<html><head></head><body>By CGN STAFFLast week we featured works to buy for under $1,000. Admittedly that was a pretty low limit, which was part of the fun of seeking it out to share with you. Now we are following up with a list of select works that are available for under $5,000. As we said last week, of course there is always art available at a wide range of price points and price is just one part of understanding, appreciating and valuing art.&nbsp;Particularly in this price point, we see more established artists offering more affordable versions of their well-known work. There is a lot of beautiful work to view and consider.&nbsp;Galleries are still open by appointment for visits and pick-ups. If you make a purchase online check to see about shipping times and dates.&nbsp;Remember, when you purchase a work of art, you are supporting artists and the galleries that represent them!&nbsp;&nbsp;Some art buying tips and pricing reminders to keep in mind:• There are many factors that go into pricing art, such as the medium (photography and prints vs paintings), the quantity available (in an edition of 25, or a unique work) as well as the reputation of and career stage of the artist (a young, emerging artist vs a contemporary master)• Not all prices are marked when you visit a gallery exhibition or art fair. But that does not mean that you cannot ask for a price, and maybe even discuss a (be reasonable!) discount.&nbsp;• Payment plans are often available. Ask before you buy what the options are.• Explore on your own, and don't hesitate to contact a gallery or artist to get a conversation started.• Use CGN as your guide to learn when shows are happening where and then get out there and look for yourself!&nbsp;&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418862/m5ibxbmix9rabncfbhqt.jpg"></figure><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418863/fkqpdsgeyrrz9h9vktj3.jpg"></figure>&nbsp;<a href="http://kavigupta.com/artist/beverly-fishman/">Beverly Fishman – Kavi Gupta</a>The five-panel Beverly Fishman is $5,000. The two-panel Beverly Fishman is $4,000.Combining the handmade with the industrial, Fishman employs a variety of techniques to explore technological, scientific, and biological systems of perception and representation, instigating constructive conversations about the ways people see their bodies and minds, and construct their identities. Her most illustrious bodies of work engage with the visual language of the medical industrial complex. For example, her highly-polished Pill reliefs utilize iconic pharmaceutical forms as the basis for seemingly abstract compositions that radiate with color. Her brilliantly complex Dividose paintings appropriate the unsettling, multilayered, linear aesthetic of medical imaging technologies such as EEG and EKG machines, provoking levels of optical fascination capable of eliciting physiological responses from viewers.Fishman's materials list has included traditional supports such as wood, paper, blown glass and aluminum, as well as more unconventional elements like cast resin, mirrored Plexiglass, powder-coat-ed metal and phosphorescent pigments. She also frequently uses mediums like chrome and urethane automotive paint that speak in conversation with the legacy of the Detroit area, where she has lived and worked since 1992.&nbsp;Kavi Gupta will create a custom viewing room for you based on your interests and price range.&nbsp;&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418864/f4cdullisp33dwuujfyt.jpg"></figure><a href="https://www.madrongallery.com/edna-reindel">Edna Reindel – Madron Gallery</a>At the Seams, Ink, watercolor, and graphite on paper, 22.5 x 22.5 inEdna Reindel (1894-1990), Geometric Still Life, Watercolor on paper, 13 1/2 x 10 1/2&nbsp; inches$1,500Edna Reindel was a subtle Surrealist and American Regionalist painter, printmaker, illustrator, sculptor, muralist, and teacher active from the 1920s to the 1960s. She is best known for her work in large-scale murals, New England landscapes, and later for her commissioned work of women workers in WWII shipyard and aircraft industries as published in Life magazine in 1944.&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418865/vxzwcn45gi1vb4vcjzqe.jpg"></figure><a href="http://loucksgallery.com/lori-glavin-cv">Lori Glavin – Anne Loucks Gallery</a>When We Were Young, oil on paper, 50 x 38"$4,000Glavin says her abstract paintings and monotypes are inspired by a fresh examination of the familiar. A neighborhood walk, the delicacy of a shadow on a wall, and the observation of pattern in her knitting projects are starting points for constructing an image. Influenced by the repetitions and rhythms of domestic life, she collects, combines, and sorts; alternating between large shapes and small bits to make an arrangement of nuanced color and shape that becomes a monument to minutiae.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418866/rtdkjyles0ctd4ahyeud.png"></figure><a href="https://www.edelmangallery.com/artists/artists/g-n/omar-imam.html#?id=5495">Omar Imam – Catherine Edelman Gallery</a>Untitled, 2015 [car technician not a doctor], From the Live, Love, Refugee series, 12 x 16", 18 x 24", 35 x 47" pigment print. Edition of 8 + 2 AP's, 6 + 2 AP's, 4 + 2AP's$1,800–$2,400 (Live, Love, Refugee&nbsp;images are available as 12 x 16", 18 x 24" pigments prints made in editions of 8 + 2 APs and 6 + 2 APs respectively. Pieces range in price from $1800 to $2400, depending on size and availability.)In 2012, Syrian activist turned photographer Omar Imam (b. 1979 Damascus) was kidnapped and tortured by a militia and only let go when a friend intervened. Soon after, Imam left Damascus with his parents and wife, settling in Beirut where he and his wife started a family. In 2016, he moved to Amsterdam, where he and his family currently reside.Live, Love, Refugee is Imam’s photographic response to the chaos erupting in his homeland. In refugee camps across Lebanon, Imam collaborated with Syrians to create photographs that talked about their reality, rather than presenting them as a simple statistic. As a refugee himself, Imam understands the loss and chaos of being displaced from ones home. But dreams cannot be eradicated -- dreams of escape, dreams of love, and dreams of terror. These dreams are what Imam set out to capture.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418867/ci5hglfd1wbmnm5ib5qb.png"></figure><a href="https://anorangemoon.com/product/wesley-willis-art-dan-ryan-expressway-past-51st-towards-47th/">Wesley Willis – An Orange Moon</a>The Dan Ryan Expressway Past 51st Towards 47th ( Trucking), ballpoint pen and marker on Crescent board, signed and titled right middle, 28″H&nbsp; x 41″L&nbsp;$4,500Wesley Lawrence Willis (1963&nbsp;–&nbsp;2003) was an American singer-songwriter and visual artist. Diagnosed with schizophrenia in 1989, Willis began a career as an underground singer-songwriter in the outsider music tradition. Willis gained a large cult following in the 1990s, particularly after the release of his 1995 Greatest Hits album on the Alternative Tentacles label, and received the nickname "The Daddy of Rock 'n' Roll". He was also a visual artist long before he developed an interest in music, and produced hundreds of intricate, unusual, colored ink-pen drawings, most of them of various Chicago streetscapes; he frequently sold these on the street for between $20 and $40. (via <a href="https://en.wikipedia.org/wiki/Wesley_Willis">Wikipedia</a>)&nbsp;&nbsp;</body></html>

Art Picks: Works Under $5,000

By CGN STAFFAt home (more than usual) this past weekend, we spent some time on chicagogallerynews.com dreaming of warmer days and looking for affordable art to bring to any home, large or small. So here we are introducing the next part of CGN's affordable art series, featuring a small selection of art works priced below $1,000. Next week we will share a post about works priced under $5,000. Of course there is always art available at a wide range of price points.&nbsp;Anecdotally we've heard from several local dealers that during the past few months, despite major industry challenges, new and returning collectors have come to galleries eager to buy art because they have either moved to a larger home or they're looking for unique ways to spruce up an existing space – just what we love to hear!&nbsp;Galleries are still open by appointment for visits and pick-ups. If you make a purchase online check to see about shipping times and dates.&nbsp;Remember, when you purchase a work of art, you are supporting artists and the galleries that represent them!&nbsp;&nbsp;Some art buying tips and pricing reminders to keep in mind:• There are many factors that go into pricing art, such as the medium (photography and prints vs paintings), the quantity available (in an edition of 25 or a unique work) as well as the reputation of and career stage of the artist (a young, emerging artist vs a contemporary master)• Not all prices are marked when you visit a gallery exhibition or art fair. But that does not mean that you cannot ask for a price, and maybe even discuss a (be reasonable!) discount.&nbsp;• Payment plans are often available. Ask before you buy what the options are.• Explore on your own, and don't hesitate to contact a gallery or artist to get a conversation started.• Use CGN as your guide to learn when shows are happening where and then get out there and look for yourself!&nbsp;&nbsp;<a rel="noopener noreferrer" href="https://www.chicagogallerynews.com/news/2019/12/art-picks-works-under-5-000" target="_blank">• Read Part I here</a><a rel="noopener noreferrer" href="https://www.chicagogallerynews.com/news/2020/12/art-picks-works-under-1-000-part-ii" target="_blank">• Read Part II here</a><a rel="noopener noreferrer" href="https://www.chicagogallerynews.com/news/2020/12/art-picks-works-under-1-000-part-iii" target="_blank">• Read Part III here</a>&nbsp;<img src="https://res.cloudinary.com/dfafo598z/image/upload/v1748035387/g9ce3gfjldcaaqaetw8j.png">Alex Senna – Vertical Gallery<a rel="noopener noreferrer" href="https://verticalgallery.com/collections/art-for-sale/products/alex-senna-mirror" target="_blank">Mirror, 2017, Acrylic on canvas, 18 x 24 in.</a>$1,000Via Widewalls: "São Paulo based street artist Alex Senna beautifies cities worldwide with his warm and endearing black and white murals. This Brazilian artist, illustrator and advertising art director, whose life is all about drawing, art and graffiti, is a huge contemporary name on the Brazilian urban art scene."&nbsp;&nbsp;<img src="https://res.cloudinary.com/dfafo598z/image/upload/v1748035388/qscfpizsoi4kdyyjyywe.jpg">Holly Cahill – Goldfinch<a rel="noopener noreferrer" href="https://www.artworkarchive.com/profile/goldfinch_projects/artwork/at-the-seams/embed?artist=holly-cahill&amp;force_collection=true" target="_blank">At the Seams, Ink, watercolor, and graphite on paper, 22.5 x 22.5 in</a>$600Cahill is one of several artists at Goldfinch who are part of the gallery's <a rel="noopener noreferrer" href="https://goldfinch-gallery.com/goldfinch-flatfiles/" target="_blank">Flatfiles Program</a>, which aims to make original contemporary artworks available to a wider audience. It encompasses painting, drawing, collage, prints, photographs, mixed media pieces and any other flat work that can be housed in the drawers of their flatfile cabinet, the vast majority of which are priced at $1,500 or below — and many can be acquired for less than $500. Works in the Flatfiles can be viewed online or by advanced appointment at the Gallery.&nbsp;&nbsp;&nbsp;<img src="https://res.cloudinary.com/dfafo598z/image/upload/v1748035389/l5w5bhcmujiv3o0tbmnq.jpg"><a rel="noopener noreferrer" href="https://hofheimergallery.com/artists/karen-perl/" target="_blank">Karen Perl – Hofheimer Gallery</a>Afterlife, Oil on Wood,&nbsp;12” x 12”$775Perl's muted local landscape paintings give viewers a – perhaps now familiar – look at what Chicago's streets look like when they are empty. The focus is on broad spaces and architectural elements – walls, windows, traffic and street fixtures, often punctuated by slim dogs seated or waiting for their companion.&nbsp;&nbsp;<img src="https://res.cloudinary.com/dfafo598z/image/upload/v1748035390/hnbxxi6l84jwnptqotmx.jpg"><a rel="noopener noreferrer" href="https://www.bgfa.us/artists/yagi/index.html" target="_blank">Sandra Yagi – Bert Green Fine Art</a>Illuminated Movie Monster: Godzilla, 2018, Watercolor, acrylic, gouache and ink on Arches paper, 9.25 x 7” (Framed size 14 x 12”)$1,000Sandra Yagi's Illuminated Movie Monsters are inspired by medieval illuminated manuscripts, which are hand-made, jewel-like book pages that celebrate and educate the reader with the important cultural issues of their time. She has chosen Hollywood movie monsters as her subjects for these stand-alone pages, with a wink and a nod to history and to popular culture.&nbsp;<img src="https://res.cloudinary.com/dfafo598z/image/upload/v1748035390/uufjycyr4f2xumoifffb.jpg"><a rel="noopener noreferrer" href="https://springboardarts.com/artwork/jason-hackenwerth-maryanne-in-bloom/" target="_blank">Jason Hackenwerth – Springboard Arts</a>Maryanne In Bloom, 24 × 20 ″, Oil on canvas, 2020$380Springboard Arts opened in Wicker Park in late 2020. In addition to hosting in-person exhibitions, they launched an online gallery and store, which makes it easy to discover original, local art available in many price ranges.&nbsp;&nbsp;

New Year, New Art Under $1,000

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418858/qa6l5yrfre3d1zm3uwup.jpg"></figure>&nbsp;In Lieu of Mardi Gras Parades, Artists Are Turning New Orleans Homes Into Wildly Creative ‘House Floats’—See Images HereBuilding 3,000 house floats was a boon for the city's out-of-work artists.By Sarah Cascone, Artnet News<a href="https://news.artnet.com/exhibitions/new-orleans-mardi-gras-house-floats-1943822">Read More</a>&nbsp;&nbsp;&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418858/hoawnltkylw0fzu2jflw.jpg"></figure>&nbsp;A New, Safe Home for the Louvre’s Unseen TreasuresAn ultramodern conservation center in northern France is a haven for flood-threatened items from the museum’s central Paris basement.By Elaine Sciolino, The New York Times<a href="https://www.nytimes.com/2021/02/12/arts/design/louvre-lievin-conservation-center.html">Read More</a>&nbsp;&nbsp;&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418859/wrqbytqamr1xojg1trnv.jpg"></figure>&nbsp;Christie’s to Sell Its First Fully Digital Work of Art in Test of Emerging&nbsp;MarketThe work, known as an NFT (Non-Fungible Token), is by Beeple (né Mike Winkelmann), a net artist and graphic designer who has amassed a large following on social media producing commercial projects for pop stars and brands like Louis Vuitton and Nike. A Christie’s representative called him “a leader in the digital art community.”By Angelica Villa, ArtNews<a href="https://www.artnews.com/art-news/market/christies-beeple-blockchain-art-sale-1234583847/">Read More</a>&nbsp;&nbsp;&nbsp;</body></html>

News From the Art World: February 16, 2021

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418216/iy6mqgqi7k7pvijlktyx.png"></figure>Well, a foot and a half of snow has certainly changed everyone's daily routine this week, even if you're already used to spending most of your time indoors and commuting was so 2019.&nbsp;Two years ago actually, we rounded up some art that spoke to our frigid climate in Chicago, and here we are again. Finding artistic comfort in art somehow reflects the thing we're all dealing with: February.&nbsp;Here for you are some art picks from local spaces that speak to all that white stuff out there. &nbsp;Later this week we will feature Art to Warm You Up!&nbsp;And remember, once you've shoveled your way outside, many area galleries and museums are open by appointment, or are re-opening in the coming days. Please check with each space before visiting.– CGN Staff&nbsp;<a href="https://www.chicagogallerynews.com/events/john-kuhn-splendor-extended">John Kuhn at Ken Saunders</a>&nbsp;Here is some glass art that looks a lot like a frozen lake, or pool if you're in Texas.&nbsp;Kuhn’s sculptures are among the most complex and intricate objects ever created by hand. At their most ambitious the works, which are solid, can contain several thousand pieces of glass; cut, ground and polished to fit seamlessly together and laminated into mesmerizing structures.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418217/szmnnvkhdb5pliuzkoxe.jpg"></figure>&nbsp;<a href="http://danaddington.com/addingtongallery/hirst/hirst.html">Jeffrey Hirst at Addington Gallery</a>Hirst, an artist working in encaustic, a medium that actually requires heat, says his current work investigates relations between man-made architectural structure and the natural landscape; questions arise at how these two forces coexist in an urban environment. While both phenomena occur in all environments, the artist is most interested in the dynamic in a high contrast urban context. The correlation between urban decay and natural beauty (both at the micro and macro level) influence the work."<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418218/ise3sxihfjjnxk00nemm.jpg"><figcaption>Jeffrey Hirst, Alterations, 26" x 28", encaustic, oil, and silkscreen on constructed panel</figcaption></figure>&nbsp;<a href="https://art-studio-oh.com/circles">Erwin Overes at Studio Oh!&nbsp;</a>Artist and owner of Gallery Studio Oh!, Erwin Overes, is selling his new Circle Series at a discounted rate in order to help support the artist community during this challenging time. Erwin will be donating a portion of the sales to Arts Alliance Illinois.<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418219/bwai8fxazrm7hb6v0fno.jpg"><figcaption>Winter is Coming I - IV, Epoxy resin, acrylic, 12”x12”x3” each; $400 for all 4</figcaption></figure>&nbsp;Emily Rapport at Eat Paint Studio&nbsp;Emily paints scenes from every day life around Chicago. Her “Winter morning" is especially timely.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418219/fc3vlbs979tgwvuygcz4.png"><figcaption>“Winter morning,” 9x12”, ink on Yupo, by <a href="https://www.instagram.com/emilyrapport/">@emilyrapport</a></figcaption></figure>&nbsp;<a href="https://www.artic.edu/exhibitions/9036/monet-and-chicago">Monet at the Art Institute of Chicago</a>The CTA buses are running. See if you can catch one down to the Art Institute, now that it has reopened (except today, Feb 16) and its Monet exhibition has been extended.&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418221/vfiyawsrfdtv4nz2zjhe.jpg"><figcaption>Stacks of Wheat (Sunset, Snow Effect), 1890/91, Claude Monet French, 1840-1926</figcaption></figure>&nbsp;&nbsp;</body></html>

Art for the Deep Freeze: 2021 Edition

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418858/yrd7ul28un2bckj9g8qe.jpg"></figure>&nbsp;Is Seeing That Renoir Essential? In the Pandemic, Cities DifferArizona has allowed its museums to remain open despite a deadly outbreak, while in cities and states with far fewer cases, the doors have been closed.By Julia Jacobs, The New York Times<a href="https://www.nytimes.com/2021/02/02/arts/design/museums-coronavirus-closures.html">Read More</a>&nbsp;&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418858/wd31carjjr5rg1g1qrgv.png"></figure>&nbsp;Chicago artist Brandon Breaux’s ‘28 Days’ is for Black History Month, portraits of those making history nowAccording to Breaux, November was when he began his latest artwork, digital paintings of people who have supported him in his work and those people whose work he admires.By Darcel Rockett, Chicago Tribune<a href="https://www.chicagotribune.com/entertainment/ct-ent-brandon-breaux-28-days-of-greatness-tt-0208-20210208-chrmlceoqfhq7admdwqfqokkzm-story.html">Read More</a>&nbsp;&nbsp;&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418859/rml0t4ra9urxlzfxxe5w.jpg"></figure>&nbsp;Local artist aims to ‘Protect Little Village’ with public art that celebrates mask wearingSilvia Morales’ latest work is a hyperlocal spin on the city’s “Protect Chicago” campaign that aims to mitigate the spread of the coronavirus — she calls it “Protect La Villita.”By Manny Ramos, Chicago Sun Times<a href="https://chicago.suntimes.com/2021/2/7/22268899/local-artist-aims-to-protect-little-village-with-public-art-that-celebrates-mask-wearing">Read More</a>&nbsp;&nbsp;&nbsp;</body></html>

News From the Art World: February 8, 2021

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418851/ndcgxq4bqwwfp409mmqj.jpg"></figure>‘The ultimate dealer of Old Master paintings’: New York dealer Richard Feigen has died, aged 90The Met director Max Hollein pays tribute to the late gallery owner and collector, who also promoted artists from Max Beckmann to Peter SaulBy Gareth Harris, The Art Newspaper<a href="https://www.theartnewspaper.com/news/richard-feigen-obituary">Read More</a>&nbsp;&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418852/m3fuwoymeo2a6ucpqie0.jpg"></figure>Outsider Art Fair, Smaller This Year, but a Model for the FutureA scaled-back lineup includes Daniel Johnston’s colorfully nightmarish drawings, plus chunky clay cameras and quilts as abstract as anything in the MoMA.By Will Heinrich, The New York Times<a href="https://www.nytimes.com/2021/01/28/arts/design/outsider-art-fair.html">Read More</a>&nbsp;&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418853/dcp6ltc4rdyr14fqkyfg.jpg"></figure>From alley to gallery: Red Line viaduct in Edgewater is awash with muralsThe five-block stretch has been transformed from your typical, dreary Chicago alley to an artistic showcase, the scene of more than 100 murals by over 30 artists.By Rylee Tan, Chicago Sun Times<a href="https://chicago.suntimes.com/murals-mosaics/2021/1/29/22248150/chicago-murals-edgewater-raven-villarreal-travisty-teel-diem-c3po">Read More</a>&nbsp;&nbsp;</body></html>

News From the Art World: February 1, 2021

<html><head></head><body>MCA Chicago makes first layoffs of the pandemicIn its first staffing cuts of the pandemic, the Museum of Contemporary Art this week laid off 11% of its staff, including 17 of 162 full-time personnel, officials with the organization said.Also cut were 24 out of 49 regular part-time workers, including guides for school groups. 80% of them worked 4 hours per week or fewer, the museum said.By Steve Johnson, Chicago Tribune<a href="https://www.chicagotribune.com/entertainment/museums/ct-ent-mca-lays-off-11-percent-staff-0123-20210122-t4cqdqjpdvcozlh6wax4bkxcne-story.html#rt=chartbeat-flt">Read More</a>&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418851/fvmdruauqqfxoqxdhipl.jpg"><figcaption>U2 got a private tour of the new Takashi Murakami exhibit at the Museum of Contemporary Art from curator Naomi Beckwith. (MCA)</figcaption></figure>Top two MCA curators departing for Guggenheim, museum startupMichael Darling, chief curator and the force behind the three most popular shows in the museum’s history, is joining as a co-founder the startup Museum Exchange, which aims to match art collectors with museums that covet their donations.Naomi Beckwith, a Chicago native and the museum’s senior curator, has taken a new post beginning in June as chief curator and deputy director at New York City’s Guggenheim Museum.By Steve Johnson, Chicago Tribune<a href="https://www.chicagotribune.com/entertainment/museums/ct-ent-mca-chief-curator-michael-darling-leaves-museum-exchange-0120-20210119-y42s5vtodnhtxdwzxyuoxn6bqe-story.html?fbclid=IwAR0Fw2-49wAUQ4yEzBknlJyuzWdm1Vs2y2zwBvuAetoFDrIj6Y1qLBR-q9k#rt=chartbeat-flt">Read More</a>&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418852/qmga8mb38jqmciyhczjc.jpg"></figure>Do Museums Need a Shopping Network for Art Donations?A new venture suggests it will help art institutions find works of art that collectors have decided they want to give away as gifts.By Graham Bowley, The New York Times<a href="https://www.nytimes.com/2021/01/21/arts/design/art-museum-exchange.html?action=click&amp;module=Features&amp;pgtype=Homepage">Read More</a>&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418853/azhgu6pqfdywry2yg7j8.jpg"></figure>An outdoor ‘museum in the prairie,’ GSU’s sculpture park sees ‘an incredible amount of people’ visit amid pandemicPeople have flocked to forest preserves for the fresh air and exercise. Drive-in movie theaters have made an epic comeback. And places like the Nathan Manilow Sculpture Park, on the grounds of Governors State University in University Park, have become more popular than ever, according to Jeff Stevenson, director and curator of the “museum in the prairie” known as The Nate.Bill Jones, Daily Southtown<a href="https://www.chicagotribune.com/suburbs/daily-southtown/ct-sta-nathan-manilow-sculpture-park-st-0125-20210123-rlllym477zahjbj57muvvdkh2e-story.html?fbclid=IwAR0MO7J5r-0WpthZ9ZOYbLKpwCyh7r58yWlW0Hx9XHY9Ps34KdM8hCgPYbQ">Read More</a>&nbsp;&nbsp;&nbsp;</body></html>

News From the Art World: January 26, 2021

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418846/udgkjaoloxcozjyipxuk.jpg"></figure>By Ginny Van AlyeaWe haven't been out much yet this year, but we were glad to hear this week that CNL Projects has curated the globally renowned artist Olafur Eliasson’s stunning&nbsp;installation,&nbsp;Atmospheric wave wall,&nbsp;on the Jackson Blvd. exterior wall of Willis Tower. We have a new work of public art to visit and enjoy for years to come.&nbsp;CNL's founder, curator Cortney Lederer, said that after three years, this incredible project is finally being shared with the public it was intended for. Lederer shared, "Atmospheric wave wall&nbsp;uniquely contributes to the city’s collection of public art and provides a safe and accessible opportunity for folks to experience the work in person. For me, given the isolating and ongoing, challenging year we have been living, connecting to art outside the current virtual landscape we have had to rely on is incredibly meaningful and deeply valuable."True to Eliasson’s style – and fitting for the times we live in – the sculpture creates a dynamic experience that is activated by the motion of people walking, driving or biking past; by the motion of the earth in relation to the sun as light moves across it; and by changes in the season and weather.&nbsp;This&nbsp;beautifully massive piece, which took approximately eight weeks to complete, measures roughly 30’ x 60’ and covers the exterior Jackson Blvd. wall with a pattern of 1,963 metal tiles. The pattern is&nbsp;based on Penrose tiling, an approach discovered by mathematician and physicist Sir Roger Penrose in the 1970s that produces a system of non-periodic tiling that is based on five-fold symmetry.Each tile is curved, like a fragment of the inner surface of a sphere, and the main blue, deep green and white tones were inspired by the surfaces of nearby Lake Michigan and the Chicago River.&nbsp;The concave shapes and colors of the tiles produce a dynamic effect when visitors walk around it. Seen from certain angles, the pattern reveals a vortex that seems to twist and accelerate in response to viewers’ movements.&nbsp;The powder-coated steel catches the light of the sun, and the concave surfaces collect shadows that shift as the day progresses. At night, the piece is lit from behind so flashes of light escape through the interstices between the tiles.&nbsp;As viewers move, the pattern of light appears to move with them, revealing the underlying geometry of the work and creating a captivating effect that activates the street around the building at night, attracting visitors at all hours.EQ Office, the landlord for Willis Tower, selected Eliasson given his international reputation and his emphasis on the environment, climate and humans’ relationship with nature. Eliasson was appointed Goodwill Ambassador for renewable energy and climate action by the United Nations Development Program in 2019, and the artist's work and philosophy align with EQ’s efforts to preserve the environment and local culture -- top priorities for the redevelopment of Willis Tower.“Our vision is to create workplace destinations, like Willis Tower, that truly energize and inspire people and enhance the vibrancy of our downtown work homes,” said David Moore, Senior Vice President, Portfolio Director at EQ Office. “Art brings beauty and spurs imagination, and it is part of our unique offering that we curate for our customers and visitors. Eliasson’s approachable installation is intertwined with the infrastructure and architecture of the building, further establishing Willis Tower as a hub forcommunity, inspiration and creativity.”“It was a great pleasure for me to create a work of art specifically for Willis Tower and for Chicago,” said Eliasson. “Inspired by the unpredictable weather that I witnessed stirring up the surface of Lake Michigan, Atmospheric wave wall appears to change according to your position and to the time of day and year. What we see depends on our point of view: understanding this is an important step toward realizing that we can change reality. It is my hope that this subtle intervention can make a positive contribution to the building and to the local community by reflecting the complex activity all around us, the invisible interactions and minute fluctuations that make up our shared public space.”EQ’s art initiative at Willis Tower, Art of the Neighborhood, brings the redevelopment vision to life by fostering ongoing arts and culture programming that invites tenants and visitors to socialize and further creates a sense of community in the Chicago Loop. Atmospheric wave wall is the latest addition to the program following the July 2019 installation of In the Heart of this Infinite Particle of Galactic Dust by Jacob Hashimoto. EQ worked with curator CNL Projects to commission this piece.“Chicago is home to some of the world’s most iconic and beloved public art, so it is a thrill to welcome this new installation by renowned artist Olafur Eliasson to the downtown landscape,” said Mark Kelly, Commissioner of the Chicago Department of Cultural Affairs and Special Events. “Inspired by our own Lake Michigan, Atmospheric wave wall will entice and engage residents and visitors alike—sparking much needed delight in our shared public spaces.”Eliasson is a Berlin-based, Danish-Icelandic artist driven by his interests in perception, movement, embodied experience and feelings of self. His works span sculpture, painting, photography, film and installation and he has held numerous major exhibitions around the world while also engaging the public through architectural projects, interventions in civic space, arts education, policymaking and issues of sustainability and climate change.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418847/ctn2zr7vlnuwn8ra5uit.jpg"></figure>&nbsp;&nbsp;</body></html>

Olafur Eliasson Debuts New Lake Michigan-Inspired Cultural Landmark at Willis Tower

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418846/zzotyylvbiqomzy2s0ff.jpg"></figure>Curators Scour Capitol for Damage to the Building or Its ArtBarbara A. Wolanin did not leave her TV much on Wednesday afternoon, watching terrified, she said, as hundreds of Trump rioters rushed into the Rotunda of the U.S. Capitol building where eight large, framed historical paintings hang.She once was curator for the Architect of the Capitol, the office that preserves and maintains the building’s art and architecture. She knew much better than most the horrific possibilities that were presenting themselves.Via New York Times<a href="https://www.nytimes.com/2021/01/07/arts/design/us-capitol-art-damage.html">Read More</a>&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418847/ajdm9xzhpi3hisgz7go7.jpg"></figure>The Smithsonian Is Rushing to Collect Flags, Protest Signs, and Other Ephemera From the Pro-Trump Insurrection in the US CapitolThe storming of the US capitol by a pro-Trump mob on January 6 brought insurrectionists in close contact with Congress’s historic art collection, which includes monumental John Trumbull paintings and 100 statues of notable Americans.But while the artworks appear to have escaped direct harm from the violent invaders—who smashed windows, destroyed AP camera equipment, vandalized Nancy Pelosi’s office, and killed one capitol police officer—many of the items they left behind may could end up in a museum.Via Artnet<a href="https://news.artnet.com/art-world/smithsonian-collecting-ephemera-capitol-invasion-1936050?utm_content=from_&amp;utm_source=Sailthru&amp;utm_medium=email&amp;utm_campaign=US%20News%20AM%201%2F12%2F21&amp;utm_term=US%20Daily%20Newsletter%20%5BMORNING%5D">Read More</a>&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418847/gel0tnfgwdue5q7vxb0f.jpg"></figure>City of Chicago Announces $2.5 Million in Arts FundingAs Chicago’s art scene continues to weather unprecedented hardship during the pandemic, the city plans to fund major public art projects in neighborhoods disproportionately impacted by COVID-19.A $750,000 Artist Response Program was announced Monday by Mayor Lori Lightfoot and the Chicago Department of Cultural Affairs and Special Events, as part of a $2.5 million effort to fund Chicago artists and arts organizations.Via Chicago Sun Times<a href="https://chicago.suntimes.com/2021/1/11/22225896/chicago-arts-funding-city-grants-pandemic-coronavirus-covid-racial-equity">Read More</a>&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418848/qvbxuqdopqby0ohydaka.jpg"></figure>EXPO CHICAGO Becomes First Art Fair to Postpone In-Person Edition of&nbsp;2021As the coronavirus’s second wave continues to restrict in-person gatherings throughout much of the United States, one art fair has decided that it will postpone its upcoming edition until later in 2021. Expo Chicago, which had postponed its 2020 edition originally scheduled for September until April, has made the decision to push the fair, now four months away, until later in the year, becoming the first international art fair to postpone a scheduled event in 2021.Via ARTnews<a href="https://www.artnews.com/art-news/news/expo-chicago-fair-postpones-2021-dates-1234581094/">Read More</a>&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418849/zhrjhh0wxffd74f4dg02.jpg"></figure>Champs Élysées—one of Paris’s most polluted roads—to be transformed into ‘extraordinary garden’The Champs-Élysées, a 1.9km-long avenue in central Paris, will undergo a major €250m makeover following the 2024 Summer Olympics.The renovation was announced by the mayor of Paris Anne Hidalgo, who said the plans will transform the congested road into an "extraordinary garden".Via The Art Newspaper<a href="https://www.theartnewspaper.com/news/champs-d-elysees-in-paris-to-be-transformed-into-extraordinary-garden-eur250m">Read More</a>&nbsp;&nbsp;&nbsp;</body></html>

News From the Art World: January 12, 2021

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418829/jsbb2op4u5spqqummdym.jpg"><figcaption>Kerry James Marshall, Past Times, 1997, acrylic and collage on unstretched canvas. The work is pictured when it was installed at McCormick Place prior to being sold at auction in 2018. <a href="https://www.chicagogallerynews.com/organizations/callahan-art-associates">Callahan Art &amp; Associates</a> was the contracted art handler when the work was at McCormick.&nbsp;</figcaption></figure>&nbsp;People are still buying art, in spite of 2020’s challenges, and often in new ways. With this in mind I reached out to a few art world colleagues to ask what advice they would give to collectors when it comes to maintaining a collection and ensuring that it too weathers present and future storms. Each offered their expert tips and case studies for proper care of an art collection as well as what they consider to be overlooked aspects of maintaining it.&nbsp;In recent years as the art world has seemed to move in ever more commercial and transactional directions, with appearances at major art fairs becoming a social and Insta to-do, the highest-profile sales figures generated more buzz than the art. But like so much when it comes to the 1%, it’s just that. The rest of the buying, selling and making of art goes on beneath the headlines. For those that are still buying art because of love as well as the drive to support these artists and dealers in our community, there's nothing trendy about art collecting. And there is a great deal of care that must be tended to over time to protect these precious works.View CGN’s <a href="https://www.chicagogallerynews.com/services">art service listings here</a> for more collection resources. &nbsp; – GV&nbsp;&nbsp;Prepare more than you think you have to.&nbsp;REBECCA WOAN – <a href="https://www.chicagogallerynews.com/organizations/chartwell-insurance-services">Chartwell Insurance</a>New collectors are sometimes overwhelmed and should not neglect the essentials in risk management:• Insure with an insurer who understands art and offers broad coverages such as loss in value and protection for changes in market value. The greatest risk to art is not when it is displayed at home but rather in transit and in storage. Be sure art is properly packed and stored.• Don’t assume the art is covered when consigning work for sale. Your own insurance should be secondary to any insurance provided. Have UCC filings (Uniform Commercial Code) on any art that is consigned, no matter how reputable the seller appears. If the pandemic has taught us anything, it is that the worst may happen, even when it seems unimaginable.&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418830/gce4tg60selcpvvx2kag.png"><figcaption>Suzanne Lovell framed the works in this oceanfront home in ways to protect them from potentially harsh natural elements.</figcaption></figure>&nbsp;What's around the art is as important as the art&nbsp;SUZANNE LOVELL – Suzanne Lovell Inc.; <a href="https://www.chicagogallerynews.com/organizations/lovell-art-advisory-a564b076-c38f-4c81-a687-de0961cccf3a">Lovell Art Advisory</a>• Select proper framing specifications for your art – museum quality glazing, for example, will allow the viewer to enjoy the artwork with minimal glare, and provide the best protection for the longevity of the piece. Always select archival framing to museum quality standards.• We commissioned Blow Up #7 by Ori Gersht for a collector’s oceanfront home. The C-print is mounted to dibond, and the glazing is Optium museum acrylic in a custom black maple frame. The home environment is monitored to maintain proper and consistent humidity and temperature, and protective UV film is applied throughout the residence. The (3) works by Ray Johnson are intended gifts to the Art Institute of Chicago, and are also framed to museum standards.&nbsp;Proper documentation and safekeeping of original records of authenticity are a must, especially in cases of editioned photography or unsigned/open edition works. Also, close the drapery when possible.&nbsp;• Maintain private access to your collection inventory and original records, with a digital copy available to share.&nbsp;&nbsp;Stay Up–To–Date&nbsp;JOSEPH STANFIELD – <a href="https://www.chicagogallerynews.com/organizations/leslie-hindman-auctioneers--3">Hindman</a>Don’t overlook considering the value of works in your collection. Tastes are always changing and artists are constantly being re-evaluated. The value of certain works may increase a considerable amount and it may be time to discuss potentially selling works while the market is hot or update your insurance appraisal to reflect the most current values.&nbsp;Clean Your Art&nbsp;DENNIS CALLAHAN – <a href="https://www.chicagogallerynews.com/organizations/callahan-art-associates">Callahan Art &amp; Associates</a>• Proper and regular dusting is simple and essential. Accumulated dust in conjunction with humidity develops into an aggregate which requires more force and specialized treatments to remove.• Watch the humidity. Ideally you want 50%. Too little can cause objects to shrink, crack, and dry out. Too much causes art to swell, grow mold, and corrode.&nbsp;• As electronic media become more common collectors need to realize that they require ongoing, scheduled maintenance to run properly. Dan Flavin’s sculptures require replacement of bulbs &amp; ballasts; Naim June Paik’s sculptures require new tubes and coils. Computers, monitors, and hard drives (copied and replaced) should be inspected every 7 years.• When we were the contracted Art Handlers for the collection at McCormick Place, they had a fantastic Kerry James Marshall work (Past Times) displayed in a very public space. Every month we checked on it, dusting and looking for any damage. Every year we appraised it for insurance purposes while the value quietly rose. Millions of people walked by it every year. Eventually it was loaned out for a major exhibition of the artist’s work. Before leaving, a Condition Report was executed, and it was found to be in excellent condition, despite its public placement. It sold shortly thereafter for over $21,000,000, due in part because of its condition. Had it suffered any damage, as many works in public spaces do, its value would have been diminished.&nbsp;&nbsp;&nbsp;</body></html>

Take Care: Expert Tips for Maintaining a Collection

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418846/ucgilcmklfzeanjogkum.png"></figure><a href="https://www.chicagotribune.com/politics/ct-obama-center-jackson-park-future-20201227-cj55fphdljckjeeeosqeuaeyqy-story.html">Obama Presidential Center supporters ‘see a light at the end of the tunnel,’ while opponents say it’s not over yet</a>When Pastor Byron Brazier passes by the future site of the Obama Presidential Center, he already sees the glory of the South Side, he said.There’s the palace-like Museum of Science and Industry building, its lofty Greek columns and jade-colored dome reflecting in the lagoon. The gothic towers of the University of Chicago’s leafy campus. And the 550 acres of Jackson Park teeming with wildlife and green land — and where he is patiently waiting for the 235-tall, sprawling Obama center complex to one day stand.By Alice Yin, Chicago Tribune<a href="https://www.chicagotribune.com/politics/ct-obama-center-jackson-park-future-20201227-cj55fphdljckjeeeosqeuaeyqy-story.html">Read More...</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418847/ddvwo8j7karpzukqeahc.jpg"></figure><a href="https://www.theartnewspaper.com/feature/lost-art-will-virtual-exhibitions-replace-in-person-museum-going">Lost art: will virtual exhibitions replace in-person museum-going?</a>We are experiencing an extended period of museum and gallery closures. Lockdowns intended to curtail the spread of the coronavirus mean it is ill-advised to linger among crowds of strangers in enclosed spaces—which counts out enjoying art in person. Some might consider this the death knell for museums and galleries, and from the perspective of visitor income, it certainly is catastrophic. But my hope is that virtual exhibits will remain an alternative art-going experience that will complement traditional in-person viewing when normalcy returns.By Noah Charney, The Art Newspaper<a href="https://www.theartnewspaper.com/feature/lost-art-will-virtual-exhibitions-replace-in-person-museum-going">Read More...</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418848/wshnootmpnb58uxvhzyp.jpg"><figcaption>David Hockney, 30 Sunflowers (1996). Courtesy of Sotheby's Hong Kong. &nbsp;</figcaption></figure>&nbsp;<a href="https://news.artnet.com/art-world/good-art-news-2020-1933435">It Wasn’t All Bad: Here Is One Piece of Good Art-World News From Each Month of 2020</a>During this chaotic and unprecedented year, the art world was forced to come together—and come up with new ideas.&nbsp;From the creation of a new gallery space run by an all-Black staff to Gee’s Bend quilters working hard to keep their community safe, it turns out that some good things actually did happen in 2020. Check out one piece of good news from each month of this year.&nbsp;Via Artnet<a href="https://news.artnet.com/art-world/good-art-news-2020-1933435">Read More...</a>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418849/uckome3hie3etxdasngh.png"><figcaption>Wayne Thiebaud, ‘Four Pinball Machines’ (1962). In its July “ONE” auction, Christie’s secured a major work by Pop art mainstay Wayne Thiebaud from the collection of Ken Siebel. In a trade faciliated by the artist’s longtime dealer Allan Stone, Siebel had acquired the work from West Coast real-estate developer, Donald Bren, who originally purchased it from Christie’s in 1981 for $143,000. Estimated at $18 million–$25 million, more than double the artist’s previous record of $8.5 million, the work sold for a new high of $19.1 million.&nbsp;</figcaption></figure><a href="https://www.artnews.com/gallery/art-news/artists/2020-defining-auction-records-1234580129/helen-frankenthaler-royal-fireworks/">The Defining Auction Records of 2020: Young Talents Rise, Old Masters Seen Anew, and&nbsp;More</a>With the pandemic upending most aspects of the art world this year, top auction houses adapted their marquee sales to a new virtual format, ushering in an era of live-streamed mega-auctions. In the process, records were notched for artists with rising markets.By Angelica Villa<a href="https://www.artnews.com/gallery/art-news/artists/2020-defining-auction-records-1234580129/helen-frankenthaler-royal-fireworks/">Read More...</a>&nbsp;&nbsp;</body></html>

News From the Art World: December 27, 2020

By GINNY VAN ALYEAMy <a href="https://www.chicagogallerynews.com/news/2019/12/publisher-s-letter-2020">2020 Publisher’s letter</a> talked about how intimidating it can be to visit a gallery. 2020 was going to be all about in person engagement with art, and people.&nbsp;Well, what a difference a year makes. I don’t think I’ve ever looked forward to a new year more than I do now. That 2021 is almost (finally) here feels like a miracle, and so does the fact that CGN is still here too.&nbsp;The prospect of another fresh start – and our 5th annual Arts Guide – has made me reflect on what opportunities and realizations have come out of a scary and exhausting year.&nbsp;There's no way to make a single statement that sums up 2020's impact on our art world. For some, business has been surprisingly healthy even compared to years past. For others, the pain of closing a business and ending a dream is still raw. I’ve heard from artists who’ve been busier than ever, with more time to work uninterrupted, and with more urgent messages to share. Some dealers are frustrated by limits and circumstances that have eliminated lifelines and opportunities. A few have found inspiration and innovation amidst challenges. I can say that there are so many artists, gallerists, and arts professionals who need your support.&nbsp;When I told an art colleague last spring that my conversations about the art world used to be so hopeful, he pointed out that something good and needed could come out of all of this. An optimist might see that a reset would be OK. Several months later, I see that the absence of the mad rush that was all around many of us pre–pandemic has at least given me the gift to slow down and re–focus on showing collectors and others the art that’s in our community today and to share artists’ stories.&nbsp;Someone mentioned to me that out of a bust can come a boom. A stay-at-home can’t lock down creativity or wipe out connection. It’s just the Grinch, and Christmas comes anyway, maybe stripped down to the essence it once was. You can close the museums and cancel the parties, but artists will still have something to say. So while we await the boom, or just the return to some sort of normal, art is still our window to a world that’s changing faster than we can fathom. Art’s powerful, enduring messages may be found on boarded up windows, on streets that can’t really be shut.&nbsp;*CGN’s summer 2020 issue, printed just a few months ago, but during the height of the spring lockdown, felt like a Hail Mary. We didn't really know what we were doing, just that we had to do it. Now that we have reached the end of the year intact, the Arts Guide is intended to be a testament to those who are hanging in there and prayer that we can come out the other side better and even more grateful than before.&nbsp;You’ve each met your own challenges and upheavals, weathering losses that were not in the plan for 2020. I turned 40 during the collective freak-out of last spring. Instead of celebrating as planned, I worried about my family as well as our art community, and I &nbsp;learned how to sew face masks and home school while supervising hand washing. I know I am one of the lucky ones, and I hope I can help those in the art community who need support throughout 2021.&nbsp;I’ve said to myself these past months, ‘You can’t worry about what you can’t control’. My favorite singer, the late, great diva Aretha Franklin, said something similar decades ago. Her spontaneous words of wisdom, from a 1971 live performance in San Francisco (look it up), are posted above my desk:&nbsp;"Don’t put worry on you before worry gets to you. You’d be surprised what big bridges you can meet when you get there.”While I cannot see what will happen in 2021, it's starting to feel like we are at least getting there. And I will try not to worry.&nbsp;#Top image: Cover artwork: Tony Tasset, Arrow Painting 43, 2016, oil on aluminum panel, 42 x 66 in. Courtesy of the artist and Kavi Gupta GalleryNote: I wrote my Publisher's Letter in mid-November. We chose the cover image by artist Tony Tasset last month because we wanted to look towards a new year of art and keep a positive outlook. Tasset’s arrows point both up, and down, as do most things in life. Now that the Guide is out a month later, we are hopeful about the good news of a vaccine. For 2021 we are definitely looking up!&nbsp;&nbsp;

Publisher's Letter 2021

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418761/voydis0px1yvdg4taodh.jpg"><figcaption>Dove, by Tony Fitzpatrick, is for sale for $500 as part of the <a href="https://chicago-printmakers-collaborative.myshopify.com/products/dove-by-tony-fitzpatrick">Chicago&nbsp;Printmakers Collaborative's</a> annual Holiday Small Print Sale&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;</figcaption></figure>By CGN STAFFWe first did this series about works under $1,000 at the end of 2019, and now it seems like another good time to spotlight affordable art to buy that not only can lift your spirits and brighten your home but will also give critical support to an area artist and gallery.&nbsp;Here again we have selected a total of five approachable works, ranging in price from $75–$600, highlighting galleries from our extensive listings. We have relied on prices posted on gallery websites and their (increasingly common) e-commerce sites. We love the conversations we have with dealers and artists in person, but there's no denying the rise of art buying online, especially in 2020. In each example posted below, you will NOT find these items on Amazon, making these perfect for yourself as well as for gift giving.&nbsp;&nbsp;Some tips to keep in mind:• There are many factors that go into pricing art, such as the medium (photography and prints vs paintings), the quantity available (in an edition of 25 or a unique work) as well as the reputation of and career stage of the artist (a young, emerging artist vs a contemporary master)• Not all prices are marked when you visit a gallery exhibition or art fair. But that does not mean that you cannot ask for a price, and maybe even discuss a (be reasonable!) discount.&nbsp;• Payment plans are often available. Ask before you buy what the options are.• Explore on your own, and don't hesitate to contact a gallery or artist to get a conversation started.• Use CGN as your guide to learn when shows are happening where and then get out there and look for yourself!&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418762/bd5biimf4gvwitvfqdf3.jpg"></figure>JOEL OPPENHEIMER INC. (DOWNTOWN/MICHIGAN AVE.)<a href="https://www.audubonart.com/shop/product/ocb-051-audubon-1st-ed-octavo-pl-51-rough-winged-swallow-7943?page=17&amp;order=list_price+asc">JOHN JAMES AUDUBON&nbsp;</a>1st Ed. Octavo Pl., 51 Rough-winged Swallow1839–1844Hand-colored lithograph, 6 1/2" x 10 1/4" (approx.)$75.00&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418762/egmboj9u7x9sndruazlq.jpg"></figure>ART DE TRIUMPH (LAKEVIEW)<a href="https://www.nanciekingmertz.com/workszoom/2910438#/">NANCIE KING MERTZ&nbsp;</a>"Dreaming of Christmas"Oil painting, 14" x 11"$600 (on sale from $1,250)&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418763/tmgnfppstkdcb3fyaaw5.jpg"></figure>SPUDNIK PRESS (WEST TOWN)<a href="https://www.spudnikpress.org/shop/artwork/ten-x-ten/of-sound-and-line-jessie-mott/">JESSIE MOTT</a>"Of Sound and Line"Screenprint 2020 Edition Size: 16 18″ x 18″ Signature, Edition Number (Recto) In collaboration with Trevor Patrick Watkin$100<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418764/bi6gxavquueedt2pqmah.png"></figure>&nbsp;FLXST CONTEMPORARY (SOUTH SIDE/MOTOR ROW)<a href="https://www.flxst.co/shop/jason-dunda-untitled-from-the-series-various-incidents-2">JASON DUNDA</a>Untitled from the series Various Incidents2019Archival Inkjet print on 20-year old Hahnemühle Photo Rag Duo Paper, Unframed: 17 x 22 inches&nbsp;Edition size: 6From $400.00&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418765/jicq1nkbxgchcdwpjxdz.png"></figure>PICKLEMAN ART&nbsp;<a href="https://www.blurb.com/b/10318839-lawrence-and-clark">JASON PICKLEMAN</a>Lawrence &amp; Clark2020402 page, lavishly illustrated book that chronicles Pickleman's former collection-based art gallery in Chicago called Lawrence &amp; Clark. The storefront gallery was an opportunity to exhibit privately held artwork in a public setting. This book chronicles many of the chance installations the gallery fostered.&nbsp;$30&nbsp;</body></html>

Art Picks: Works Under $1,000 – Part II

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418835/skemvpaz9k1md66yd5tp.jpg"></figure>&nbsp;As 2020 comes to a close, we wanted to share some of CGN's top interviews, features and announcements from this past year. Despite closing out the season in a totally altered place compared to where we were one year ago, we are proud of our 2020 coverage of the many artists, collectors, dealers and other community members we spotlighted during this challenging and changing time.&nbsp;While the start of 2020 was filled with our usual exhibition previews and big announcements, by March we shifted to sharing news about area closings and event postponements, while highlighting the explosion of digital initiatives and virtual programming on offer from everyone from small galleries to larger museums.&nbsp;We profiled some of Chicago's most prolific and interesting artists and designers, and we highlighted a couple of very special art collectors and their collections.&nbsp;Below is a chronological summary of 2020's CGN features. You can read all the news of this past year <a href="https://www.chicagogallerynews.com/news">here</a>.Thank you all as always for your vital support of CGN and its mission. We look forward to sharing even more news and events with you in 2021.&nbsp;Want to travel back further in time? Read our 2019 wrap-up <a href="https://www.chicagogallerynews.com/news/2019/12/cgn-s-2019-news-highlights">here</a>.&nbsp;– Ginny Van Alyea, CGN Publisher&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418836/dfmibgk6ah3is1tfnd2i.gif"></figure><a href="https://www.chicagogallerynews.com/news/2020/1/art-on-the-wall-a-large-scale-commission-takes-william-conger-to-new-heights">Art On the Wall: A Large-Scale Commission Takes William Conger to New Heights</a> – January 2020&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418837/kvyvyh45ddnjnahii4du.jpg"><figcaption>Smalls, WTF, Aerosol on 11" x 15" , Wood Panel AP's - Signed. At Chicago Truborn</figcaption></figure><a href="https://www.chicagogallerynews.com/news/2020/3/publisher-s-letter-living-a-post-openings-art-scene">Publisher's Letter: Living a Post-Openings Art Scene</a> – March 2020<h3>&nbsp;</h3>&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418838/xn6fphyh8gpmpppxdtiz.png"></figure><a href="https://www.chicagogallerynews.com/news/2020/5/vertical-gallery-s-digital-embrace-how-patrick-hull-sees-art-online-long-term">Vertical Gallery's Digital Embrace: How Patrick Hull Sees Art Online Long Term</a> – May 2020&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418839/wxm4xfallm9a3ii3biuk.gif"></figure><a href="https://www.chicagogallerynews.com/news/2020/5/ebony-g-patterson-the-interactivity-of-visual-appeal">Ebony G. Patterson: The Interactivity of Visual Appeal</a> – May 2020&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418840/emvbwtl6sidmiafc3vkn.gif"></figure><a href="https://www.chicagogallerynews.com/news/2020/5/art-dealer-ann-nathan-the-perpetual-collector">Art Dealer Ann Nathan: The &nbsp;Perpetual Collector</a> – May 2020&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418841/tb9oehfbaess9mcz1w4r.jpg"></figure><a href="https://www.chicagogallerynews.com/news/2020/8/yvette-mayorga-artistic-confections-add-new-layers-to-art-history">Yvette Mayorga: Artistic Confections Add New Layers to Art History</a> – August 2020&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418842/rxbigwkpddyns4sz5iev.jpg"></figure><a href="https://www.chicagogallerynews.com/news/2020/8/a-collector-s-personal-focus-discovering-the-value-of-engagement">A Collector's Personal Focus: Discovering the Value of Engagement</a> – September 2020&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418842/wct7ccpvqqoreqli2epd.jpg"></figure><a href="https://www.chicagogallerynews.com/news/2020/9/expo-chicago-s-tony-karman-on-fall-without-a-fair">EXPO CHICAGO’s Tony Karman on Fall Without a Fair</a> – September 2020&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418843/ls0dbc8daekc1xchpzdy.jpg"></figure><a href="https://www.chicagogallerynews.com/news/2020/9/mirror-mirror-on-the-gallery-wall-after-this-year-who-can-predict-2021">Mirror, Mirror on the Gallery Wall: After This Year, Who Can Predict 2021?</a> &nbsp;– September 2020&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418844/cfpilyitv71vds5a9w7u.jpg"></figure><a href="https://www.chicagogallerynews.com/news/2020/9/lee-bey-illuminating-the-south-side-s-overlooked-beauty">Lee Bey: Illuminating The South Side's Overlooked Beauty</a> – September 2020&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418845/p9rpbid104sskxemjqjq.jpg"></figure><a href="https://www.chicagogallerynews.com/news/2020/9/patty-carroll-investigating-domesticity">Patty Carroll: Investigating Domesticity</a> &nbsp;– October 2020&nbsp;&nbsp;</body></html>

CGN's 2020 News Highlights

<html><head></head><body>By CGN Staff,There is no shortage of artists to support this season, and some are coming up with new ways to promote their work directly to buyers and collectors during challenging times. Many are also finding ways to benefit causes, people and spaces they hold dear. Artists are a very generous, as well as creative, bunch. From puzzles to limited edition cards and posters, art comes in many forms and at many price points. Buy something from a living breathing person and the joy will last your life time.&nbsp;Another special event kicking off today is the SCA's sale benefitting the Art Institute of Chicago's collection, something the public will come back to visit and enjoy for generations.&nbsp;There is also a chance at one area nonprofit to try your own hand at art at home.&nbsp;Share the spirit of creativity, and happy shopping!&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418829/ceilghhcjjfvu5xth9fn.png"></figure><a href="https://www.sothebys.com/en/buy/auction/2020/society-for-contemporary-art-collectors-sale/">The Society for Contemporary Art (SCA) supports the Art Institute of Chicago Sale</a>The Society for Contemporary Art (SCA) supports the Art Institute of Chicago by engaging the community in a dialogue about the art of our time, and acquiring works that enrich the museum’s collection. The SCA Collectors Sale features more than 50 artworks generously donated by artists, premier local and international galleries, and notable collectors. All proceeds support the SCA, its educational programs, special initiatives, and its acquisitions for the Art Institute of Chicago. Bidding opened December 2 and the auction closes on December 14. The works range from Derrick Adams to Cauleen Smith to William J. O'Brien and Claes Oldenberg. Bidding is on <a href="https://www.sothebys.com/en/buy/auction/2020/society-for-contemporary-art-collectors-sale/">Sothebys.com</a> and work may be viewed in person by appt. at Wright.&nbsp;&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418830/b4ulazgzhclf6ffuqrsu.jpg"></figure><a href="https://tonyfitzpatrick.co/collections/store">Tony Fitzpatrick Posters and Puzzles</a>Fitzpatrick began selling puzzles at the start of the pandemic and quickly sold out of all that he had. New, bigger (1,000 pieces...) puzzles are now <a href="https://tonyfitzpatrick.co/collections/store">for sale on his website</a>, as well as limited edition posters, in addition to his etchings and drawing collages.&nbsp;&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418831/gbmopf2lnmq43va1mljw.png"></figure><a href="https://campscui.active.com/orgs/TheArtCenterHighlandPark#/selectSessions/2908707/filter/session=49677836">Art in a Box</a>You can make your own art with the Art Center Highland Park's Holiday Art in a Box for all ages. Each box, <a href="https://campscui.active.com/orgs/TheArtCenterHighlandPark#/selectSessions/2908707/filter/session=49677836">for sale online</a> for $140, contains 4 weekly projects for ages 7-16 to experience the fun of an art class at home. Projects are taught by TACHP instructor, Ana Spencer, through prerecorded videos and can be completed with the supplies in your box (along with a few supplemental items from home). Techniques dabble in dye, clay, watercolor and more.&nbsp;&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418832/mjxxhppwlepl9h1vxroz.jpg"></figure><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418833/yumtenchs5ugnq6rplc8.png"></figure><a href="https://ravenswoodchicago.org">Emily Rapport and Ravenswood Artist Puzzle Series</a>Artist Emily Rapport of <a href="https://eatpaintstudio.com">Eat Paint Studio</a> has art featured in this puzzle series. You can pre-order your puzzles now. The Greater Ravenswood Chamber of Commerce has partnered with 3 local artists to create an eye-catching set of neighborhood-inspired puzzles. An extremely limited run is available for <a href="https://ravenswoodchicago.org">pre-order</a>, just in time for the holidays!Rapport's art is also <a href="https://eatpaintstudio.com/shop/">for sale on her website</a>, which features watercolors and oil paintings of many local scenes at affordable prices. Free shipping is available now.&nbsp;&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418834/ihex5r0jcwhsijxndabp.jpg"></figure><a href="https://www.firecatprojects.org">Vito DeSalvo at Firecat&nbsp;</a>Limited edition Cards for sale are 5" x 5" and include matching envelopes. Set of ten for $20&nbsp; Record albums 12" x 10"&nbsp;and include a vinyl record for $300. (includes shipping)You can purchase these limited artworks at <a href="https://www.firecatprojects.org">Firecat Projects.</a>&nbsp;&nbsp;</body></html>

Buy Art From Artists Giving Back This Season

<html><head></head><body>By CGN Staff,&nbsp;Area museums may be closed, due to Governor Pritzker's latest semi-shut down, but their gift shops are open online and offer a means of showing your support to our precious cultural institutions that have faced significant fiscal challenges in 2020. They also happen to offer a lot of really cool, unique gifts for people of all ages on your list this year.&nbsp;Below are some items we found and wanted to share.&nbsp;Of course you may also choose to gift memberships to your friends and family, or you may make a donation at any level to these museums – a generous gift to the institution itself!&nbsp;Happy shopping!&nbsp;&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418829/wpzrvnmfprzcwjbdtewc.jpg"></figure>&nbsp;<a href="https://www.mcachicagostore.org/shop">Museum of Contemporary Art</a>The museum's store is always a secret source for artsy gifts. Three stylish and entertaining items featuring women artists of yesterday and today: <a href="https://www.mcachicagostore.org/shop/mickalene-thomas-a-little-taste-outside-of-love-scarf-59838">A Mickalene Thomas Scarf</a>, <a href="https://www.mcachicagostore.org/shop/memory-card-game-x-louise-bourgeois-59841">Louise Bourgeois Memory Game</a>, and <a href="https://www.mcachicagostore.org/shop/judy-chicago-coasters-set-of-4-59072">Judy Chicago Coasters</a>.&nbsp;&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418830/ckerk3yk9zopvoeyxajs.png"></figure><a href="https://store.fieldmuseum.org">Field Museum&nbsp;</a>The art of natural history is for sale and giftable. There is a wide range of items, from apparel and accessories, like this <a href="https://store.fieldmuseum.org/collections/jewelry/products/butterscotch_amber_stretch_bracelet">amber stretch bracelet</a>, to <a href="https://store.fieldmuseum.org/collections/gifts-for-kids/products/the_field_mouse_and_the_dinosaur_named_sue">educational items</a> based on some famous figures in the Field's collection (dinosaurs anyone?) and even clever <a href="https://store.fieldmuseum.org/collections/home-office/products/moth_rocks_glass">drink ware</a>.&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418831/jtkugguznjyosv0dvvlu.jpg"></figure><a href="https://imss.ecwid.com/Gift-Shop-c15857083">The International Museum of Surgical Science&nbsp;</a>This gem of a museum has a unique collection, and its store offers educational as well as humorous gifts that will not be regifted. Many are just what we need in these times... Check out the <a href="https://imss.ecwid.com/Plagues-Of-The-21st-Century-Gift-Box-p243353665">Plagues Of The 21st Century Gift Box</a>, <a href="https://imss.ecwid.com/Snowflake-Science-Card-p235600093">Snowflake Science Card</a>, and assortment of <a href="https://imss.ecwid.com/Pill-Boxes-c46834301">pill boxes</a>.&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418832/zok8h9y36yimn0u4azkx.jpg"></figure><a href="https://shop.driehausmuseum.org">Driehaus Museum</a>This historic home turned museum has a period-appropriate gift shop, filled with items to honor the past, from <a href="https://shop.driehausmuseum.org/collections/kitchen_bar/products/absinthe-glass">absinthe glasses</a>, to books on <a href="https://shop.driehausmuseum.org/collections/books-1/products/laffichomania-the-passion-for-french-posters">vintage posters</a> that are in the museum's collection, as well as <a href="https://shop.driehausmuseum.org/collections/gifts-apparel/products/10-in-1-camphor-wood-combination-set">versatile game sets</a> to keep you busy and offline this winter.&nbsp;&nbsp;&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418832/kn5ukmeuphiyxpy3th8x.png"></figure><a href="https://national-museum-of-mexican-art.square.site/#xEWjlo">The National Museum of Mexican Art</a>The museum offers a range of original art, holiday items, as well as plenty of items featuring Frida Kahlo and other famous artists from Mexico. Here we found a <a href="https://national-museum-of-mexican-art.square.site/product/journey-in-color-mexican-folk-art-coloring-book/84?cs=true">Mexican folk art coloring book</a>, a <a href="https://national-museum-of-mexican-art.square.site/product/papel-amate-design-cross/73?cs=true">Papel Amate design cross</a>, and a set of <a href="https://national-museum-of-mexican-art.square.site/product/pinata-ornaments/39?cs=true">piñata ornaments</a>.&nbsp;&nbsp;&nbsp;&nbsp;</body></html>

Chicago Museum Gifts for the Holidays

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418812/ljk7pwxtxya5q6nhhte0.jpg"></figure>By GINNY VAN ALYEA<figure class="image image-style-side"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418813/l6wfxip6vznniunrrh9g.png"><figcaption>Face mask: $15. 100% of profits will go to supporting Black artists in Chicago via Chicago Artists Relief Fund&nbsp;microgrants.</figcaption></figure>Living in the city and in an apartment, I don't notice political yard signs so much as I see window signs and hats. This time of year – hey this year – varying signs of support are plastered all around the country. If you're not a yard sign person (I'm not) this particular one that benefits arts groups may be for you.<a href="https://supportchicagoarts.com">Support Chicago Arts</a> is a fundraising initiative of Chicago Stands Together, a 501(c)3 organization formed by two Chicago-area marketing and communications agencies, Direction Tour Marketing and Acacia Consulting Group. The initiative aims to assist arts organizations in Chicago who are experiencing financial hardships due to the COVID-19 crisis, and there is no shortage of spaces and the creatives who depend on them.&nbsp;Theaters and venues were among the first to close amidst the COVID-19 pandemic as stay-at-home orders were implemented. They will likely be among the last to reopen, as social distancing best practices result in significantly reduced occupancy making it difficult for venues to operate at all.&nbsp;Support Chicago Arts was formed as a response to these challenges, which are unique to the arts community. By purchasing a lawn sign, medallion, or window sign, patrons announce their support for their favorite arts organizations, building community while providing much needed financial support. 100% of the profits from the sale of each item will be donated to the organization of their choosing.&nbsp;This is one cause you can show your support for from head (well, face) to toe.&nbsp;View a list of participants <a href="https://supportchicagoarts.com/pages/our-partners">here</a>&nbsp;&nbsp;</body></html>

A Yard Sign Everyone Can Get Behind? Support Chicago Arts

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418803/zfu2zjdxxqhjuqb0ypci.jpg"><figcaption>Nate Young installation. Photography by Michael Tropea, 2020</figcaption></figure>&nbsp;By JACQUELINE LEWISThe Driehaus Museum’s new exhibition, <a href="http://driehausmuseum.org/exhibition/youngandhoribuchi">A Tale of Today: Nate Young and Mika Horibuchi</a>, opens September 26, following a spring COVID-19 postponement.&nbsp;Featuring site-specific works by Chicago artists Nate Young and Mika Horibuchi, the exhibition is the second installation of the museum’s contemporary series, A Tale of Today: New Artists at the Driehaus Museum, which gives audiences a chance to view the Gilded Age’s legacy through new perspectives while connecting the abundant history of the Nickerson Mansion with our current reality.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418804/r1k69ujls4yprmiezxxm.jpg"><figcaption>Artists Mika Horibuchi, and Nate Young</figcaption></figure><figure class="image image-style-side"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418804/qphl484ulku1nzuz1uay.jpg"><figcaption>Nate Young installation. Photography by Michael Tropea, 2020</figcaption></figure>&nbsp;Richard H. Driehaus, the museum’s founder, not only hopes to reach new audiences but also, he says, “to demonstrate the importance of architecture and sense of place from the incomparable vantage point of the Nickerson Mansion, while also showcasing new artists in this historical setting.” Exhibiting artists were chosen based on their ability to complement and communicate with the museum’s preexisting architecture and decoration. The first part of the series, from 2019, featured <a href="https://www.chicagogallerynews.com/events/a-tale-of-today-yinka-shonibare-mbe">Yinka Shonibare</a>, a London-born and -based artist, raised in Nigeria, who draws on both his English and African history to create his art.&nbsp;In this second edition, artist Nate Young’s work draws on themes of history, semiotics, and spirituality to explore the connections between collective and familial history. Young’s pieces in the exhibition combine sculptural installation and woodworking skills to create doubles of existing cabinets and drawers, calling to mind the Gilded Age’s craftsmanship while blending his contemporary edge seamlessly with the lavish space. Young approached this project differently than previous exhibitions because the mansion is not a blank box, but a robust space. Pieces must coexist within the location’s atmosphere of excess and overt beauty. Young has hidden bone holograms in his pieces for visitors to notice upon closer examination, there to remind viewers of the invisibility of certain narratives throughout history.Mika Horibuchi’s artistic interest lies in tricks and slips of visual perception. Horibuchi’s installations utilize trompe l’oeil as a way to analyze representation, ownership, and authorship. With this technique, the artist reflects and responds to the mansion itself. For example, Horibuchi created paintings that simulate photographic documentation of Asian artifacts, but the accompanying descriptive text is blurred, allowing viewers to form their own narratives with pieces removed from their original context. Horibuchi has also recreated paintings from the museum but in cool shades of gray. The original paintings were created mimicking historical precedents, and now Horibuchi’s paintings continue the legacy of mimicry.<figure class="image image-style-side"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418805/e4dpmwxbn0j4iri2bchu.jpg"><figcaption>Mika Horibuchi installation. Photography by Michael Tropea, 2020</figcaption></figure>Curator Kekeli Sumah believes both Young and Horibuchi’s installations “make conversations about the Gilded Age relevant in today’s society.” By giving these living, local artists a dynamic platform, the Driehaus Museum elevates the next generation of artists through a beautiful, melding dance of modernity and history at the Nickerson Mansion while highlighting the legacy and beauty of the Gilded Age.&nbsp;A Tale of Today: Nate Young and Mika HoribuchiOPENING SATURDAY, SEPTEMBER 26 Join the museum for an Opening Day Virtual Panel <a href="http://driehausmuseum.org/programs/detail/opening-day-panel-discussion-a-tale-of-today-nate-young-and-mika-horibuchi">DETAILS + REGISTRATION</a>For more information and tickets visit <a href="http://driehausmuseum.org/exhibition/youngandhoribuchi">Driehausmuseum.org</a>&nbsp;&nbsp;</body></html>

A Tale of Today – Connecting Past & Present

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418803/sr8p7q0qltrpizuvaji1.jpg"><figcaption>C.J. Pyle, Corona Voyage #3, 2020, 9.5 x 16 inches, Pencil, ink and colored pencil on found paper. Featured in Carl Hammer Gallery’s spring 2020 exhibition titled, Crawling From the Wreckage &nbsp;</figcaption></figure>By GINNY VAN ALYEAFall is just beginning, but I’m sure no one can blame me for desperately looking forward to a new year. I won’t hold my breath that 2021 will be a totally fresh start, but I truly hope it will be healthier, safer, more tolerant and less violent than 2020 so far in Chicago and the world. I also wish for a more routine return to connecting in person, though it’s clear that virtual events and working from home are here to stay just as much as reservations and timed entries.&nbsp;Like many others, I see two main scenarios that could shape up in the year ahead: Life with a vaccine, and life without. While one occupies my thoughts more than the other, I wanted to find out what others in the art community are thinking right now as we balance multiple safety as well as business and civic&nbsp; needs. It’s impossible to ignore the current stunning state of the city, country and society compared to a few months ago.&nbsp;My questions seek everyone’s best guess. What harm is it to take a pretend gamble right now? Responses are grouped by topic. I am grateful to those who candidly shared their collective wisdom and hope for the future as we wade through an unpredictable time.&nbsp;&nbsp;ON A TIME WITHOUTCGN: Regarding art, what do you think most people took for granted before the pandemic?&nbsp;&nbsp;Jason Pickleman, designer, collector, dealer, oracle:&nbsp;I can’t speak for all, but I took for granted an artwork’s physicality—the life of its dimensionality—in my appreciation of art. Looking at the side of a stretched canvas, and walking around a sculpture is where the action is (was).&nbsp;John McKinnon, Director of Elmhurst Art Museum:&nbsp;It’s hard to identify just one thing because our lives have been affected in so many ways. What we previously counted on, from world financial systems to simple shared experiences, have turned upside down. It’s incredible to learn how fragile these systems truly are.After they come back, shared group experiences will be more treasured in the next few years. As a parent, I can’t help but think about how young children don’t know they can climb on a playground and play with other children. For those of us that know better, I think we’ll appreciate group events even more—especially joyous events like weddings or birthdays. I’m personally looking forward to attending live concerts again.Rebecca Woan, Chartwell Insurance:I thought pandemics were the content for Hollywood movies, and I thought that the sophisticated resources of the government and health systems would protect us as they had for Ebola, and to a certain degree Zika [virus].Bianca Bova, curator:&nbsp;Prior to the pandemic, I think the accessibility of art viewing was taken for granted. You could spend an entire day in any museum on a whim, or stop into a half dozen galleries in without giving it a second thought. No appointments, no limited time slots, no advanced planning required.&nbsp;Claudine Isé, owner, Goldfinch:&nbsp;Everyone’s situation is different. I know for myself this is a difficult question to answer.The phrase “taking for granted” seems to imply that there were some things that we didn’t quite deserve to have in the first place, and through our own hubris or neglect we lost them. In the United States this pandemic did not need to spread as quickly and as virulently as it has, and the fact that it did is due to the failures of our current government regime. Nobody deserves this. We do deserve to have everything we lost given back to us, ASAP.&nbsp;VIRTUAL UNREALITY?CGN: What do you envision as far as the virtual art world?&nbsp;&nbsp;Jason Pickleman:&nbsp;Digital spaces will continue to professionalize, both in terms of quality of display and in levels of monetization.&nbsp;John McKinnon:&nbsp;Whether offline or online, we are storytellers. Our profession has developed innovative ways to weave tales about collection materials, artists, exhibits, architecture, etc. We’ve seen a new wave of online materials and will see more. It is hard to predict how things will change beyond the last five months, but I believe we’ll see more materials like our Museum From Home initiative. Online components like these add to museum visits as educational resources and a preview for a physical exhibit.Rebecca Woan:I’m answering this looking forward over the next 12-24 months. The optimist in me would like to see virtual as a bridge between the in-person world with the ability to both live stream and conduct in-person events.&nbsp; My hope is that once it’s safe to emerge people will want to leave their screens and not permanently retreat to them.Bianca Bova:&nbsp;I think of the virtual art world as a tool and not a place. It’s a tool I’m grateful we’ve had at our disposal in the last six months, and I think as an industry we’ve made strides in how it’s effectively used. I hope some of that is here to stay.&nbsp;Claudine Isé:&nbsp;Goldfinch, like everyone else, is shifting exhibition content online in order to reach as many people as possible, and that has been a good thing for us. But I don’t like “virtual” spaces at all and have felt really disheartened at the quickness with which art fairs have moved to the virtual space. I was looking at a virtual art fair this last week and I thought the artwork looked terrible — the effect of these types of digitized spaces is that they make the artworks, including paintings, look purely digitized too. I guess my vision is more authentic online content (filmed interviews and live online panel discussions, along with crisp, high resolution artwork documentation, etc. and less (or even no) “virtual” spaces that feel like video games but don’t look half as good and are nowhere near as fun.&nbsp;<figure class="image image-style-side"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418804/pxo98r8js9azrutposkk.jpg"><figcaption>Crowds?&nbsp; No masks or outside ventilation? That was so 2019. Pictured: a booth lecture at SOFA Chicago last year. &nbsp;</figcaption></figure>REMEMBER THE FAIRS?CGN: Do you think art fairs will continue to take place? What will be the biggest difference to how they operate in a COVID/post-COVID world?&nbsp;&nbsp;Jason Pickleman:&nbsp;Art fairs are conventions, no different than the Chicago Auto Show. Car manufacturers still produce cars; people still purchase them. Same with art. Artists will continue to produce art, and galleries will continue to be the primary outlet for acquisition. Art fairs will acknowledge that primary motive with more transparency and less ancillary event programming. Good bye to the bodily crush of Opening Night (or recently, Opening Afternoon if you were a VIP). After parties on boats? Well that was fun. Sort of.&nbsp;John McKinnon:&nbsp;It will take time, but I think art fairs will still take place. I believe people are craving group events, whether going to the movies, playing mini golf with other families, or seeing a show. I believe we will see more of this with time because staying indoors has affected many people’s mindsets and mental health.Rebecca Woan:&nbsp;Art fairs will undergo some evolution, which isn’t necessarily a bad thing.&nbsp; They may be able to reach more people than ever however it seems to me that for many collectors the art fair is as much about the experience as the purchase and that has been lost in the current time.&nbsp;Bianca Bova:&nbsp;Art fairs will continue to take place. Apart from the obvious additional protocols--hand sanitizer stations, masks, social distancing at cafes and lectures--I’m not sure there will be, or needs to be, significant operational differences. There will always be art, and there will always be people to buy art, and fairs are still an ideal place to do that.&nbsp;Claudine Isé:&nbsp;Yes they will continue to take place because most galleries haven’t figured out a way to survive without them. Hence the virtual art fairs that look like video games.&nbsp;LET’S GO CRAZYCGN: What’s your craziest prediction (or wish or fear) for the art community in the future?&nbsp;Jason Pickleman:&nbsp;In the 1970s, artists’ collectives came together and started their own peer-to-peer gallery spaces. N.A.M.E. Gallery, ARC, Artemisia, and Randolph Street Gallery (to name but four here in Chicago). These grungy spaces became vital outlets for artists (hello Jerry Saltz! You turned out OK!). Artist run spaces have continued to arise and proliferate on shoestring budgets: Heaven Gallery, Roots &amp; Culture, Roman Susan, for example. The art boom of the past four decades pushed the visibility of these venues into the shadows of the publishable (and commercially venerated) side of the art world. The upcoming Hyde Park Art Center’s exhibition Artists Run Chicago 2.0 is a rebuke (and testament) to the elevation of artists working for and with artists as the cornerstone of art’s journey. Imagine if any of these spaces could sell work at the price level of a Corbett vs. Dempsey or a Rhona Hoffman without the obligatory hand-wrangling and inebriation of their annual galas or benefits?John McKinnon:&nbsp;Our value system in art has and will continue to change, much like we’ve re-evaluated our own personal priorities during this horrible pandemic. I’d like to see less duct-taped banana stunts and more meaningful dialogue in the art world.Rebecca Woan:&nbsp;The art community is becoming more diverse, and more democratic, as there is an audience willing to hear about injustices, so I don’t think this is a prediction because it is happening. I hope the momentum continues. However, I have a fear, shared by many: the art world relies heavily on financial support and we need robust wealth creation to continue that support. We don’t know yet how recovery will look once the government stops pumping money into the economy, or whether we will see rampant inflation in the future as a result of the debt creation. How will those trickle-down effects manifest themselves? Time will tell.Bianca Bova:&nbsp;My wish for the art world is that it returns to being about the art – no agenda, no gatekeeping, no priorities beyond identifying great art and venerating it.&nbsp;Carl Hammer, owner, Carl Hammer Gallery:&nbsp;The art world is certainly part of the “cement” that seems to help hold the Earth and our lives together. 2020/2021 promises to be both challenging and eventful, testing all of our collective/creative willpower and efforts to keep things on track. Things will change for both good and bad in the art world. Yet, in my mind, we are privileged to be associated with an industry in which one’s imagination makes the impossible happen. To that end, the year(s) ahead will depend on those of us who best see “the light at the end of the tunnel.”&nbsp;Claudine Isé:&nbsp;I don’t usually think much about predictions. I guess that my wish is that the human vulnerability that the pandemic brings out in us all, and which is something that we can see, appreciate, witness in one another as a community and empathize with, can be carried through to larger structural conditions and systems once pandemic conditions have lessened. Is there a way we can come out the other end and find ourselves building an art world that its more equitable and just, more humane, less greedy and less racist? My wildest hope is that that could be the case.&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418805/puykxvblm7hygh50foyu.jpg"><figcaption>Artists have long adapted their art to current social and political climates. Above: Roger Brown, Past and Future Art, 1989. Oil on canvas, 48 x 72 in. Courtesy Kavi Gupta Gallery and the Estate of Roger Brown. &nbsp;</figcaption></figure>WHAT ART MIGHT COME NEXT&nbsp;CGN: Do you see any artistic inclinations or trends ahead? In subject, medium, placement, or collaborations?&nbsp;&nbsp;John McKinnon:&nbsp;Many conversations are happening during this transformative time in America that will affect artistic output. Recent events remind us that for all the progress we have made, we still have more work to do against social and racial injustices. We are in the middle of a history-altering human rights movement reignited by tragic deaths of George Floyd, Breonna Taylor, and too many others. Because of the spread of the Black Lives Matter movement Confederate statues have toppled, sports players are kneeling, other voices are gaining strength, and we will continue to see messages in many art forms. More people than ever before – including artists and institutions – are committed to asking difficult questions, learning from each other, and shaping a more equitable future.&nbsp;Rebecca Woan:&nbsp;Artists during shelter in place have creatively adapted to the medium that video allows for visual arts.&nbsp; The alienation has been amplified by social unrest, which has engaged many more people. We will see this reflected in art for quite a while I’m sure.&nbsp;Bianca Bova:&nbsp;Being away from galleries, museums, and fairs has left me hungry for work that is especially nuanced. I see renewed interest especially in painting and in fiber art – work that requires close inspection, that reveals itself slowly and fully only when you’re in front of it.&nbsp;Claudine Isé:&nbsp;It’s too early to see artistic trends — artists are still struggling to maintain, not to mention access, studio spaces. Mental health issues related to the pandemic in some cases slow things down. I suspect most artists are still in the “How do I get through this?” stage. Perhaps, though, there could be slight shifts in medium to that which is closest at hand, like paper, collage materials, etc., and artists working on a more “domestic” scale, because so many artists have needed to move their studio home.Jason Pickleman:&nbsp;I wrote a poem during the financial crash of 2008, which I’ll let speak to the present moment:&nbsp; After money has run its course /&nbsp; and the empty spaces of its transactions are hollowed and barren /&nbsp; a vacuum of dreams processed and fulfilled /&nbsp; when display is displaced /&nbsp; after the last deduction and the final reduction /&nbsp; have left the shelves barren sans function /&nbsp; and emptiness reigns /&nbsp; so then, /&nbsp; the lofts of tomorrow are the strip malls of today.&nbsp;&nbsp;</body></html>

Mirror, Mirror on the Gallery Wall: After This Year, Who Can Predict 2021?

We recently learned about an exhibition at Mies van der Rohe's Farnsworth through our friends at <a href="https://www.pagodared.com/blog/2020/08/12/refurnishing-revisiting-farnsworth-house/">PAGODA RED</a>, since they had recently placed furniture at the house and photographed the installations for the exhibition. They generously shared the story of the exhibit and the house's history with CGN.&nbsp;By PAGODA REDDesigned by Mies van der Rohe in the late 1940s, the <a href="https://farnsworthhouse.org/">Farnsworth House</a> in Plano, Illinois distills Mies’ modernist ideals into a clear expression of uncluttered structure. Over the years, it’s become shorthand for Miesian “less is more” design — so much so that the more nuanced story behind the home has been eclipsed by its iconic stature.“Too often, we gravitate towards the simple and familiar narrative when the&nbsp;real&nbsp;story is much richer and more challenging,” says Scott Mehaffey, Executive Director of the Farnsworth House.A new exhibition, Edith Farnsworth Reconsidered, centers the story not in the architect but in the homeowner — a remarkable kidney research physician, violinist, poet and translator who commissioned the house as a weekend retreat and lived in it for nearly 20 years. Despite having her name attached to the house, Farnsworth’s legacy was undercut by a legal battle over escalating fees (lost to Mies) and, in Mehaffey’s words, “the fact she was a brilliant, driven and successful professional woman during a very misogynistic era in history.” This exhibit seeks to recast Edith’s story and — by extension, the house itself — in a new light.&nbsp;<figure class="image"><img src="https://www.pagodared.com/blog/wp-content/uploads/2020/07/11_364A0935.Z_3.Final_-1024x683.jpg" alt="" srcset="https://www.pagodared.com/blog/wp-content/uploads/2020/07/11_364A0935.Z_3.Final_-1024x683.jpg 1024w, https://www.pagodared.com/blog/wp-content/uploads/2020/07/11_364A0935.Z_3.Final_-300x200.jpg 300w, https://www.pagodared.com/blog/wp-content/uploads/2020/07/11_364A0935.Z_3.Final_-768x512.jpg 768w" sizes="100vw" width="1024"><figcaption>Photo by William Zbaren</figcaption></figure>&nbsp;Normally furnished with Mies’ famous Barcelona Stools and Brno Chaises, the house has been redecorated to reflect the furniture that Farnsworth chose. Reticent to fill her home with pieces that Mies designed for offices and public spaces, Farnsworth wrested control of the interiors.“Edith made it clear from the start that she preferred to select her own furnishings,” explains Mehaffey, “but Mies wouldn’t listen, which put her in a delicate position.”<figure class="image"><img src="https://www.pagodared.com/blog/wp-content/uploads/2020/07/20200728_Farnsworth-001-web-1024x698.jpg" alt="" srcset="https://www.pagodared.com/blog/wp-content/uploads/2020/07/20200728_Farnsworth-001-web-1024x698.jpg 1024w, https://www.pagodared.com/blog/wp-content/uploads/2020/07/20200728_Farnsworth-001-web-300x205.jpg 300w, https://www.pagodared.com/blog/wp-content/uploads/2020/07/20200728_Farnsworth-001-web-768x524.jpg 768w" sizes="100vw" width="1024"><figcaption>Photo by PAGODA RED</figcaption></figure>&nbsp;When Mies’ office called to arrange delivery for a shipment of metal furniture, Farnsworth refused, explaining that she hadn’t ordered it. Instead, Farnsworth enlisted the help of her friend Kitty Baldwin-Weese to select Scandinavian and Italian Modern style pieces, many of which came from the Baldwin-Kingrey store.&nbsp;<figure class="image"><img src="https://www.pagodared.com/blog/wp-content/uploads/2020/07/7_364A0755.Z_6.Final_-1024x683.jpg" alt="" srcset="https://www.pagodared.com/blog/wp-content/uploads/2020/07/7_364A0755.Z_6.Final_-1024x683.jpg 1024w, https://www.pagodared.com/blog/wp-content/uploads/2020/07/7_364A0755.Z_6.Final_-300x200.jpg 300w, https://www.pagodared.com/blog/wp-content/uploads/2020/07/7_364A0755.Z_6.Final_-768x512.jpg 768w" sizes="100vw" width="1024"><figcaption>Photo by William Zbaren</figcaption></figure>&nbsp;Farnsworth also collected Chinese antiquities and installed a pair of Fu Dogs outside the house. To recreate the effect, Mehaffey chose a pair of intricately carved <a href="https://www.pagodared.com/ti/featured-collections-modernism/pair-of-courtyard-shizi">stone lions from PAGODA RED</a>. Once used to protect a 19th century Chinese courtyard, the pair now guards the terrace of the Farnsworth House. “We might conjecture that they reminded Edith of her beloved dogs, which always accompanied her on her trips out to Plano,” explains Mehaffey, “and they imbue a certain humor that makes the place less sterile and lonely.”&nbsp;<figure class="image"><img src="https://www.pagodared.com/blog/wp-content/uploads/2020/07/20200728_Farnsworth-0066-web-1024x707.jpg" alt="" srcset="https://www.pagodared.com/blog/wp-content/uploads/2020/07/20200728_Farnsworth-0066-web-1024x707.jpg 1024w, https://www.pagodared.com/blog/wp-content/uploads/2020/07/20200728_Farnsworth-0066-web-300x207.jpg 300w, https://www.pagodared.com/blog/wp-content/uploads/2020/07/20200728_Farnsworth-0066-web-768x530.jpg 768w" sizes="100vw" width="1024"><figcaption>Photo by PAGODA RED</figcaption></figure>&nbsp;It’s unknown where Farnsworth’s interest in Asian art stemmed from, but her collection survives at the Art Institute — which owns several of her Chinese bronze and stoneware vessels — and the University of Chicago, where her original Fu Dogs stand at the entrance to the&nbsp;Cochrane-Woods&nbsp;Art Center. She also collected contemporary photography and furnishings by Jens Risom, Florence Knoll, and Franco Albini among other designers.“The layering of antiquities and modern furnishings shows sophistication and is often missing in contemporary interiors,” says&nbsp;Mehaffey, “So through the lens (or perhaps guise) of interior decor, this project opens the door to a greater conversation and ongoing exploration of modernism at the Farnsworth House and helps us examine Mies in the broader context of his contemporaries.”Personal details bring Farnsworth’s story to life. An Olivetti typewriter sits atop a writing desk alluding to her work as a poet and translator, and a violin sits near the door, where she might have played it to catch summer breezes. In the bedroom, a plinth displays an <a href="https://www.pagodared.com/ti/featured-collections-modernism/buddhas-hand">architectural object from PAGODA RED</a> in a nod to Farnsworth’s collection of Chinese antiques.&nbsp;<figure class="image"><img src="https://www.pagodared.com/blog/wp-content/uploads/2020/07/20200728_Farnsworth-0025-web-1024x684.jpg" alt="" srcset="https://www.pagodared.com/blog/wp-content/uploads/2020/07/20200728_Farnsworth-0025-web-1024x684.jpg 1024w, https://www.pagodared.com/blog/wp-content/uploads/2020/07/20200728_Farnsworth-0025-web-300x201.jpg 300w, https://www.pagodared.com/blog/wp-content/uploads/2020/07/20200728_Farnsworth-0025-web-768x513.jpg 768w" sizes="100vw" width="1024"><figcaption>Photo by PAGODA RED</figcaption></figure>&nbsp;Surrounded by lawns with views to the treeline, the house invites the natural world inside, as both Mies and Farnsworth intended. In neutral colors and a range of textures, Farnsworth’s furnishings soften the austerity of the architecture without detracting from the views. It’s easy to imagine Farnsworth taking walks with her dogs and enjoying a nightcap on the terrace.“She purposely kept it a quiet place as her life in Chicago was so busy and demanding,” Mehaffey says. “I hope this exhibition brings renewed appreciation to the Farnsworth House and fosters greater awareness of Edith Farnsworth and her many accomplishments – but also reminds us that history is never fully written and that we can sometimes find ourselves in the lives and choices of people who came before us.”Making the exhibition accessible for those who can’t visit in person, the Farnsworth House has posted a <a href="https://my.matterport.com/show/?m=du6M6oLeeLe">virtual reality tour</a>&nbsp;as well as historic photos and online <a href="https://farnsworthhouse.org/exhibitionguides/">exhibition guides</a>. Still, seeing the site in person remains the best way to experience it, and the house is offering limited tours as well as “Grounds Only” tickets.&nbsp;<figure class="image"><img src="https://www.pagodared.com/blog/wp-content/uploads/2020/08/20200728_Farnsworth-0072-web-1024x885.jpg" alt="" srcset="https://www.pagodared.com/blog/wp-content/uploads/2020/08/20200728_Farnsworth-0072-web-1024x885.jpg 1024w, https://www.pagodared.com/blog/wp-content/uploads/2020/08/20200728_Farnsworth-0072-web-300x259.jpg 300w, https://www.pagodared.com/blog/wp-content/uploads/2020/08/20200728_Farnsworth-0072-web-768x664.jpg 768w" sizes="100vw" width="1024"><figcaption>Photo by PAGODA RED</figcaption></figure>&nbsp;The Farnsworth House is open Wednesday to Sunday from 9:30 to 3:30, offering limited guided tours of up to 12 people at 10:00am, 12:00pm and 2:00pm. Self-guided tours of the grounds are available for half the price, and picnicking and hiking are allowed throughout the site. As state regulations may change, it’s best to visit <a href="https://farnsworthhouse.org/">farnsworthhouse.org</a> for up-to-date information.Special thanks to Scott Mehaffey for generously sharing Edith Farnsworth’s story. To learn more, visit the <a href="https://farnsworthhouse.org/">online exhibition</a>.Read PAGODA RED's blog <a href="https://www.pagodared.com/blog/2020/08/12/refurnishing-revisiting-farnsworth-house/">here</a>.&nbsp;

Refurnishing & Revisiting the Farnsworth House

<html><head></head><body>&nbsp;<figure class="image image-style-side"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418374/fs4fnkibujspfnda38tt.png"><figcaption>Our fall issue features artist Yvette Mayorga</figcaption></figure>By GINNY VAN ALYEAIt has now been half a year since we have been able to access people, places and art in the ways we once did. After April and May when so much was shut down, July and August have offered glimpses of life for the forseeable future – more limited, still within reach, as long as you plan ahead and as long as you begin to accept life’s many risks, COVID-19-related or not.&nbsp;Yet it seems the goal posts still move daily. I want a crystal ball – one that would show me it’s all going to be OK, and when.&nbsp; Without one, and in order to be able to participate safely in life in Chicago, I have spent time evolving my own tolerance for risk; I realize it’s a luxury to be able to thoughtfully weigh risks, as many people in our community do not have much choice about where they live, where they work from or with whom they are in contact. We live among many levels of accessibility, undoubtedly with barriers.&nbsp;<figure class="image image-style-side"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418375/ywdo1sktajtwurshuzgm.jpg"><figcaption>CGN Publisher (BITMOJI) Ginny B. Van Alyea – Hoping for a crystal ball with a good outlook for 2021.</figcaption></figure>Most of us have been denied levels of access in the short term. But what about those who have faced it in the long term? As we follow critcal safety measures now, when we visit galleries and museums or attend events, how do these new limits inhibit those who already have to clear a high bar? The neccessity of timed entries, capacity limits, reservations, not to mention internet access, likely excludes communities we seek to reach more than before.How do we continue to pursue a love of art while supporting the art industry and keeping everyone safe? This fall, spaces are planning new shows or opening exhibitions postponed in the spring. We are not back to normal. We may never be. This season there are no international art fairs coming to Navy Pier (closed until spring.) Neighborhood markets and festivals are on hold. But the traditionally energetic September start to the art season <a href="https://www.chicagogallerynews.com/news/2020/8/september-11-a-sneak-preview-of-upcoming-september-exhibitions">will still take place</a>. It will be over the course of a long weekend, with less spontaneity, and fewer people, but it will happen. Many nonprofits are readying plans for virtual galas. <a href="https://www.chicagogallerynews.com/news/2020/8/chicago-architecture-center-announces-the-new-open-house-chicago-for-october-2020">Open House Chicago</a> will span 10 days, outdoors and online, and include new neighborhoods. There are undoubtedly opportunities in exploring new terrain, even when it’s steep.&nbsp;*With some free time this summer to think about how to get art in front of more Chicagoans long term, I looked up the Chicago Public Library’s <a href="https://www.chipublib.org/faq/covid-19-reopening/?_ga=2.183422182.1766970376.1597412852-2083650044.1579274603#kids-museum-passports-2">Kids Museum Passports</a> – a terrific program that allows CPL cardholders and adult residents to visit area museums for free with children. While these passes allow families to visit for free, unless otherwise noted, a group must include at least one child under 18 for the Passport to be valid; only two adults are admitted per pass. They are not for adults-only visits. Plus the pass must be checked out in person, not virtually or downloaded.&nbsp;When I thought about musuem free days and times for area residents, limits and scheduling inconveniences exist there too. Though museum finances have been severely impacted this year, perhaps some could devise free pass programs, ala SpotHero: check for upcoming ‘spots’ or visiting times, then download a pass that begins a countdown of useability. The flexibility could encourage more convenient and frequent encounters with art.&nbsp;Additionally the library could update its Passport to be mobile and to accomodate adults. While some galleries use Tock to set up visiting times, maybe they will also host a no-reservations-needed hour, when people, distanced of course, may still stop in without an appointment (like the old days!)*This is all praying that Chicago pulls through one of the most distressing and violent periods in recent history, and that institutions and businesses will be able to keep their doors open and someday thrive again.For now, please use CGN as a resource to explore art from home – as well as safely in person – in our newly distanced world. This issue features interviews with many art world makers and leaders who offer insights on <a href="https://www.chicagogallerynews.com/news/2020/8/yvette-mayorga-artistic-confections-add-new-layers-to-art-history">working as an artist</a> today, <a href="https://www.chicagogallerynews.com/news/2020/8/a-collector-s-personal-focus-discovering-the-value-of-engagement">collecting art</a>, writing about and photographing art, designing with art, and more.&nbsp;2020 has given us all many challenges, and more are still to come. We are a long way from the summit, but on the way up the view is ever-changing, and we have the opportunity to notice things we weren’t able to before – crystal ball or not.&nbsp;&nbsp;Our fall 2020 issue of CGN is out now. To receive a print copy, <a href="https://www.chicagogallerynews.com/print-subscriptions">please subscribe</a> for $20/year!&nbsp;<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418375/ix67br18asqleqwn6mxf.png"></figure>&nbsp;</body></html>

Fall 2020 Publisher's Letter: What Lies Ahead? How Can We Ensure Access?

<html><head></head><body><figure class="image image-style-side"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417613/ewmbpctjbvirbrvxlb65.jpg"></figure>By CGN Staff&nbsp;We can't count the number of things that are different about the art world these days, since COVID-19 turned everything in our community upside down. One of many recent creative responses has been to meet the ongoing need for protective, reusable face masks in an artistic as well as impactful way. Jeffrey Gibson, an artist represented by Kavi Gupta Gallery, and a 2019 MacArthur Foundation Fellow, is the latest artist to participate in the gallery's COVID-19 Mask Project, an effort to sell personal protective works of art and donate 100% of the proceeds to charity.Gibson is known for melding indigenous North American materials and forms with those of Western contemporary art to create a new hybrid visual vocabulary and prompting a shift in how Native American art is perceived and historicized.Regarding the need for masks right now, Gibson shared, “We’re living in a time when people should be wearing masks—period. Unforeseen, my tribe, the Mississippi Band of Choctaw Indians, has been hit hard by COVID-19. We’re a small tribe based in Central Mississippi. People aren’t able to work or make income. It means a lot to me to be able to raise money to help. The mask itself—whether you’re buying it as an artwork, or buying it to be worn—it’s an object of our time.” Indeed these masks that are so critical now will someday come to represent so much of our day-to-day life in 2020.<figure class="image image-style-side"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417614/stb0juflo9boel4ygy1h.jpg"><figcaption>Kavi Gupta COVID-19 Mask Project x Devan Shimoyama. Courtesy of the artist and Kavi Gupta</figcaption></figure>A gallery representative shared, "We started this project to not only raise money for overlooked communities in need, but to also amplify the message that masks are vitally important and that wearing one is a civic duty– we must protect each other."The masks provide a barrier to the wearer and those in proximity, but also 100% of proceeds from mask sales will be donated, split between the <a href="https://www.choctaw.org/ ">Mississippi Band of Choctaw Indians</a> to aid with COVID-19 critical care response, and to <a href="https://ndncollective.org/">NDN Collective</a>, an Indigenous-led organization dedicated to building Indigenous power through organizing, activism, philanthropy, grantmaking, capacity-building and narrative change.Gibson explains his process: “When I first started to think about making masks, my first thought was to work with the materials we already have in the studio. I’ve been making these quilts and all of the fabrics have different texts. They say things like DEFEND, WE’RE DIFFERENT, LOVE, and POWERFUL. The mask design goes from ear to ear, so the words sit right under the eyes. The words vary from mask to mask.The masks are made from three panels of fabric, and have two colored cords that slip over the head and can be adjusted using wood sliding beads to tighten the mask or loosen it. There’s a little pointed area over your mouth and nostrils, beak like, so its not right up against your mouth. There is also a space inside for an insert. They’re all 100% cotton. I wanted something people could wash: hand wash, because of the beads.”Masks are now available for <a href="https://kaviguptaeditions.com/products/preorder-kavi-gupta-jeffrey-gibson-covid-19-mask-project">preorder</a>.&nbsp;Previous editions have sold out quickly. Completing the preorder reserves a Jeffrey Gibson mask,&nbsp;made by the artist in a limited edition of 100. Masks will ship in 2-3 weeks.&nbsp;The first phase of the project featured artist Devan Shimoyama, more info <a href="https://kaviguptaeditions.com/products/kavi-gupta-devan-shimoyama-covid-19-masks-project?_pos=2&amp;_sid=661124aad&amp;_ss=r&amp;variant=31905786527799">here.</a> The next chapter of the Mask Project will launch in September and will feature another artist from the gallery's program.&nbsp; &nbsp;For questions&nbsp;contact the gallery&nbsp;at&nbsp;<a href="mailto:covidsupport@kavigupta.com">covidsupport@kavigupta.com</a>Jeffrey Gibson photo credits: Kavi Gupta COVID-19 Mask Project x Jeffrey Gibson. Courtesy of Jeffrey Gibson Studio and Kavi Gupta. Photo: Brian Barlow&nbsp;&nbsp;&nbsp;</body></html>

Artistically Powerful Face Masks Are Objects of Our Time

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417642/bnyyybjw5kd17guelf85.png"></figure>By GINNY VAN ALYEAIn-person events are a mixed bag right now, as some things take off with sensible adjustments to group size and requests to wear masks and others are on extended hold. As more events come back on the calendar, everything is left up to individual comfort levels.&nbsp;Additionally, many organizers are choosing to move ahead with virtual events for the time being, since they have been well-received since the start of the pandemic and because many business owners are learning that holding virtual events is not only safe, but also welcome to new audiences who can actually go farther than ever from the comfort of home. One such event going virtual is the Bronzeville Trolley Tour. The group's website says that like Harlem in New York, Bronzeville is a community where Chicago’s African American music, Literature, Fine Art, and Theater historically thrive. At present, the <a href="https://www.bronzevilleartdistrict.com">Bronzeville Art District (BAD)</a> consists of six established visual art spaces working together to focus and drive cultural activities in the community such that a distinctive cultural identity can be crystallized and communicated.&nbsp;<figure class="image image-style-side"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417642/iqi6svxbirk5vzrygg31.png"><figcaption>Tour-goers in the past stream into the South Side Community Art Center</figcaption></figure>The tour, known well beyond Bronzeville, has been ongoing each month for many years, but for the foreseeable future it will come to you, as the tour takes a break from the on-wheels, and crowded, format familiar to many. Many Bronzeville spaces will also continue to host virtual exhibitions from July through December.&nbsp;Participants this weekend include:&nbsp;Blanc Gallery&nbsp;Gallery GuichardLittle Black Pearl Art &amp; DesignBronzeville Artist LoftsFaie African Art GallerySouth Side Community Art Center&nbsp;<figure class="image image-style-side"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417643/omqh8xhednmz44cncik6.png"><figcaption>The owner of Blanc Gallery gives a video preview of the show that will be on view Friday</figcaption></figure><a href="https://youtu.be/Vkq4CwB_HYw">Click Here</a> to watch an introduction video with a weekend preview on YouTube, where gallery owners discuss shows that will be on view and special events taking place via the virtual tour on Friday night.&nbsp;To join and ride on Zoom this Friday, July 17 from 7–8pm RSVP at <a href="http://bit.ly/bronzevillearttrolleytour">bit.ly/bronzevillearttrolleytour</a>The tour will be taking place on the 3rd Friday of every month, and the remaining dates for 2020 are August 21, September 18, October 16, November 20 and December 18. More information about the tour and the district may be found <a href="https://www.bronzevilleartdistrict.com">here</a>.&nbsp;&nbsp;</body></html>

Bronzeville's Famed Trolley Tours of African American Cultural Community Go Virtual 

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417612/t8ngfegbam4veuo8vtf7.jpg"><figcaption>The finished mural installed at BMO Harris "If I Could Show The World"</figcaption></figure>By CGN Staff via PRLast month on June 15th <a href="https://cpslives.org">CPS Lives</a> and BMO Harris collaborated with CPS students, volunteers, and their families in order to create the&nbsp;mural, "If I Could Show The World"&nbsp;at the Hyde Park Art Center. With the help of lead artists Dorian Sylvain and Jeff Phillips the work of 11&nbsp;different CPS Lives artists and over 20&nbsp;different CPS Schools were featured in the finished mural.The finished mural was then installed at BMO Harris Bank's downtown Chicago location on the corner of LaSalle and Monroe, and a small celebration with the public took place on June 29th to highlight the efforts of CPS Lives artists and CPS students who made this project possible. The mural is on view to the public for about a month.&nbsp;Art can tell stories and change narratives,” says Suzette Bross, Executive Director of CPS Lives. “This mural is an expression of giving back to the community and showing the good in humanity.”<figure class="image image-style-side"><img src="http://corporate-responsibility.bmo.com/us/wp-content/uploads/sites/4/2020/06/blog-mural-girl-350x234-1-300x201.jpg" alt="A little girl with a mask helps with the mural" srcset="http://corporate-responsibility.bmo.com/us/wp-content/uploads/sites/4/2020/06/blog-mural-girl-350x234-1-300x201.jpg 300w, http://corporate-responsibility.bmo.com/us/wp-content/uploads/sites/4/2020/06/blog-mural-girl-350x234-1-224x150.jpg 224w, http://corporate-responsibility.bmo.com/us/wp-content/uploads/sites/4/2020/06/blog-mural-girl-350x234-1.jpg 350w" sizes="100vw" width="300"></figure>In June 2020, a group of Chicago students transformed temporary plywood, used to cover BMO Harris Bank’s main branch during protests, into a work of art expressing messages of hope and unity.As protests erupted across Chicago – and the country – and thousands of Chicagoans demonstrated peacefully, CPS Lives and BMO Harris Bank looked for ways to jointly support local communities and to stand against racial inequality and injustice. BMO – a longstanding supporter of both Chicago’s public schools and the city’s arts community – reached out to CPS Lives and asked if they wanted to create artwork on the plywood around the branch.“BMO’s values of fairness, equality and inclusion perfectly align with ours,” says Suzette, who founded CPS Lives, a non-profit organization that creates artist residencies in Chicago Public Schools to share honest and positive stories about public schools. Local artists partner with a Chicago Public School during the academic year to collaborate on a project. The art they create gives young people in Chicago a platform to speak about their hopes, dreams, and ideas.“There are 400,000 students in the CPS system, and many people in the city don’t know anything about them,” says Jeff Phillips, a local artist who works with CPS Lives. “This was an opportunity to give the students their own voice – in a really public way.”Amplifying voicesLike protest, art can give a louder voice to people who aren’t being heard. The recent protests have given voice to people from all walks of life, joining together to demand change to make society more just and inclusive. Similarly, this group of Chicago Public School students and artists created a powerful public art project to send a message of their own.“Protest and public art are similar expressions. They’re both a personal statement of values,” says Dorian Sylvain, a Chicago artist and CPS Lives collaborator. “Displaying art in the public spaces goes beyond aesthetics. It creates dialogue – and it’s human nature to want to be heard.”Suzette reached out to Jeff and Dorian to collaborate, and they quickly got to work on a proposal and a design. Together, they came up with the idea of a mural made up of images and photos from CPS Lives artists and CPS schools, highlighting the proud academic achievements of graduating students – and surrounded by images of life at public schools across the city.“Highlighting all these beautiful young faces that are usually somewhat anonymous – it not only empowers the kids who see themselves on that mural, but also other people who are like them. That can be very validating,” says Dorian.Jeff agrees. “We wanted to evoke something positive and emotional, and to do what art is supposed to do – reflect the everyday in a new light.”A creative collective<figure class="image image-style-side"><img src="http://corporate-responsibility.bmo.com/us/wp-content/uploads/sites/4/2020/06/blog-mural-making-350x234-1-300x201.jpg" alt="People with masks working on the mural" srcset="http://corporate-responsibility.bmo.com/us/wp-content/uploads/sites/4/2020/06/blog-mural-making-350x234-1-300x201.jpg 300w, http://corporate-responsibility.bmo.com/us/wp-content/uploads/sites/4/2020/06/blog-mural-making-350x234-1-224x150.jpg 224w, http://corporate-responsibility.bmo.com/us/wp-content/uploads/sites/4/2020/06/blog-mural-making-350x234-1.jpg 350w" sizes="100vw" width="300"></figure>Titled “If I Could Show the World,” the mural was named and assembled by students from more than 20 Chicago public schools participating in the CPS Lives program. Hyde Park Art Center donated its space, and more than 75 people came together to create the murals, including students who chose to spend their first day of summer vacation there.“The experience was festive. We had music playing, it was a beautiful day, the students came in and they brought their friends. We just had a good time,” says Dorian. “The spirit of collective work, and the gratification of producing something together that one person couldn’t have done on their own – it’s so empowering. Sharing, listening, learning from each other – all those principles come out when we work together.”“It was one of the best experiences of my life,” says Jeff. “To see these kids creating together, and hearing them say things like ‘I feel like an artist’ – it was incredible.”Inclusion and equalityCPS Lives is the first of several non-profits that will create art for BMO’s main branch windows over the coming months, serving as a visual reminder to continue our progress toward a more inclusive society. The art will be displayed in neighborhoods across Chicago as it rotates out of the bank’s windows.“Art is such a powerful and direct way to express hope and optimism,” says Jeff. “Public art speaks to the community. The message spreads. If you create something interesting and beautiful, you invite people in to learn more about your world – and that can make all the difference.”<figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417612/kz4uxtz1qxjrytqqmuo4.jpg"><figcaption>Students from Chi Arts help paste down images at the Hyde Park Art Center</figcaption></figure>&nbsp;</body></html>

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