West Town, Wicker Park, Ukrainian Village, Kinzie Corridor, Humboldt Park

West Town

Wisconsin

IL • MI • IN

West Loop, Fulton Market, East Garfield Park

West Loop and West Side

Evanston, The North Shore, Northern, Western and Southern Suburbs

Suburbs

Old Town, Lincoln Park, Lakeview, Roscoe Village, Bucktown, Wicker Park, Logan Square, Lincoln Square, Ravenswood, Uptown, Edgewater, Andersonville, Rogers Park

North Side

Michigan Avenue, Streeterville, The Gold Coast, The Loop, and South Loop

Michigan Avenue

Pilsen, Bridgeport, Chinatown, plus Hyde Park, Jackson Park/Dorchester, and Bronzeville

South Side

Superior and Franklin streets, West Chicago Ave, and down to Merchandise Mart and the River

River North

Have you ever kneaded wet dough? It feels amazing. Smack smack thwap stretch flop. Throw it in the air and see what happens. It can be any shape you want.&nbsp;Fruit flies like dough too. Buzzzzz buzz buzz. My face is stiff and my arms are somewhat immobilized by a complex arrangement of bandages, but a sweet young thing named Annie sits&nbsp;patiently&nbsp;next to me, holding a plastic cup with a straw up to my parched lips. Pink sparkling rosé, my favorite. It’s about the little things. Miami Beach. Printed minidress. Chunky necklace on tan skin.... Cars slow down to get a better look at me....

OWN WHO YOU ARE  |  Jesse Bond

"kept + carried" examines how care is inherited, performed, and remembered through the ordinary objects and rituals of domestic life. Drawing from family photographs, German folk traditions, household vessels, and stories gathered through community participation, the work considers the labor historically assigned to women: preserving, nourishing, mending, witnessing, and carrying memory forward. Layered textiles, translucent surfaces, printmaking, embroidery, sewing, and found materials function as an evolving archive where personal histories intersect with collective experience. Architectural forms, fences, jars, utensils, and suspended threads become metaphors for protection, containment, connection, and resilience. Audio recordings gathered through witness extend the work beyond the gallery, inviting visitors to contribute their own stories. Together, these works ask how acts of care become records of belonging that endure across generations.

Alexa Wheeler: kept + carried

The Shape of What Was transforms the gallery into a domestic interior made from life size furniture and household objects built with 3D printing pens and black Polylactic Acid (PLA) filament. Based on objects from places I have lived and left behind, the exhibition explores domestic objects as memory holders and reflects on migration, belonging, and the impermanence of home. For me, the act of remaking is empowering. It allows lost or distant objects to gain a new form and presence. Although the work begins from my personal experience, it invites viewers to reflect on what they have held onto, what they have left behind, and how they define home. Xinchen Li’s practice moves between contemporary jewelry, sculpture, and installation, using material storytelling to explore memory, migration, displacement, and the impermanence of home. Working with 3D printing pens and Polylactic Acid (PLA) filament, she recreates furniture and domestic objects from places she has lived and left behind. These hand built forms function as drawings in space, holding traces of personal history, routine, attachment, and loss. Her installation work is shaped by frequent relocation and the emotional weight of objects that cannot always be carried forward. Through the act of remaking, Li gives these lost or distant objects a new presence. Her work invites viewers to reflect on their own relationships to home, memory, and belonging, transforming private experience into a shared space of recognition.

Xinchen Li: The Shape of What Was

There are rooms we leave, and rooms that never quite leave us. The Rooms That Made Me enters a feminine world of dollhouses, sewing tables, bedrooms, fabric, painted faces, seams, and small rituals of making and care. It is a world that can feel intimate, delicate, almost enchanted — shaped by objects and gestures that have accompanied women and girls across generations. At the center of the exhibition is women’s work: sewing, mending, arranging, caring, decorating, concealing, holding things together. These gestures may appear ordinary, even invisible, yet they carry histories within them. Passed from mother to daughter, generation after generation, they become structures through which women learn how to inhabit the world — and themselves. Within these structures, something else is passed on too: an inherited feminine wound. Not necessarily through words, and not always consciously, but through repeated roles, expectations, gestures, silences, and ways of being. The rooms change, but certain patterns remain. A dollhouse can be a place of imagination and also a structure of order. A seam can hold something together while hiding where it was torn. The act of caring can protect, but it can also teach a woman to disappear inside the needs of others. And yet, the exhibition does not remain inside the wound. The very gestures through which something has been inherited begin to offer another possibility. Sewing, joining, mending, holding, and remaking become a language of repair. What has been passed down does not have to be passed on unchanged. The same hands that learned to hold things together can also take them apart, rearrange them, and make something new. The Rooms That Made Me does not try to resolve these inherited structures. It asks us to notice them — to look again at the gestures, objects, roles, and spaces that feel so familiar we often stop seeing them at all. This is an intimate, quiet exhibition, one that gently shifts the familiar, inviting us to look again at what has become so deeply embedded in the home that it can seem almost invisible.

Anat Wegier: The Rooms That Made Me

Woman Made Gallery is pleased to spotlight ten sellable works from Feminism 250: Woman Made America, on view through September 26. Anchored in America 250, the nationwide commemoration of the United States' 250th anniversary, Feminism 250 looks back at 250 years of feminist thought and action, from early demands for basic rights to today's movements for gender justice, and asks how that history can guide the feminist futures still being built. The works in the exhibition engage themes including erasure and visibility, reclamation of authorship and narrative power, intersectional experience, art as resistance, and personal narratives that speak to broader struggles for equity and representation.

Feminism 250: Woman Made America

CAVA's Signature Annual Juried Exhibition&nbsp;Later Impressions&nbsp;Opens August 7 at The Art Center Highland Park (Highland Park, IL). More than ninety contemporary works by artists age 50 and older will fill the galleries of The Art Center Highland Park when the Chicago Alliance of Visual Artists (CAVA) presents Later Impressions, its signature annual juried exhibition and longest-running yearly exhibition, August 7 through September 26, 2026. The exhibition marks CAVA's first partnership with The Art Center Highland Park and showcases artwork created within the past two years, emphasizing the continued creativity and vitality of experienced artists.&nbsp;&nbsp;Selected from more than 230 submissions, the exhibition features 93 works spanning painting, photography, printmaking, encaustic, pastel, mixed media, and sculpture in bronze, wood, metal, assemblage, and other media. Installed throughout the Main Gallery, the Cindi Elkins Gallery, the main foyer, and additional first-floor spaces, the exhibition offers visitors an immersive fine art experience.&nbsp;Fellow Highland Park artist Julie Scoma describes her acrylic painting “Clouds” as quiet and meditative, adding that she values CAVA because "so often people don't find their art until later in life."CAVA’s Exhibition Manager Susan Bennett believes The Art Center Highland Park provides an exceptional setting for CAVA's signature exhibition, allowing visitors to experience the remarkable diversity of the artwork. James Lynch, Executive Director of The Art Center Highland Park, called the exhibition "a wonderful way to close out our gallery season. Many of CAVA's members regularly exhibit at TAC, and we're excited to welcome both familiar and new artists into our galleries,” while TAC Gallery Manager Caleb Smith said the exhibition will foster new artistic connections and creative collaborations.Awards of Excellence, including Best in Show, will be presented during the Opening Reception on Friday, August 14, from 5:30 to 8:00 p.m., with awards announced at approximately 6:30 p.m. Admission to both the exhibition and reception is free and open to the public. Refreshments will be served. All artwork is available for purchase with proceeds supporting independent artists and The Art Center Highland Park.CAVA will also present its annual Learning Symposium on Saturday, September 26, from noon to 3:00 p.m. at The Art Center Highland Park. Topics include estate planning for visual artists, the VibrantCast digital platform, and a panel discussion on gallery representation for older artists. The symposium is free for CAVA members and open to the public for a $10 fee.&nbsp;&nbsp;&nbsp;About CAVAFounded in 1988, the Chicago Alliance of Visual Artists is a nonprofit organization dedicated to supporting, exhibiting, and promoting experienced visual artists through exhibitions, education, professional development, and community engagement. Learn more about&nbsp;CAVA, its events and exhibitions, or to become a member at&nbsp;<a href="http://www.wearecava.org/" rel="noopener noreferrer" target="_blank">www.wearecava.org</a>.&nbsp;About The Art Center Highland ParkThe Art Center Highland Park is the North Shore's home for artistic discovery and creative exploration, offering exhibitions, classes, and programs for artists and the community. Learn more at&nbsp;<a href="http://theartcenterhp.org/" rel="noopener noreferrer" target="_blank">theartcenterhp.org</a>.&nbsp;The Art Center Highland Park is located at 1957 Sheridan Road in Highland Park IL and is open Monday through Saturday, 10:00 a.m. -- 4:00 p.m.&nbsp;Closed Sundays.

Later Impressions

Please join us for a new installation, Interrobang, by Jenal Dolson to kick off the project space at 65GRAND. Enveloped in an overtly bright, striped environment, Interrobang stages a dynamic interplay of color, pattern, and optical vibration, destabilizing perceptual assumptions and enacting a phenomenological encounter in which space, surface, and body are inseparably entangled. In this way, the paintings hold gesture as the body holds touch: as residue, as a lingering presence - embodying the interrogative tension of the interrobang itself. Image: Jenal Dolson,&nbsp;Play House,&nbsp;2026, oil and pumice on canvas, 41.25 x 34 inches

Jenal Dolson: Interrobang

Kim Storage Gallery is pleased to present Mythologies, a solo exhibition of new oil paintings by Tim Anderson, on view August 21 through September 26, 2026.The works draw on a lifetime of research into world mythology — the ancient, the obscure, and the enduring — tracing the stories that have shaped human culture across every civilization since the beginning of recorded time, and long before.Mythology is not a relic. It lives on in literature, graphic novels, and film — in every retelling of the eternal struggle between good and evil, love and fear. What Anderson finds so compelling is not the differences between these stories across cultures, but their profound similarities. The names and faces change; the essential human truths beneath them do not.The works in Mythologies also sit with a deeper silence: the knowledge that the vast majority of cultures and civilizations that have existed on this earth left behind little that survives. Their stories, their wisdom, their ways of making meaning are largely gone. Against that absence, mythology functions as a thread of continuity — connecting what we know to what has been lost, and asking what it means that the same stories keep returning.Image: Tim Anderson, Aphrodite, Oil on canvas, 40 x 30”

Tim Anderson: Mythologies

Chicago Truborn's 13 Year Anniversary is up nextChicago Truborn opened its doors in West Town with a pretty simple idea: make art accessible, to support artists, and create a space that felt less like a traditional gallery and a more like a place to call home.&nbsp;I've watched artists and galleries come and go. I've seen our neighborhood change, the buildings, the businesses, and entire casts of people come through the Chicago art scene. I've seen artists who were just getting started become household names. Taken chances on people I believed in. Put paintings in living rooms and bedrooms and kitchens... murals on walls, weird objects on bookshelves, and art in the hands of people who maybe never thought they were “art collectors.”&nbsp;Chicago Truborn is Still here. Still independently owned, putting artists first. Still trying to make art feel approachable. Still got that door propped open. Playing my tunes.It's only right to celebrate my business Bat Mitzvah by showing an artist who has been Instrumental in my experience, both professionally and personally. An artist whose name and work can not be seperated from the history of Chicago: That artist is my friend Anthony Lewellen.&nbsp;Anthony has been an important part of the Chicago Truborn story for years, as an artist, as a friend, and as someone whose work has continued to evolve alongside the city around him. His paintings occupy that strange and wonderful space between familiar and surreal : Recognizable pieces of Chicago, memory, culture and everyday life filtered through his own visual language.&nbsp;ANTCK will take over the gallery with a new body of work created specifically for this exhibition.&nbsp;Two site specific murals will be painted and a new, limited edition, print drop will be released!&nbsp;And while this show itself honors Anthony, the anniversary represents all the artists who have trusted me with their work. The collectors who bought their first piece here. The people who wandered in because they saw a mural outside. The friends who helped support me and wound up becoming die hard collectors. My fellow business owners who come to check on me throughout the day.The people who have been coming through our doors since 2011, those who just discovered us last week! Anyone who has ever walked in and thought, “Oh shit. I LOVE this.”13 years is a long time to do anything independently. It’s long enough to see entire chapters of your life come and go. I know how incredibly lucky I am to have built something that's lasted this long. I also know it's less about luck, or me... And more about YOU and what you've allowed this to become. SO, let's celebrate!

Anthony Lewellen: Various Work 

Rockford Art Museum (RAM) opens the Rockford Midwestern Biennial exhibition on Friday, May 22, with a preview reception for museum members and exhibiting artists from 5 to 6 p.m., free public opening includes a gallery walk with 2026 Juror Laurie Hogin and an artist awards ceremony at 6 p.m. The museum will be open until 7:30 p.m. RAM, 711 N. Main St., Rockford.The exhibition remains on view through September 27, 2026. The 2026 Rockford Midwestern is the 78th presentation of Rockford Art Museum's juried exhibition, which began in 1913 as an annual showcase of local artists, then expanded eligibility and was known as the Stateline Vicinity Show through 1998. Now a biennial show that surveys new work by contemporary artists across the Midwest, the competition was open to original artwork, in any medium, created since the last biennial by residents of&nbsp;Illinois, Indiana, Iowa, Kentucky, Michigan, Minnesota, Missouri, Ohio, and Wisconsin.&nbsp; Juror Laurie Hogin selected 98 paintings, prints, drawings, photographs, sculptures, mixed media works, and more from eight states (including nine artists from the Rockford region) for this year’s Rockford Midwestern Biennial.&nbsp;“It’s a stellar showcase of the incredible talent of Midwestern artists today,” RAM Curator Carrie Johnson said. Laurie Hogin received her MFA from The School of the Art Institute of Chicago, and her BFA from Cornell University in Ithaca, NY, where she also studied cultural anthropology. Her work is exhibited regularly across the country and is in numerous private and public collections, including the Addison Gallery of American Art, Andover, MA, the Illinois State Museum, The United States Federal Reserve, The John D. and Catherine T. MacArthur Foundation, the Brauer Museum, Valparaiso, IN, the Racine Art Museum, WI, among many others. She is currently Professor with Tenure and Chair of the Painting and Sculpture Program at the University of Illinois at Urbana-Champaign. 2026 Exhibiting Artists:&nbsp;Luke Achterberg (Onalaska, WI); Deidre Argyle (Springfield, MO); Nelson Armour (Chicago, IL); Karen Azarnia (River Forest, IL); Heidi Bailey (Warsaw, IN); Michael Banning (Minneapolis, MN); Audrey Barcio (Muncie, IN); Jason Beck (Rockton, IL); Victoria Bein (Edgerton, WI); Lauren Bertelson (Chicago, IL); Lois Bielefeld (Glendale, WI); Jill Birschbach (Evanston, IL); Rebecca Bissi (Racine, WI); Sharon Bladholm (Chicago, IL); Mark Blassage (South Bend, IN); Jennifer Bock-Nelson (Quincy, IL); Mark Brautigam (Milwaukee, WI); Deborah Brooks (Milwaukee, WI); H. Buchholz (Franklin, WI); Roy Cacek (Ankeny, IA); Rebecca Carlton (Fish Creek, WI); Danielle Casali (St. Charles, IL); Ethan Chan (Chicago, IL); Bob Cholke (Rockford, IL); Bobbye Cochran (Chicago, IL); Brent Cole (Muncie, IN); Bridget Conn (Nashville, IN); Benjamin Cook (Louisville, KY); Kevin Corotis (Oak Park, IL); Dragana Crnjak (Boardman, OH); Gary Cudworth (Oswego, IL); Geornica Daniels (Cedarburg, WI); Anita Dawson (Columbus, OH); Jacob Del Negro (Racine, WI); Sessah DelaRue (Belvidere, IL); Brian DePauli (Saint Louis, MO); Jason Dunda (Chicago, IL); Renee Meyer Ernst (Davenport, IA); Darlys Ewoldt (Chicago, IL); Deirdre Fox (Chicago, IL); Rhonda Gates (Rockford, IL); Shelley Gilchrist (Evanston, IL); Tanya Gill (Chicago, IL); Rita Grendze (Geneva, IL); Camryn Gulledge (Springfield, MO); Denis Hagen (Hiawatha, IA); Fletcher Hayes (Chicago, IL); Alan Hobscheid (Chicago, IL); Ellen Holtzblatt (Chicago, IL); Larsen Husby (Chicago, IL); Jeff Ignatius (Rock Island, IL); Shane-Jahi Jackson (Morris, IL); Noah Kashiani (Chicago, IL); Kara Knutson (Oconomowoc, WI); John Kurman (Arlington Heights, IL); Diane Lamboley (Clayton, MO); Isaiah Lee (Chicago, IL); CoCo Ree Lemery (Chicago, IL); Braydon Letsinger (Springville, IN); Diane Levesque (Kenosha, WI); Paula Kloczkowski Luberda (Naperville, IL); Tanya Lunina (Geneva, IL); Lisa Madden (Mokena, IL); Ellen Mahaffy (Eau Claire, WI); Valerie Mangion (Muscoda, WI); T. Michael Martin (Murray, KY); Madeline Martin (Milwaukee, WI); Aeron Maxwell (Chicago, IL); Don McCurdy (St. Charles, IL); Tom McHale (Rockford, IL); Nancie King Mertz (Rockford, IL); Ryan Peter Miller (Chicago, IL); Zach Mory (Glen Ellyn, IL);&nbsp;Thérèse&nbsp;Mulgrew (Chicago, IL); Louisa Murzyn (Munster, IN); Catherine Nelson (Grayslake, IL); Dan Oliver (Chicago, IL); Robert C Osborne (Racine, WI); Mark Pack (Kansas City, MO); Mielle Park (Vernon Hills, IL); Lorraine Peltz (Chicago, IL); Denise Presnell (Sheboygan, WI); Jessie Rebik (Galena, IL); Jason Reblando (Norman, IL); Kimberly Rodey (Wheaton, IL); Patricia Baldwin Seggebruch (Lexington, KY); Kurt Schabell (Loves Park, IL); Edwin Shelton (Michigan City, IN); Dan Simoneau (Kenosha, WI); DeAnna Skedel (Kansas City, MO); Shalen Stephenson (Chicago, IL); Kathy Snow Stratton (Buffalo, MN); Dan Swanson (Rockford, IL); Tori Tasch (Hartland, WI); Ron Testa (Wilmette, IL); Ged Trias (Rockford, IL); Mark Weller (Waunakee, WI); A M Yeager (Bloomington, IL) Awards will be presented at the preview for members and exhibiting artists on Friday, May 22, including the prestigious Dean Alan Olson Purchase Award ($2,000) plus Juror’s First Choice ($750), and two Juror’s Choice awards ($500 each). The Rockford Midwestern Biennial is organized by Carrie Johnson and juried by Laurie Hogin. This exhibition and its related educational programming are sponsored by the Dean Alan Olson Foundation; and partially supported by a grant from the&nbsp;Illinois Arts Council Agency. Free admission is sponsored for the duration of this exhibition by the Dean Alan Olson Foundation. Galleries are open Thursday through Sunday from 10 AM to 5 PM. THE 2026 ROCKFORD MIDWESTERN&nbsp;EDUCATIONAL PROGRAMMINGAll programs take place at Rockford Art Museum, 711 N. Main St., Rockford LECTURE WITH EXHIBITING ARTISTS&nbsp;THU, JULY 23, 5:30 PM, FREE, OPEN TO THE PUBLIC, NO REGISTRATION REQUIREDJoin us for a conversation with exhibiting artists from our Midwestern Biennial as they discuss their inspirations and processes. COFFEE WITH THE CURATOR&nbsp;FRI, SEP 11, 9 AM, FREE, OPEN TO THE PUBLIC, NO REGISTRATION NECESSARYGet a behind-the-scenes look into the process of curating the feature exhibition with Executive Director/Curator Carrie Johnson. Complimentary coffee provided.

2026 Rockford Midwestern Biennial

In-person&nbsp;Artist’s Talk:&nbsp;Thursday Sept. 17th, 7 PM.&nbsp; The Gallery will host a show by Perspective member William Bridges. Titled “MY Photographic Memory?”, this exhibit features recent work in which he explores an alternate possible linkage between memory and photography.&nbsp;He writes, “Some people are said to have “photographic memories”, the ability to recall comprehensive, detailed pictures of everything they have ever seen.&nbsp;I am asserting that everyone has a photographic memory, but that the type of visual image differs from one person to the next. What I am trying to offer here are not crystallized pictures of the past, but photographs of how my recollections appear in my head.”&nbsp;

Bill Bridges: MY Photographic Memory

Gelsy Verna (1962–2008) was a Haitian-Canadian artist, educator, and collaborator who taught at UW–Madison and left a lasting impact on students and colleagues. Working primarily in collage and drawing, Verna used symbols, text, and layered images to explore how meaning is never fixed, but constantly shifting.Throughout her work, Verna often challenged familiar cultural icons. In one series, she reimagined Martin Luther King Jr. with different hairstyles, patterns, and even Mickey Mouse ears. In another, she portrayed Marilyn Monroe with brown skin. With wit, courage, and imagination, these works invite viewers to question how identity, history, and power are constructed.Mother, Father, Please Help Me&nbsp;was drawn and redrawn over several years in collaboration with artist and frequent collaborator David Dunlap. Built through many layers of images and marks, it functions as a palimpsest—a surface that holds traces of earlier versions beneath what we see now. The work embodies Verna’s belief that images and symbols change over time, and that new meanings emerge through revision, proximity, and combination.This artwork has both a front and a back, and both are essential to fully experiencing the piece. To allow visitors to encounter the complete work, the reverse side has been carefully reproduced and printed for display.Recently acquired by MMoCA from the artist’s estate,&nbsp;Mother, Father, Please Help Me&nbsp;is among the last major works available from Verna’s studio. Verna died suddenly in 2008 at just 46, leaving behind a rich artistic legacy that her sister, Mahalia Verna now works to preserve.&nbsp;

Gelsy Verna: Mother, Father, Please Help Me

In/Between Arts festival

The work of West Michigan’s talented artistic community is on view during the annual&nbsp;West Michigan Area Show.&nbsp;This crowd-pleasing annual juried exhibition was carefully curated from more than 300 submitted entries, ranging from paintings, prints, and photos to mosaics, ceramics, jewelry, sculpture, and mixed-media works.Local artists from 14 West Michigan counties submit their art for a chance to be juried into the show.&nbsp;More than $6,000 will be awarded and entries can range from paintings, prints, and photos to mosaics, ceramics, jewelry, sculpture, and mixed-media works.2026 WMAS JurorThis year’s juror is Xuxa Rodríguez, Patsy R. and Raymond D. Nasher Curator of Contemporary Art at Duke University’s Nasher Museum. Prior to her role at Duke, Rodríguez served as the Associate Curator of Contemporary Arts at Crystal Bridges Museum of American Art and earned a Ph.D. from the University of Illinois Urbana-Champaign. Rodríguez will present an ArtBreak lecture on Wednesday, May 27, at noon in the KIA auditorium.2026 WMAS Awards<ul><li>$1,000 Helen Sheridan Memorial Grand Prize</li><li>$ 500 Second Place</li><li>$ 400 Third Place</li><li>$ 300 Fourth Place</li><li>$ 200 Fifth Place</li><li>Portage Community Art Award</li><li>Arts Council of Greater Kalamazoo’s People’s Choice Award</li><li>The Martin Maddox Prize for Imaginative Realism</li><li>Ninth Wave Studio Award for Ingenuity in Mixed Media or Intermedia</li><li>Art League Award</li><li>Signature Artists, LLC, Award</li><li>Eclectic Glass Guild of Southwest Michigan</li><li>Kalamazoo Log Cabin Quilters’ Art Quilt Award</li><li>Southwest Michigan Printmakers Excellence in Printmaking Award</li><li>Kalamazoo Book Arts Center Book, Print, and Paper Award</li><li>West Michigan Potters Guild Award for Ceramics</li><li>The Ward H. and Cora E. Nay Director’s Purchase Prize</li></ul><a href="https://www.kiarts.org/events/tag/wmas/" rel="noopener noreferrer" target="_blank">Click here to see upcoming events in connection with this exhibition</a>.

2026 West Michigan Area Show

As part of In/Between, Amanda Browder: Civic Sparkle activates one of RAM Downtown’s interior gallery spaces, inviting visitors to experience the artist’s large-scale textile work from a closer perspective. Civic Sparkle features portions of a previous work by Browder, alongside behind-the-scenes content from the creation of Zig &amp; Zag—the piece which adorns the outside of the museum. Together, these works highlight Browder’s collaborative, community-driven practice which celebrates shared creativity, memory, and the power of art to reimagine place.

Amanda Browder: Civic Sparkle

In-person&nbsp;Artist’s Talk:&nbsp;Thursday Sept. 17th, 7 PM.&nbsp; Perspective Gallery is proud to present a new show by fine art photographer, Maria Finitzo. It will be the first public viewing of her work, titled, Ice &amp; Light which revisits a body of photographs made in 1993 on Ellesmere Island in the Canadian High Arctic, one of the most remote and rapidly changing landscapes on earth. Unresolved at the time of their making, the original color transparencies were set aside for three decades before being rediscovered. Their return underscores both the material endurance of analog photography and the fragility of the subjects depicted. The ice shelves of northern Ellesmere Island, among the oldest in the Northern Hemisphere, have since undergone significant loss due to climate change, rendering these images a record of a landscape in disappearance.The Gallery will also host a companion show by Perspective member William Bridges. Titled “MY Photographic Memory?”, this exhibit features recent work in which he explores an alternate possible linkage between memory and photography.&nbsp;He writes, “Some people are said to have “photographic memories”, the ability to recall comprehensive, detailed pictures of everything they have ever seen.&nbsp;I am asserting that everyone has a photographic memory, but that the type of visual image differs from one person to the next. What I am trying to offer here are not crystallized pictures of the past, but photographs of how my recollections appear in my head.”&nbsp;

Maria Finitzo: Ice and Light

<a href="https://oh4nipbab.cc.rs6.net/tn.jsp?f=001ZTVM3iEHVvEKfhwQsCJ46nYsOtugxTCRnJWFhXj3C4aw2b1ikI2RR4bYcKnJo2bJATn5nKUzl94dLIGZzzK25Y46MNSWLvkFmhvBxipnTnvMCQeXwQ1ZwvLH9SnpA4LMbjM42UkAyzISFt19C8admA==&amp;c=OpWSoMN78G4oRFySMyD1OGhkbkImsazZhB2hDzq3Yu3L4fVJztoJXw==&amp;ch=A80OcZyC2k_H1KvHKq452YZCNJAZS-2W9p5885Am_AmD1dQAYpBqUg==" rel="noopener noreferrer" style="color: rgb(17, 85, 204);" target="_blank">Jackson Junge Gallery</a> is excited to present their third group exhibition of the year, <a href="https://oh4nipbab.cc.rs6.net/tn.jsp?f=001ZTVM3iEHVvEKfhwQsCJ46nYsOtugxTCRnJWFhXj3C4aw2b1ikI2RR-HxZAJtVFApv_EQP7elVU7vi8Zg5fbFsuRSFYiRsL8u3KCLREJzsf9QXpzXoEL9J_gBwDRGAk6zs_y2B1xYdIU-53YqsoY7zKv3TBHyzAT5tjC0UEhMSxkD7lznfWI9eg==&amp;c=OpWSoMN78G4oRFySMyD1OGhkbkImsazZhB2hDzq3Yu3L4fVJztoJXw==&amp;ch=A80OcZyC2k_H1KvHKq452YZCNJAZS-2W9p5885Am_AmD1dQAYpBqUg==" rel="noopener noreferrer" style="color: rgb(17, 85, 204);" target="_blank">AFTER DARK</a>, featuring artwork that shines a light on nightlife in Chicago. The exhibition will feature the work of 28 artists local to the Chicagoland area. From the beginning of a big night out, to the eventful CTA ride home, AFTER DARK explores both the&nbsp;well-known and the hidden corners of Chicago&nbsp;﻿after the sun has gone down.

After Dark

This crowd-pleasing annual juried exhibition featuring artists of West Michigan was carefully curated from more than 300 submitted entries, ranging from paintings, prints, and photos to mosaics, ceramics, jewelry, sculpture, and mixed-media works.

Michigan Avenue Galleries, Chicago Cultural&nbsp;Center&nbsp;Photographer Lauren Deutsch and filmmaker Jonathan Woods present an immersive exhibition translating the energy of Chicago’s improvised music scene into color,&nbsp;movement&nbsp;and visual form. Developed&nbsp;by the Tangible Sound Collaborative, the project celebrates the city’s legendary experimental music community and honors the influence of the Association for the Advancement of Creative Musicians (AACM).&nbsp;Through photography, film and installation, the exhibition explores how music can inspire visual expression while celebrating the artists and ancestors whose creativity continues to shape Chicago’s cultural identity.&nbsp;

Tangible Sound: Arrival to a Higher Ground 

Winnetka Gallery - 564 Lincoln AvenueAnne Loucks Gallery is pleased to annnouce the opening of Summer Days, a solo exhibition featuring photographer, Joshua Jensen-Nagle. The show features sixteen of the artist's large scale works from his Dreams and Journeys, Endless Summer and American Vacation series.Jensen-Nagle is well known for his captivating photographs of beaches, mountains, parks, and grand public spaces. His images capture aerial views of leisure and travel, rendering figures as colorful, semi-abstract elements bathed in light and immersed in the beauty of their surroundings. Details of sun soaked beaches, majestic landscapes, and dramatic architecture become a distant memory, as he transforms his images into a dream state for the viewer. His photos invite viewers into the frame to form their own interpretations. “My lens is not meant to document a reality, but rather attempts to capture a feeling experienced within the photograph, allowing the viewer to reflect on their own memories and dreams.Please stop in the Winnetka gallery to see the show and celebrate summer ~ we'd love to see you!

Joshua Jensen-Nagle: Summer Days

September Exhibit: Julie CowanExhibit:&nbsp;Garden Geometry LithographsSeptember 1 - 30, 2026 ﻿On Friday, September 11th, the Hubbard Woods Design District will once again come alive with its monthly First (Actually Second) Friday event! The evening will include more than 15 participating businesses throughout the neighborhood and feature promotions, complementary cocktails, live music, and more.

Julie Cowan: Garden Geometry Lithographs

<h4>Debuting satellite project space</h4> In celebration of Chicago Exhibition Week, inaugural project with Stephen Eichhorn opens Thursday, September 17th, 5-8PMat 1801 W Hubbard Street, Chicago <a href="mailto:britton@secristbeach.com?subject=Preview%20request%20for%20Second%20Star" rel="noopener noreferrer" style="color: rgb(63, 150, 229);" target="_blank">Request Preview</a>

Second Star

Please join us to celebrate this monumental exhibition on two separate days.&nbsp; PREVIEW on Friday, September 11 • 5 to 8 pm&nbsp;at our River North gallery at 716 N. Wells.&nbsp; OPENING RECEPTION with the artist on Saturday, September 19 • 4 to 6 pm at 700 N. LaSalle Street in Chicago.&nbsp; Since the public opening on June 2nd of the open air exhibition on Chicago's North Michigan Avenue (the Magnificent Mile)&nbsp;Chicago had not seen a public art display of this magnitude in 27 years. Carole Feuerman is best known for her figurative sculptures depicting swimmers and dancers. She is the only woman to sculpt in this style, creating lifelike works for both indoor and outdoor spaces. From landing on the front page of the Chicago Tribune, to thousands of Chicago residents and tourists from around the world, we have been inundated with inspiring messages that have given joy to millions of people who have strolled along the Magnificent Mile of Michigan Avenue.

Carole Feuerman: MONUMENTS OF STILLNESS

Renaissance Court Gallery, Chicago Cultural Center, Chicago, IllinoisReception: September 24, 3 - 5pm The Big Picture: Midwest Large Format Asylum: Large Format Photography, opening this August at the Renaissance Court Gallery in the Chicago Cultural Center. This exhibition brings together more than 70 works by photographers from the greater Midwest and beyond, celebrating the enduring vitality of large format photography — from historic view camera traditions to contemporary artistic practice.&nbsp;The show is organized by the Midwest Large Format Asylum, an association of large-format photographers, dedicated to continuing the traditional practices of large format photography and expanding them. At a time when digital photography and AI increasingly shape how images are made, The Big Picture invites us to slow down and consider the continued power of craft, attention, material process, and the hand-made image. The exhibition will also include artist talks, demonstrations, hands-on workshops, a cyanotype workshop, a large format self-portrait experience, and the Chicago premiere of George Tice: Seeing Beyond the Moment. Curated by Hillary Irene Johnson, MFAOrganized by the Midwest Large Format Asylum Alongside The Big Picture, we’re offering a full series of public programs exploring large format photography — from historic processes to hands-on experiences. Visitors can attend talks and demonstrations on wet-plate collodion, long-term documentary work, historic and contemporary cameras, cyanotype, photographic motion, and more. There will also be chances to make your own cyanotype and even create a large format self-portrait using a 4 × 5 view camera. Some workshops require advance registration. All events are free and open to the public at the Renaissance Court Gallery at the Chicago Cultural Center Workshops and Presentations 1. History of Large Format Photography and the Collodion ProcessThursday, August 13, 12:30–2:30 pmWet-plate collodion is one of the most important early photographic processes in the history of large format photography.Join Eric Nelson and D Anson Brody for a lecture and demonstration exploring the history, material beauty, and technical demands of this process, which requires each glass or metal plate to be prepared, exposed, and processed while still wet. 2. Creating a Long-Term Photo DocumentaryMonday, August 17, 12:30–2:30 pmWhat does it mean to build a photographic project over decades?Chris Walker has spent more than 30 years photographing youth culture through rural county fairs. In this program, he will discuss the technical, aesthetic, and conceptual choices that shaped the work, including his move from 35mm film to an 8 × 10 inch view camera. 3. Introduction to Large Format Photography: What’s the Big Deal?Thursday, August 20, 10:30 am–12:30 pmWhy do artists still choose large format photography in a digital age?This introductory program brings together historic and contemporary cameras, including Deardorff, Crown Graphic, Cirkut, stereo, and ultra-large format cameras. Photographers will share their cameras, examples of their work, and what continues to draw them to this slow and powerful format. 4. Taking Your Own Large Format Self-PortraitFriday, August 21, 10:30 am–1:30 pmExperience large format photography firsthand.In this hands-on program, Francis Fullam will guide participants in making their own self-portrait with a 4 × 5 inch view camera and direct positive paper. Photographs will be developed on site at the Renaissance Court Gallery.Space is limited to 20 participants, and advance registration is required.&nbsp;Register by calling the Renaissance Court Gallery (312) 744-4550. 5. Making Your Own CyanotypeThursday, September 10, 10:15 am–12:30 pmMake your own cyanotype.Cyanotype is one of the earliest photographic processes, known for its distinctive deep blue color. In this hands-on workshop, Ryan Zoghlin will introduce the process and provide materials for participants to assemble and expose their own images using sunlight.Participants will take home their finished cyanotype prints.Space is limited to 24 participants, and advance registration is required.&nbsp;Register by calling the Renaissance Court Gallery (312) 744-4550. 6. Screening of George Tice: Seeing Beyond the MomentMonday, September 21, 12:30–2:00 pmJoin us for the Chicago premiere of George Tice: Seeing Beyond the Moment.This 72-minute documentary offers an intimate look at the life, process, and artistic development of George Tice, an influential postwar photographer known for his work with the 8 × 10 inch view camera. 7. Reception: Come Meet The Big Picture PhotographersThursday, September 24, 3:00–5:00 pmJoin us for the public reception for The Big Picture.Meet participating photographers, view the exhibition, and learn more about the cameras, processes, and ideas behind the works on display. The exhibition includes large format photographs spanning abstraction, landscape, portraiture, still life, documentary photography, and more.Light refreshments will be served. 8. Expanding Photographic PossibilitiesMonday, September 28, 12:30–2:00 pmHow can still photography reveal motion?Seder Burns will discuss the history of photographic motion studies, from Eadweard Muybridge to contemporary experiments, and introduce his current work with a large format digital scanning camera he developed.This program explores new ways of seeing movement, time, and photographic possibility.

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