to produce things that I like, but it has to be a really strong body of work if collectors are going to get behind it. [Collectors] like to see things year after year, but artists just aren’t working that way, or at least the photographers that I engage aren’t working that way any more. The lineage used to be really simple, but I’m assuming that’s because a lot of the kids coming out of art school now aren’t focusing on just one specific medium anymore. They’re kind of combining things – maybe they want to try audio with video and photography, and it takes some time to figure that out. I find that exciting, but it also is nerve wracking. You can’t really represent it the same way.CGN: What single factor has mostly kept you afloat?CE: My passion for what I do and the fact that I save well. When we were doing really, really well I saved, so that now when things are a little funky we’re still OK.CGN: Why is it all worth it?CE: Because it’s what I do. At a certain point, you make the decision about ‘Is this really what I’m doing for the rest of my life?’ Because unless you’re the one percenters, so that you buy your way into the art world and can buy your way into the blue chip artists, the 99.9% of us who are not that way and who are the ones who really do support the art world, it’s difficult. There are a lot of highs and lows, and you only do this if you really love what you’re doing, because you don’t do it to get rich, although it’s afforded me a very good life.But I’m clear it’s a finite number of years I’ll do this. I’ve said when I’m finished with the gallery, I’ll start a not-for-profit. With 30 something years behind me, it’s going to take a long time to start a new business.Now I’m starting CASE Art Fund – we seek to raise awareness of human rights issues by supporting fine art photographers and their work. We finally have our 501(c)(3), and we have a different way of thinking about costs. For instance it only costs $2,000 for an outside wall at an art fair, but at $1,800 a photo – and we’re making only 25% [of the sale] as well as covering the production costs of the work – we have to sell nine photos to cover the net of $2,000 [of that wall at the fair].&nbsp;Once again it’s not about making money, it’s exposing the art to the right audience. It’s a whole different engagement. It’s not for me, it’s not for them; it’s for the greater good.&nbsp;</body></html>

Money Talks: What Does It Really Cost to Make a Gallery Last?

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417834/cxzgwry7qbfgbdviqzwu.gif"><figcaption>We love Anish Kapoor’s Cloud Gate&nbsp;in Millennium Park too, but there are so many things to see &nbsp;throughout Chicago! &nbsp;</figcaption></figure>Summer in the midwest is basically one mad dash to be out in the fresh air as long as possible, before the doors of winter snap shut again. Many area gallery owners and artists are often busiest inside, welcoming visitors to see summer shows. We figure they relish the chance to get out and enjoy the city as well as the art that is all around us.Deborah Maris Lader, an artist, musician and the driving force behind the <a href="https://www.chicagogallerynews.com/organizations/chicago-printmakers-collaborative--3">Chicago Printmaker’s Collaborative</a> let us in on what she would do on a day off or a day out with visitors to Chicago.&nbsp;By Deborah Maris Lader, as told to Ginny Van AlyeaSince I spend my days in my studio surrounded by artists and/or making art, I enjoy the rare “day off” by feeding my other senses, while simultaneously stocking my visual cupboard with new material. My perfect day would be waking up to my morning matcha, while watching the birds gather at the feeder outside my window. Hopefully I’ll have picked up an oat jammer cookie at Baker Miller the day before to go with my daily soft boiled egg breakfast. If it’s a warm day, I’d bike down the lake trail to Maggie Daley Park and rent some shoes to scramble around on the self-belay rock climbing walls. If it’s cold I’ll rent ice skates and glide on the ribbon. I love walking along Lake Michigan in all kinds of weather, usually starting at the bird sanctuary at Montrose Harbor.Then I’d go to the <a href="https://imss.org">Museum of Surgical Science</a> in the Gold Coast, which is a fairly serious funhouse of medical history filled with both gory and beautiful curiosities and inventions. Where else can you see a bowl full of kidney stones?Lunch would be something leafy – Left Coast Cafe, or the chopped salad at Cafe Selmarie. In winter, I’m a fan of the Tom Yum soup at Sticky Rice. Since I’m also a musician, I’d run over to the Old Town School of Folk Music, pick up some accessories at the store, and catch up with my musician friends, who I’d likely run into in the lobby. If I’ve got friends in town, I’d give them a tour of the WPA murals throughout the building, which used to house the old Sulzer Library.<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417836/ojh7uxwxgy3kpc1eb1dc.gif"><figcaption>Deborah Maris Lader (center) with her fellow band members.</figcaption></figure>&nbsp;In the evening, my top picks are to head to <a href="https://www.chicagogallerynews.com/organizations/millennium-park">Millennium Park</a> for a summer concert, or catch a Shakespeare in the Park performance, or a concert at the Old Town School of Folk Music, Evanston SPACE, or City Winery (my band plays all 3 venues, so I can get good tickets!).Dinner is at my new favorite, Kitsune on Lincoln Ave. It’s one of the most original food experiences I can think of. I’ll eat things there that I would never normally eat, just because it’s so unusual. I had my first bite of bone marrow there (and I don’t really eat beef, but whatevs). In general I love so many places in my neighborhood (Lincoln Square). When I have visitors, I like to show it off.I recently had arty friends visit, and we did a workshop at my studio at Chicago Printmakers Collaborative. I gave them a tutorial in woodcut and screen printing. Later we headed to Northman Cider pub for a cider tasting, and saw a play at Lookingglass Theatre. We also of course did the Chicago Architecture Center's Architectural Boat Tour.If friends are in on a weekend, we’ll attend an opening, usually someplace a bit smaller or offbeat, <a href="https://www.chicagogallerynews.com/organizations/adventureland-gallery">AdventureLand</a>, or <a href="https://www.chicagogallerynews.com/organizations/firecat-projects">Firecat Projects</a>, or <a href="https://www.chicagogallerynews.com/organizations/addington-gallery">Addington Gallery</a>, or pretty much anything Aron Packer is doing (usually a pop up). &nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417837/wettl1tpvr1kmfnkrkyl.gif"><figcaption>Deb Lader playing atop CPC on Western Ave.</figcaption></figure>&nbsp;Other favorite places to take visiting friends:• <a href="https://www.chicagogallerynews.com/organizations/chicago-cultural-center--2">The Chicago Cultural Center</a> (78 E Washington) Ogle the mosaics, stained glass and grand staircases.• <a href="https://www.chicagogallerynews.com/organizations/navy-pier">Navy Pier</a> (600 E Grand) can be fun. I love walking outside along the pier to see the boats and watch people.• The Alfred Caldwell Lily Pool (Fullerton and Cannon Dr.), next to Lincoln Park Zoo, is an example of Prairie School landscape architecture designed by Alfred Caldwell in 1936.&nbsp;• The Garfield Park Conservatory (300 N Central Park Ave) is truly amazing. It’s great in the winter when you need a blast of Amazonian-like jungle humidity. And greenery.• <a href="https://www.chicagogallerynews.com/organizations/millennium-park">Millennium Park</a>! (Randolph and Michigan Ave.) There is so much to love – the Frank Gehry bridge, the Lurie garden the Crown Fountain, The Bean [Anish Kapoor’s Cloud Gate] &nbsp;&nbsp; &nbsp;My tourist tips:• Skip the “Chicago pizza” experience• Rent a bike (and helmet) on the lakefront trail to see the city skyline• Pick up a <a href="https://www.chicagogallerynews.com/magazine">CGN Arts Guide</a> for a comprehensive listing of all the galleries and spaces in the city! &nbsp;Helpful Freebies:• Walk around downtown. It doesn’t cost anything, it’s good exercise, and you’ll see all kinds of cool stuff.• Hungry? <a href="https://www.chicagogallerynews.com/events?filter=openings">Gallery openings</a> have free booze and food.• Actually, it never costs anything to walk into any gallery in the city and look at art. How great is that?</body></html>

Tourist For a Day: When an Art Insider Takes Time Off

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417567/emlef6f6b5ujdjq44fff.gif"><figcaption>The Angad Arts Hotel is located in the heart of St. Louis’s Grand Center Arts District. It is the first hotel in the world where guests are able to book their luxury accommodations not only by room type, but also by emotion of color.</figcaption></figure>&nbsp;&nbsp;By CGN STAFFIn the art world you’re often encouraged to think outside the box in order to consider alternative perspectives, but what if the box itself is the inspiration?Summer is the season of road trips – and staycations – if you have a weekend or to to spare, or need an excuse to visit relatives or show friends around town, consider a stay in one of these artistically amped hotels. Often inspired by the artistic and cultural communities that surround them, you can devote your stay to a contemporary art immersion from start to finish.From Milwaukee to Saint Louis, and Indianapolis to Cincinnati, once you’ve visited one creative metropolis, you may start thinking about where to head next. Perhaps you’ll even see art in your dreams...&nbsp;Milwaukee, WI – Saint Kate Arts Hotel<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417568/n3dgyassddn1jruonkvk.gif"><figcaption>The brand new Saint Kate The Arts Hotel in Milwaukee, by the Marcus Group, opens in June and features elements in each room that are designed by artists, such as this guest room blanket by Christiane Grauert.&nbsp;</figcaption></figure>What: Saint Kate The Arts Hotel. With a range of rooms available at various price points, the website states, "Stay in a living, breathing piece of art. The Canvas rooms are given to local artists as blank slates—and the completely unique finished products are yours to explore. A portion of the proceeds from each stay will benefit local and state-wide arts initiatives." Items listed as room amenities? Local art, art and design books, drawing Paper, and a ukulele.Where: Downtown MilwaukeeDetails: <a href="https://www.marcushotels.com/portfolio/stay/saint-kate">www.marcushotels.com/portfolio/stay/saint-kate</a>&nbsp;Indianapolis, IN – The Alexander<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417569/ky9zqduymx7vdtbyqkvx.gif"><figcaption>Nestled in the City Way area of downtown Indianapolis, The Alexander pairs contemporary design with hospitality. In every room, lobby, and dining space is a piece of art commissioned or curated from local and international artists.</figcaption></figure>What: The Alexander Hotel. In every room, lobby, and dining space is a piece of art designed to inspire you during your stay, commissioned or curated from local and international artists. Blocks from both the Banker’s Life Fieldhouse and Lucas Oil Stadium, this downtown hotel is minutes from area museums, professional sports,&nbsp;and the Indiana Convention Center. &nbsp;Where: Indianapolis's City Way neighborhoodDetails: <a href="https://www.thealexander.com">www.thealexander.com</a><h3>&nbsp;</h3>Cincinnati, OH – 21 C<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417570/mwv2yo7hviu0nzbfq3nn.gif"><figcaption>In downtown Cincinnati the Historic Metropole Hotel was reimagined in 2013 as a contemporary art museum. Adjacent to the Contemporary Art Center, designed by Zaha Hadid, 21C Museum Hotel is a multi-venue 8,000 square foot museum open to the public 24/7, as well as an award-winning 156-room boutique hotel.&nbsp;</figcaption></figure><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417571/iplqjbyduqdj4hegopra.gif"><figcaption>Also at 21C in Cincinnati, you can take weekly docent tours of the hotel and the art center or buy Kehinde Wiley dinner plates in the gift shop for $99 each.</figcaption></figure>What: At 21c you can discover contemporary art in the most unexpected places, from the sidewalks to the elevators. Specially commissioned site-specific works can be found throughout the museum; meanwhile, rotating exhibitions transform the galleries into ever-changing spaces. As you approach, enjoy Werner Reiterer’s <a href="https://www.21cmuseumhotels.com/museum/exhibit/untitled/">Untitled</a> as it hovers over the sidewalk, breathing in and out; then, walk through&nbsp;<a href="https://www.21cmuseumhotels.com/museum/exhibit/healing-tiles/">Healing Tiles</a>‘&nbsp;glowing pool of organic patterns, and don’t miss an evening viewing of&nbsp;<a href="https://www.21cmuseumhotels.com/museum/exhibit/lightmail/">Lightmail</a> in the solarium. The museum is open to the public 24/7; and exhibitions and cultural programs rotate often. On view until August 2019 is a spotlight on LaToya Ruby Frazier.Where: The heart of downtown Cincinnati, "The Queen City." Adjacent to the Contemporary Art Center and across the street from the Aronoff Center for the Arts.Details: <a href="https://www.21cmuseumhotels.com/cincinnati/">www.21cmuseumhotels.com/cincinnati/</a>&nbsp;Chicago, IL – The Peninsula&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417572/fhahj84s1bhm07ikhuij.gif"><figcaption>In 2016 The Peninsula Chicago marked EXPO CHICAGO with the contemporary art exhibition, Whoville, featuring highlights from the Beth Rudin Dewoody collection, which included over 30 works, some by Roger Brown, Nick Cave, Theaster Gates, Art Green, Kerry James Marshall, Bruce Nauman, Gladys Nilsson, Ed Paschke, Nathaniel Mary Quinn, Christina Ramberg, Tony Tasset, H.C. Westermann and Karl Wirsum. The hotel has continued the alignment each year.</figcaption></figure>What: The Peninsula Chicago is the five-star hotel that brought traditional Asian service to a city already renowned for the warmth of its hospitality. The hotel has become an integral part of Chicago life and is considered the top choice for everything from accommodation to celebrations and corporate events. For this, the hotel credits its strong links to both the local community and international heritage.&nbsp;Where: Chicago's Gold Coast, along Michigan Ave. and a short walk from the Museum of Contemporary Art as well as the Richard H. Driehaus Museum.&nbsp;Details: <a href="https://www.peninsula.com/en/chicago/5-star-luxury-hotel-downtown-chicago">www.peninsula.com/en/chicago/5-star-luxury-hotel-downtown-chicago</a>&nbsp;St. Louis, MO – Angad Arts Hotel<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417573/y4ulugiudjdvhbpwrsrb.jpg"><figcaption>A yellow "happiness room" at the Angad Arts Hotel in St Louis</figcaption></figure>What: Angad Arts Hotel boasts that it is a wholly new hospitality experience that embraces the visual arts, performance, fashion, literature and gastronomy. AAH offers superb, gracious hospitality combined with curation of socially inspiring experiences. It is the first hotel in the world where guests are able to book not only by room type, but also by emotion of color.Where: The heart of St. Louis’s Grand Center Arts DistrictDetails: <a href="https://www.angadartshotel.com">www.angadartshotel.com</a>&nbsp;&nbsp;&nbsp;</body></html>

Immersive Art Invites You to Stay: Midwestern Art Hotels Worthy of a Road Trip

<html><head></head><body>In order to thrive, Chicago artists need an active local collecting community. A unique program – Not Just Another Pretty Face (NJAPF) – created to benefit the Hyde Park Art Center also supports artists, while showing collectors the surprising ways to make art part of your life. NJAPF allows the Art Center to play matchmaker for artists and potential art buyers, facilitating a fun, accessible commissioning process that builds lasting relationships between artists and patrons, creates a new base of support for artists, and invests in the vitality of Chicago’s cultural community.2019 marks the seventh installment of the program. A series of salons began early this year, and an exhibit unveiling the works will be presented in December, along with a catalog documenting the collaborations. We asked Linda and Mark Shapiro and artist Candida Alvarez, who worked together during the previous iteration of NJAPF, to share the story behind their artist–patron collaboration.&nbsp; – Ginny Van Alyea, CGN Publisher &nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417517/vmbhwqchtjb0amw8u7li.gif"><figcaption>Candida Alvarez’s Dignity and Tranquility Last Forever hangs in the front room in Linda and Mark Shapiro’s home.</figcaption></figure>Hyde Park Art Center: Tell us about your experience with Not Just Another Pretty Face.Linda Shapiro: We were fortunate to work with Candida right before she had an amazing exhibit at the Chicago Cultural Center in 2017. I’ve always admired her as an artist, and it’s been fun to follow her work.Mark Shapiro: When she invited us to her studio, we had the chance to meet an old friend and neighbor in a different context and to see how an artist works.Candida Alvarez: The commission with Linda and Mark was special because I have known them for years. Their son was a school buddy with my son. I was so touched.HPAC: Describe the piece that resulted from your collaboration.LS: Candida was very responsive to us. She made a beautiful square painting. I really like squares, and she picked up on it.CA: I asked them to share photos and things that meant something to them as a family – a special collection of objects, travel and family photos, landscapes. Those images were my beginning point for the formal structure of the painting. The color was found through the photographs.LS: We sent her photos, mostly of family, with the theme “At Home in Hyde Park.” We have a son, who for years wore a red fleece to school. There’s a little red splotch in the corner that I’ve decided is Michael’s fleece.HPAC: Two years later, how do you reflect on the process?LS: The whole process was great – going to a salon, sitting and reviewing artists, visiting Candida’s studio, attending the unveiling, and now living with the art!CA: The entire process was fluid and surprising.LS: We’ve never commissioned a piece of art before, and it was fun. We’ll do it again next time! &nbsp;To get involved with Not Just Another Pretty Face please visit <a href="https://www.hydeparkart.org/njapf-2019/">hydeparkart.org</a> or contact Maria Nelson: mnelson@hydeparkart.org • 773-324-5520, ext. 1014Publisher's note: since this interview was published in the summer print edition of CGN, the full list of artists participating for 2019 has been released, including: Juan Angel Chavez, Kelli Connell, Antonia Contro, Chad Kouri, Laura Letinsky, Industry of the Ordinary, Jay Tichy, Mary Lou Zelazny, and many others.&nbsp;</body></html>