West Town, Wicker Park, Ukrainian Village, Kinzie Corridor, Humboldt Park

West Town

Wisconsin

IL • MI • IN

West Loop, Fulton Market, East Garfield Park

West Loop and West Side

Evanston, The North Shore, Northern, Western and Southern Suburbs

Suburbs

Old Town, Lincoln Park, Lakeview, Roscoe Village, Bucktown, Wicker Park, Logan Square, Lincoln Square, Ravenswood, Uptown, Edgewater, Andersonville, Rogers Park

North Side

Michigan Avenue, Streeterville, The Gold Coast, The Loop, and South Loop

Michigan Avenue

Pilsen, Bridgeport, Chinatown, plus Hyde Park, Jackson Park/Dorchester, and Bronzeville

South Side

Superior and Franklin streets, West Chicago Ave, and down to Merchandise Mart and the River

River North

Join us Wednesday, June 24th, 5-7 PM for bubbles to celebrate the launch of Volume Gallery’s collaboration with Stony Island Arts Bank.Design and architecture have been a shared language for Theaster Gates, Heiji Choy Black, and the founders of Volume Gallery, Sam Vinz and Claire Warner, since the beginning of their friendship. The Stony Island Arts Bank and Volume Gallery have long championed many of the greatest contemporary emerging and established designers and artists, bringing their work to the worldfrom their spaces in Chicago.In this group exhibition, artists and designers share a common desire to honor where they come from with objects of beauty and brilliance and of enduring meaning and substance. The many perspectives, cultures, and geographies represented in Chicago are brought to life here as these makers intend to better our world through art and craft. Featuring work by:Tanya AguiñigaRobell AwakeStephen BurksSung JangTerumi SaitoSHENEQUALarry TchogninouNorman Teague&nbsp;Stony Island Arts Bank6760 S Stony Island Ave2nd Fl GalleryChicago, IL 60649&nbsp;

Volume Gallery x Stony Island Arts Bank Reception

You are cordially invited to&nbsp;BAC's14th Annual Art Competition.&nbsp;This competition was created to showcase the exceptional talents and abilities of Chicago area artists.

14th Annual Juried Art Competition

Bookmark Activity:&nbsp;10 – 11 amStory time with CPL:&nbsp;11 am – 12 pmIn partnership with the Chicago Public Library, creating a handmade bookmark to use with all of your favorite reads, then listen along to Librarian Megan as she share stories about pattern and color.Free with RSVP.<a href="https://uchicago.us2.list-manage.com/track/click?u=aba2086a45b4ee8391b89447b&amp;id=bf2065a19b&amp;e=00938adab1" rel="noopener noreferrer" target="_blank">Register Here</a>

Tuesdays Together: Story Time at the Smart

Woman Made Gallery presents "Routes &amp; Roots," a juried virtual exhibition exploring immigration and migration through the work of women and non-binary artists. On view May 18–June 30, 2026.Juried by Eliana Miranda, the exhibition takes its name from the two forces shaping every immigrant story: the paths we travel and the ties we carry. Selected works span border crossings and&nbsp;ordeals, exile and quiet acts of belonging, cultural hybridity, intergenerational memory, and more. <a href="https://womanmade.us10.list-manage.com/track/click?u=77610ec6940e4a7c0d652a863&amp;id=6b96d5a34c&amp;e=a3993dd90f" rel="noopener noreferrer" target="_blank">EXPLORE THE EXHIBITION</a> Exhibiting Artists:&nbsp;Patricia Anderson-Turner, Alexandra Buxbaum, Mandel Cameron, Melisa Celaya, Colleen Coleman, Lauren Doorish, Michel Flores, Jennifer Godinez, Javiera González Velásquez, Sol Henriquez, Jee Hwang, Doina Iacob, Kelly Johnson, Yian Lin, Crystal Marshall, Danielle Muzina, Carol Neiger, Priscilla Otani, Jennie E. Park, Isabella Picardi, Julianna Sanroman, Jo Scheder, Marie Scherpe, Stephanie Tirado, Sharmeen Uqaili, Lucero Vargas, Alyssa Wilson, Jenn Wright, Elmira Yousefi, Amo Zeng<a href="https://womanmade.us10.list-manage.com/track/click?u=77610ec6940e4a7c0d652a863&amp;id=2ad6bc8a31&amp;e=a3993dd90f" rel="noopener noreferrer" target="_blank">SEE THEIR WORK AND STATEMENTS</a>

Routes & Roots

Presented by: Ron Jerak &amp; Michael PreskiWhat happens when you bring an Abstract painter and a Surrealist together in one exhibition? The audience gets to take a journey through the artists’ story laid out on canvas, doused in color and covered in a vision.Ron Jerak creates the images he envisions by using strong color and contrast, incorporating straight lines and sharp angles. Symmetry is often present in his works, though asymmetrical compositions are employed as well. Michael Preski creates intricate and often highly detailed imagery with multiple mediums, layering different segments until they form the final piece. Like Ron’s works, they can cover a full range of concepts with their subjects, but all of them tell a story. Both of their stories are contained within each individual piece as well as the whole of their works. These stories are often drawn from everyday events, emotions and general life experiences as how the viewers experience the world. And though every piece is open to the audience’s interpretation, the artists guide their perceptions using the visuals themselves as a map. So feel free to join these two artists as they share their stories depicted in vibrant colors and unwavering imagery.<a href="https://www.bridgeportart.com/canvas-color-vision/" rel="noopener noreferrer" target="_blank">Details</a>

Canvas, Color, & Vision

This exhibition foregrounds the University of Chicago’s pivotal role in studying and exhibiting contemporary Chinese art since the mid-1990s. In February 1999, Wu Hung, Harrie A. Vanderstappen Distinguished Service Professor of Chinese Art History at the university, opened his first exhibition at the Smart Museum of Art. Entitled&nbsp;Transience: Chinese Experimental Art at the End of the Twentieth Century&nbsp;(1999),&nbsp;&nbsp;the exhibition – and many more Wu curated in the ensuing years – was field-defining and forged new avenues for situating Chinese art within a broader global contemporary framework.Taking these earlier exhibitions as points of departure,&nbsp;Beyond Boundaries: Three Decades of Contemporary Chinese Art at the Smart&nbsp;reflects on the enduring adaptability of contemporary art from China as it continues to grow within and beyond cultural and academic institutions. Bringing together artworks acquired by the Museum over the last three decades, archival materials, ephemera, as well as new work,&nbsp;Beyond Boundaries&nbsp;explores how artists navigate and challenge physical limitations across cultural, environmental, and political terrains. Through strategies of fluidity, they confront dominant social expectations and political hegemonies – not only within a rapidly transforming China, but also amid broader global uncertainties. In doing so,&nbsp;Beyond Boundaries&nbsp;invites us to revisit fleeting moments, environments, and actions, and urges us to reconnect, return, and remember.Support for&nbsp;Beyond Boundaries&nbsp;is provided&nbsp;by Markovitz Family Foundation for the Arts and Education. Additional support is provided by the Smart Museum's Board of Governors, and SmartPartners.&nbsp;Presented in&nbsp;the Robert and Joan Feitler Gallery, and the Joel and Carole Bernstein Gallery.

Beyond Boundaries: Three Decades of Contemporary Chinese Art at the Smart

Alma Thomas (1891–1978) is a singular figure of twentieth-century American art. She developed her form of abstraction – characterized by the dazzling interplay of pattern and hue – late in life, after retiring from a long career as a schoolteacher. Her vibrant and rhythmic art transcended established genres, incorporating elements of gestural abstraction and color field painting and creating a style distinctly her own.Composing Color: Paintings by Alma Thomas&nbsp;draws on the extensive holdings of the artist’s paintings at the Smithsonian American Art Museum (SAAM) and offers an intimate view of Thomas’s evolving practice during her most prolific period, from 1959 to 1978. At a deeply politicized moment in American life, Thomas’s abiding sources of inspiration became the cosmos, nature, and music. As she stated, “Through color I have sought to concentrate on beauty and happiness, rather than on man’s inhumanity to man.” The exhibition&nbsp;invites visitors to see the world through the eyes of Alma Thomas.SUPPORTComposing Color: Paintings by Alma Thomas&nbsp;is organized by the Smithsonian American Art Museum. Generous support has been provided by the Helen Frankenthaler Foundation, Chris G. Harris, the Wolf Kahn Foundation, and Susan Talley.

Composing Color: Paintings by Alma Thomas

<a rel="noopener noreferrer" href="https://www.hydeparkart.org/" target="_blank">Hyde Park Art Center</a>, the renowned non-profit hub for contemporary art located on Chicago’s vibrant South Side, is proud to announce a major solo exhibition by interdisciplinary artist Alison Ruttan. Visualizing the catastrophic impact of global warming on coastal communities, the immersive installation places visitors at the center of a submerged suburban neighborhood to invite reflections on the climate crisis. On view from&nbsp;April 4-July 12, 2026, the expansive exhibition takes up 2300 sq. ft. gallery space with over 160 cast ceramic forms. A free public opening reception with the artist will take place on&nbsp;Saturday, April 4, 2026 from 1-4 p.m.Throughout her career, Ruttan has created many visual representations of massive traumatic events, such as the Gombe Chimpanzee War, the Israeli bombardment of Lebanon, the “Highway of Death” in Kuwait, and the Syrian Civil War.&nbsp;For Ruttan, the labor involved in rendering these events visible is an attempt to emphasize their urgency for herself and viewers. The title&nbsp;The Paradox of Inaction&nbsp;refers to a mistaken belief that doing nothing is risk-free, while in reality, failing to act has consequences, increases risks, and limits ways forward. She hopes the exhibition, which took more than two years to complete, is a call to action for shifting unsustainable habits and preventing further inaction toward climate issues.Composed of over 160 cast ceramic forms, this installation is arranged in low-lying platforms throughout the gallery. At first glance, the ceramic forms appear abstract; seen collectively, they create the illusion of a submerged suburban neighborhood. Works from Ruttan’s earlier series&nbsp;High Water&nbsp;(2023 - 2024), a group of miniature ceramic sculptures of flooded homes, will be on view on the second floor of the Art Center, complementing the large-scale installation on the first floor. With an otherworldly appearance, the glazed surfaces of the ceramics are suggestive of pools of blackwater and mildewed walls.Ruttan shares why she believes an immersive art installation is a powerful tool for change:&nbsp;“To know something is not the same as comprehending it. I work with the belief that art can sometimes do a better job of convincing than facts alone. In looking at a work of art, we allow our intuitive thinking to mingle with factual thinking. We go back and forth between the contemplation of the physical objects' form and the suggested context that exists outside the art gallery. In bridging these different ways of thinking, we often feel we are coming closer to the truth”.This exhibition is part of an ongoing annual series of large-scale artworks commissioned by Hyde Park Art Center, which in the past included new works by Edra Soto, Faheem Majeed, Lan Tuazon, and Yasmin Spiro, among others. A series of public programs will offer opportunities for audiences to further engage with the exhibition.&nbsp;Alison Ruttan: The Paradox of Inaction&nbsp;is generously supported by the Graham Foundation.ABOUT THE ARTISTAlison Ruttan is a project-based artist whose work focuses on topical investigations. Her work has been exhibited in Chicago at the Riverside Arts Center, Chicago Cultural Center, Weinberg Newton Gallery, The Museum of Contemporary Photography, and Document Gallery, among others. Nationally, her work has been presented at the Minneapolis Institute of Art, MN; Crystal Bridges Art Museum in Bentonville, AR;&nbsp;Elmhurst Art Museum, IL; Kent State University Art Museum, OH; The Frist Museum, TN; and The Drawing Center, NY. International presentations of Ruttan’s work have included Galerie Wit in Wageningen, Netherlands, and Rocket Gallery in London, UK. Ruttan has received awards and residencies from the Illinois Arts Council, Jerome Foundation, Art &amp; Technology Residency; Wexner Museum, Artists Residency; and Wild Animal Park. She is an associate professor at The School of the Art Institute of Chicago, where she has taught for over 25 years.

Alison Ruttan: The Paradox of Inaction

Weeds Grow in All Directions&nbsp;is an exhibition of Cydney Lewis's collage works and large-scale assemblages. Using everyday materials found in her daily life–plastic bags, packing paper, magazine cutouts, as well as rhinestones and textiles–Lewis creates otherworldly landscapes that prompt meditation on the destruction and resilience of the natural world. The works in the exhibition reward close looking—to find the extraordinary in the overlooked, to reconnect with energies around us, and to feel the pulse of our shared ecology through playful wonder and poignant reflection. In this body of work, the resilient weed is both metaphor and guide, challenging our perceptions of the disregarded and revealing the quiet spirit inherent in all natural matter. In Lewis's work, the material world intersects with the realm of elemental spirits, creating a layered tapestry of human emotion and urgent ecological awareness.

Cydney M. Lewis: Weeds Grow in All Directions

Palomar&nbsp;is a group exhibition about watching the sky, something that appears deceptively simple. Featuring twenty-eight artists, it unfolds in two parts, each five weeks long. Some works remain in place while others come and go, this encounter in time acting like a double exposure. Gradually, the familiar act of looking up spills over into a sense of life that is more layered and complex, or even contradictory. It turns out there is a lot at stake in the space above us.&nbsp;Decades ago, after the launch of the first satellite into orbit, humans had big dreams of leaving the Earth. Politicians, poets, and scientists made public comments in this spirit. Today it’s mostly billionaires who talk of escape, or of mining the planets out there. The rest of us look to the sky from the ground as life carries on. An earlier age of optimism around space exploration and human progress has given way to a new era, as the stars fade from view in our cities, new technologies emerge with unsettling effects, and those in power surveil from above. Through it all, the sky is a steady presence. The sun rises and sets. The moon, too. The stars come out, where you can see them. We organize our lives by these patterns. They infuse our concepts, our sense of time, and our language, even when they’re not on our minds.Part 1 of&nbsp;Palomar&nbsp;introduces certain celestial rhythms and cycles, while thinking about astronomy and other forms of observation in everyday life. It also begins to draw out experiences of time, as it is marked, measured, and perceived. Part 2 brings into view changing relationships with technology and the militarization of the skies. Both parts are shadowed by the question of what one sees and what one doesn’t, and the roles that images play, especially photographs, often wrapped up with the comforts and discomforts of distance.&nbsp;The exhibition borrows its title from the name of an observatory on a California mountaintop, which once had the largest optical telescope in the world. It lost that distinction in 1976, but it is still used to study the stars. In the eighties, Italo Calvino wrote a book about a man who shares his name with that place:&nbsp;Mr. Palomar, a seeker of the cosmic in the commonplace and an unflagging, if absentminded, observer. Taken together, these two touchstones evoke different kinds of observation and attention.&nbsp;Looking overhead can be a way to understand one’s place in the world, as it has been for thousands of years. Given the many ways people watch the sky or look to the cosmos, from scientific study to the habits of daily life, there are just as many different things to think or feel. The movement of the heavenly bodies offers a measure of continuity in the face of destabilizing change; the view above can be a source of solace, a realm of startling beauty, a reminder of something larger than oneself. The sky can also be a dark premonition, a site of violence or grief, a reminder of what there is to lose, or for many what is already gone. Sometimes it’s all of this at once.Curated by Karsten Lund.&nbsp;Artists featured:Part 1 (May 2–June 7, 2026)&nbsp;Darren Almond, Sarah &amp; Joseph Belknap, Myriam Boulos, Vija Celmins, Paul Fägersköld, Pierre Huyghe, Rinko Kawauchi, Jason Lazarus, Tony Lewis, Aspen Mays, Eadward Muybridge, John Opera, Chantal Peñalosa Fong, Kathleen Ryan, Carrie Schneider, Heji Shin, Erin ShirreffPart 2 (June 10–July 13, 2026)&nbsp;Sarah &amp; Joseph Belknap, Myriam Boulos, Vija Celmins, Cynthia Daignault, Paul Fägersköld, Lawrence Abu Hamdan, Sebastian Jefford, Jordan Kantor, Tony Lewis, Eadweard Muybridge, John Opera, Trevor Paglen, Torbjørn Rødland, Kathleen Ryan, Heji Shin, Erin Shirreff, Alec Soth, Shomei Tomatsu, Samira Yamin&nbsp;Videos online&nbsp;(Parts 1 &amp; 2)Allora &amp; Calzadilla, Chantal Peñalosa Fong, Simon Starling, Alice Wang&nbsp;CreditsLead support for this exhibition is provided by School Museum Fund, The Hees Family.&nbsp;Friends of Palomar Patron Circle: Maria Christina &amp; Guy-Karim Caland Puymartin, and Zach Smith.&nbsp;Renaissance Society programs are supported by Teiger Foundation and The Andy Warhol Foundation for the Visual Arts.&nbsp;EventsOpening Reception (Part 1)Sat, May 2, 4–7pmTalk at 4PM between curator Karsten Lund and Steven L. Bridges (MSU Broad Art Museum)&nbsp;Walkthrough (Part 1)Sun, May 17, 1PMLed by Karsten Lund&nbsp;WorkshopSun, May 17, 3PMLed by Karsten Lund and Joshi Radin Flores&nbsp;Performance: Whitney Johnson, Lia Kohl, and Macie StewartSat, Jun 13, 4PM&nbsp;Opening Reception (Part 2)Sat, Jun 13, 5–7PM&nbsp;Walkthrough (Part 2)Thu, Jun 18, 6:30PMLed by Karsten Lund&nbsp;Performance Lecture: Day &amp; Night with Sarah &amp; Joseph Belknap&nbsp;Sun, Jun 21, 12PM &amp; 10PM12PM Logan Center for the Arts, Screening Room10PM Midway Plaisance Winter GardenVisit&nbsp;<a href="http://renaissancesociety.org/" rel="noopener noreferrer" target="_blank">renaissancesociety.org</a>&nbsp;for more information.&nbsp;

Palomar (Part 2)

Part I, September 23, 2025 - February 22, 2026Part II, March 24, 2026 - July 26, 2026Why and how do people form political communities? How does political society organize our economic lives - and vice versa? And how as individuals do we navigate society?Smart to the Core: Wise to Power&nbsp;examines these questions by integrating visual art with foundational texts of modern social and political thought spanning nearly four centuries. Through a wide range of creative practices and philosophical perspectives, the exhibition addresses themes that are widely familiar yet deeply connected to specific political, economic, and cultural histories.<a rel="noopener noreferrer" href="https://uchicago.us2.list-manage.com/track/click?u=aba2086a45b4ee8391b89447b&amp;id=a6520b5f11&amp;e=00938adab1" target="_blank">Learn more about this exhibition</a>

Smart to the Core: Wise to Power (Part II)

Thru August 15 Hilton Contemporary | Bridgeport3622 S. Morgan StreetChicago, IL 60609 Techniques: Mixed MediaMixed media with 3D printing techniqueSculptureChromed resin skull with over 3,000 Swarovski stones and custom dye stingray skinPrintsArchival Fine Art Pigment Print on Hahnemühle Fine Art Baryta paper <a href="https://hiltoncontemporary.com/exhibitions/the-art-of-becoming-jonas-leriche/" rel="noopener noreferrer" target="_blank">Details</a>

Jonas Leriche: The Art of Becoming

<a href="https://www.hydeparkart.org/" rel="noopener noreferrer" target="_blank">Hyde Park Art Center</a>, the renowned non-profit hub for contemporary art located on Chicago’s vibrant South Side, is proud to announce&nbsp;Jeff Carter: The Singer Pavilion Project, on view&nbsp;June 6 – September 20, 2026. Exploring the historic and architectural significance of the Singer Pavilion—the only building remaining of the former Michael Reese Hospital and Medical Center in Bronzeville, the exhibition prompts critical reflection on the Modernist promise of social progress, and considers how architectural ideals are compromised by histories of institutional failure, abandonment, and inequality.Since 2020, Carter has developed an extensive body of work exploring the site, history, and significance of the Singer Pavilion, a structure he refers to as a “Modernist ruin.” The exhibition presents eleven artworks, including sculptures, digital images, sound works and installations. Several artworks in the exhibition are made using materials extracted from the abandoned site: a waiting room chair, vinyl records, and native plants that have reclaimed the neglected landscape. The excavated materials were transformed into sculptures and conjure both the life in and around the building during its active years as a psychiatric institute (1948-2009) and the building’s dereliction following the hospital’s closure in 2009. A series of ‘zines developed in collaboration with artists with connections to the hospital and the surrounding Bronzeville community will be included.Founded in 1881, Michael Reese Hospital was a major research and teaching hospital, and one of the oldest and largest hospitals in Chicago, providing care to all people regardless of religion, nationality, or race. Its architecture, whose designers included Walter Gropius, the founder of the Bauhaus School, is considered by preservationists to hold historic value. ABOUT THE ARTISTJeff Carter (1967, he/his) is a multimedia artist living and working in Chicago. He earned his BFA at the University of Colorado, Boulder and his MFA at The School of the Art Institute of Chicago. His practice includes sculpture, kinetics, sound, installation, and digital media. Jeff has exhibited his work in Chicago at the Museum of Contemporary Art, the Renaissance Society, the Illinois Institute of Technology, and the Hyde Park Art Center. His work has been shown internationally at the Hayward Gallery, London, the Kunsthalle Hamburg, Germany, the Kaohsiung Museum of Fine Arts, Taiwan, the IKEA Museum, Sweden, and the Lewis Glucksman Gallery, University College Cork, Ireland. His solo shows include the Chicago Cultural Center and the DePaul Art Museum, Chicago, Spencer Brownstone Gallery, New York, and Galeria Valle Orti, Valencia, Spain. A previous project about the demolished Michael Reese Hospital campus,&nbsp;The Common Citizenship of Forms&nbsp;(2011), was reviewed in Art In America and profiled in the 7th edition of Bauhaus Magazine. He is a Professor in The Art School at DePaul University. ABOUT THE HYDE PARK ART CENTERHyde Park Art Center, at 5020 South Cornell Avenue on Chicago’s vibrant South Side, is a hub for contemporary arts in Chicago, serving as a gathering, production, and exhibition space for artists and the broader community to cultivate ideas, impact social change, and connect with new networks. Since its inception in 1939, Hyde Park Art Center has grown from a small collective of artists to establishing a strong legacy of risk-taking and experimentation, emerging as a unique Chicago arts institution with social impact. Today, the Art Center offers a diverse suite of programs for artists and art lovers of all backgrounds, ages, and stages in their careers including: contemporary art exhibitions in six galleries; an open-access community-based school with 2,000 annual enrollments; weekly arts education to 1,000 elementary school students in public schools; weekly and summer teen programs for 100 teen artists; professional-advancement programs for artists; a local and international artist residency; and public programs that connect residents with Chicago art and artists. The Art Center’s Oakman Clinton School + Studio is the nation’s first fully contribute-what-you-can visual art school for all ages. The Art Center functions as an amplifier for creative voices of today and tomorrow, providing the space to cultivate new work and connections. For more information, visit<a href="https://www.hydeparkart.org/" rel="noopener noreferrer" target="_blank">www.hydeparkart.org</a>.

Jeff Carter: The Singer Pavilion Project

The annual exhibition highlights paintings, drawings, photography, ceramics, prints, animation, and multimedia work by young artists participating in Hyde Park Art Center’s Teen programs. Each year, the Teen programs provide a structured independence that encourages young artists to develop their creative voices, learn new skills, and build relationships in the context of a community-based art center, where artists of all ages and backgrounds do the same. The exhibition is a testament to the evolution and dedication of these young artists. They have taken on the challenge of expressing perplexed thoughts, feelings, and emotions into individual works of art.

Teen Show

Ground Floor, an ongoing biennial exhibition since 2010, brings together work by Chicago’s most promising emerging talent. The exhibition offers a single destination to encounter the work of twenty artists who have recently graduated (in 2025 and 2026) from one of Chicago’s five outstanding MFA programs: Columbia College, Northwestern University, The University of Chicago, The University of Illinois at Chicago, and The School of the Art Institute of Chicago.&nbsp;Ground Floor&nbsp;presents art made in the past couple of years in hopes of investigating and articulating conceptual and stylistic trends coming out of Chicago art schools right now.&nbsp;

Ground Floor

We are delighted to invite you to a truly special evening—Hyde Park Art Center’s 2026 Gala,&nbsp;on&nbsp;Saturday, November 14. This year the event will honor&nbsp;Candida Alvarez&nbsp;and&nbsp;Nora Daley. We're thrilled to celebrate these visionaries while bringing together artists and art lovers to support Hyde Park Art Center’s unique creative ecosystem.From open studios and artist interventions, to conversations at your dinner table, this evening centers artists at every moment. We hope you will join us in celebrating and reaffirming the importance of the arts for us all!<a href="https://oq8cplyab.cc.rs6.net/tn.jsp?f=0016EKcdbzwYkJ3TTf6jO2jiiijNwiJ373O3bcK0oFTxa0QTU92GG7Q3WWzP3JRmuFWeaNYs6Jf2VbRujmsXArwNl1jqxAHFJzOYEMra0tXxvaiv08q4r1VhOQ9JARvkbymXdBas0350mGuLDZgcyprwMxUA1PBNhtV&amp;c=znkj4XC3XoWryQhgLqqCeLEaKPS9i_5h-skl9uuAnw5Ct77USJQ0Nw==&amp;ch=JTAF_pk20zUNhcB1nlOuiRj8Bt3C3HcsWuiG6SM5g5kn280wiK_j8Q==" rel="noopener noreferrer" target="_blank">RSVP AND LEARN MORE</a>

Hyde Park Art Center’s 2026 Gala

Hyde Park Art Center is excited to partner with the Veteran Art Movement, Chicago Cultural Center, Elmhurst Art Museum, and Walls Turned Sideways for the 2026 Veteran Art Triennial and Summit. The Hyde Park Art Center chapter&nbsp;Shifting Horizons&nbsp;considers land, migration, and decolonization through ideas informed by thinkers like Frantz Fanon and Harsha Walia. The exhibition invites reflections on how borders shape experience, how people navigate systems of control and resistance, and the uncertain landscapes that emerge amid ongoing struggles. The 2026 Veteran Art Triennial and Summit,&nbsp;Resisting the Long Wars, organized by curators Aaron Hughes, Mohamed Mehdi, Meranda Roberts, and Amber Zora, highlights artists’ creative defiance of war and militarism.

Veteran Art Triennial - RESISTING THE LONG WARS: Shifting Horizons 

The Smart Museum of Art is honored to present&nbsp;<a href="https://smartmuseum.uchicago.edu/exhibitions/teamlab-everything-exists-in-infinite-continuity/?mc_cid=7d709976d5&amp;mc_eid=a6ad3ea4a5" rel="noopener noreferrer" target="_blank">teamLab: Everything Exists in Infinite Continuity</a>. The exhibition marks the international art collective’s first major institutional presentation in the midwestern region. &nbsp;<a href="https://uchicago.us2.list-manage.com/track/click?u=aba2086a45b4ee8391b89447b&amp;id=660a8f7cbb&amp;e=a6ad3ea4a5" rel="noopener noreferrer" target="_blank"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1780681487/ordsoruucmvyn3jhg0gx.jpg" height="auto" width="612"></a> The art collective teamLab is renowned for creating immersive digital art installations exploring themes of perception and consciousness. Based in Tokyo, teamLab’s artworks draw upon wide ranging experimentation with art created through digital technology. Central to teamLab’s work is their aim to explore the relationship between the self and the world and using technology in new ways to explore perception, with an emphasis on individualized perception in a collective experience. Founded in 2001 by Toshiyuki Inoko, teamLab has grown into an international collective comprised of hundreds of artists, scientists, computer programmers, mathematicians, and architects, among others. teamLab: Everything Exists in Infinite Continuity&nbsp;is the first exhibition of teamLab in the Midwest and traces the collective’s artistic trajectory over the last twenty-five years. It presents some of teamLab’s most iconic artworks as well as new work made specifically for this exhibition. In doing so, it explores how teamLab has experimented with and expanded their use of digital technologies to create environments that blur the boundary between the viewer and the artwork. <a href="https://uchicago.us2.list-manage.com/track/click?u=aba2086a45b4ee8391b89447b&amp;id=306ff82845&amp;e=a6ad3ea4a5" rel="noopener noreferrer" target="_blank">Read the Exhibition Listing</a>

teamLab: Everything Exists in Infinite Continuity

The triennial program, created by Hyde Park Art Center in the mid-1990s, facilitates a fun and accessible commissioning process that builds lasting relationships between artists and patrons, creates a new base of support for artists, and invests in the vitality of Chicago’s cultural community.&nbsp;Not Just Another Pretty Face&nbsp;cultivates collectors, who are essential to the ecosystem that artists need to thrive, by embracing and encouraging the concept of patronage in contemporary art. Artists need not only collectors but also a community of people who know, support, and value what they do. To date, the Art Center has raised nearly&nbsp;$2,000,000&nbsp;through this program—half of which goes directly to artists, with the other half supporting Art Center programs. Through&nbsp;Not Just Another Pretty Face,&nbsp;375+&nbsp;original works&nbsp;of art have been commissioned by&nbsp;275&nbsp;new and established collectors&nbsp;interested in investing in Chicago’s artists. This exhibition will showcase the nearly&nbsp;100 new artworks&nbsp;made in this year’s iteration of this popular program.

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