West Town, Wicker Park, Ukrainian Village, Kinzie Corridor, Humboldt Park

West Town

Wisconsin

IL • MI • IN

West Loop, Fulton Market, East Garfield Park

West Loop and West Side

Evanston, The North Shore, Northern, Western and Southern Suburbs

Suburbs

Old Town, Lincoln Park, Lakeview, Roscoe Village, Bucktown, Wicker Park, Logan Square, Lincoln Square, Ravenswood, Uptown, Edgewater, Andersonville, Rogers Park

North Side

Michigan Avenue, Streeterville, The Gold Coast, The Loop, and South Loop

Michigan Avenue

Pilsen, Bridgeport, Chinatown, plus Hyde Park, Jackson Park/Dorchester, and Bronzeville

South Side

Superior and Franklin streets, West Chicago Ave, and down to Merchandise Mart and the River

River North

Interested to hear Kathryn discuss her work? Here's an excellent opportunity. Join us on Thursday, June 18th at 7 PM. Register&nbsp;<a href="https://perspectivegallery.us3.list-manage.com/track/click?u=04a588cae42ffc5c2d944d823&amp;id=3d9cddeeb0&amp;e=d73170d386" rel="noopener noreferrer" target="_blank">here</a> for the Virtual Artist's Talk.Homesick&nbsp;utilizes the performative self-portrait as a feminist act of claiming space, rewriting boundaries, and reimagining what it means to belong. Begun over five years ago,&nbsp;Homesick&nbsp;examines the contrast of Rodrigues’ multinational, transient upbringing with her current life parenting in a Chicago suburb. The images embody a spectrum of emotions: dark humor, maternal frustration, yearning, and hopefulness. They reveal both comfort and discomfort, acknowledging the contradictions of domesticity as both refuge and constraint. Ultimately, this work celebrates the moments of rootedness Rodrigues attempts to build after a lifetime of movement.Homesick&nbsp;is open through Sunday, June 28, 2026.Again, the Virtual Artist’s Talk will be held on Thursday, June 18, 2026 at 7 PM. Register now for the talk,&nbsp;<a href="https://perspectivegallery.us3.list-manage.com/track/click?u=04a588cae42ffc5c2d944d823&amp;id=7689dea7f9&amp;e=d73170d386" rel="noopener noreferrer" target="_blank">click here</a>!

Kathryn Rodrigues: Virtual Artist's Talk

My biomorphic imagery in this exhibition hinges on the comic with its gestural, voluminous – yet ambiguous forms. It is an inner world that is dreamlike – you know what it might be, but you’re not sure. The narratives are riddles with no clearly defined answer, allowing the interpretation of the viewer to be singular and as correct as the next.I have included a variety of sizes of panels in this exhibition to not only show my range, but also because I like the rhythmical play created by the juxtaposition of works. Viewers may also notice a cohesive thread of color between all the paintings. This was achieved by working on several works at the same time – carrying over colors from one panel to the next.-Denise PresnellMy current work contains two series: “Unrestrained Ambiguity” and “Extreme Makeovers – Painting Edition. Both series share some common threads, such as color palette, biomorphic forms, gestural lines, and a strong sense of motion. The subject matter is up for grabs – it’s all in the eye of the beholder. I’ve learned that what I see as a ‘horse’ is a ‘kitty’ to others. I am okay with the open interpretation. I like offering an open invitation for the viewer to explore the work from their imagination.Using a limited palette ties one work to another. I’ve developed a deeper relationship with color as a powerful vehicle of emotion. I’ve taken cues from the masters of color- Rothko, Matisse, Bonnard, and many more. Equally powerful in my method is the use of automatic, gestural line. Compositions are found through the automatic lines without a preconceived image or plan. Working from this standpoint has been extremely freeing for me.I enjoy working on panels that have many older paintings under them, leaving something from the older work in the newest iteration. It’s a family of paintings. I like using oil and cold wax on panel because of the ability to dig down through the painted surfaces. My love for tactile surfaces harkens back to my years of intaglio printmaking.Denise&nbsp;is a painter originally from Nebraska, currently living in Sheboygan, WI. She earned a BFA in Printmaking from the University of Nebraska and an MFA in Painting from the Pennsylvania State University. Graduate school was followed by a career of teaching art on the college level. Denise’s artwork has been exhibited in over 300 exhibitions, which include solo, invitational, group, and juried exhibitions in the United States, Tokyo, Botswana, Kenya, and Shanghai. Her work is in numerous private collections in the United States and abroad. GALLERY HOURS &amp; VISITOR INFORMATIONThis exhibition will be held in the Second Floor Gallery of the Evanston Art Center (EAC). Masks are optional but strongly recommended for students, visitors, and staff.Gallery HoursMonday–Thursday: 9am–6pmFriday: 9am–5pmSaturday–Sunday: 9am–4pmHOW TO PURCHASE ARTWORKArtwork sale proceeds benefit both the artist and the Evanston Art Center.&nbsp;If you are interested in purchasing artwork on display, please contact&nbsp;Emma Rose Gudewicz, Director of Development and Exhibitions, at&nbsp;egudewicz@evanstonartcenter.org&nbsp;or (847) 475-5300 x 102.This program is partially supported by a grant from the Illinois Arts Council through federal funds provided by the National Endowment for the Arts.Image Credits: Denise Presnell, "Sparks Are Flying," oil and cold wax on panel

Unrestrained Ambiguity | Denise Presnell

Louis De Guzman (b. 1989) is a Filipino-American award-winning visual artist and designer who creates artwork that merges his past with his present. Over the last decade, De Guzman has proved himself as a true multidisciplinary artist by blending both traditional and experimental techniques in his work. His signature geometric abstraction style often blends together images and stories that represent his family's immigrant journey, as well as his own experience as a second-generation Filipino American. De Guzman's career has led him to create well-received original bodies of work as well as interpretations of licensed intellectual property.“The idea for this exhibition stems from the sentiment that as individuals, we all carry ideas within our core memories. I wanted to share visual anecdotes—specifically from our studio—for attendees to walk into a space to get a glimpse into ambience that the team and I are surrounded by each and every day. Each piece carries over a story, a memory, and a notch in the timeline from where it all started, where it’s been, and where it’ll all ultimately lead.”This exhibition will be held in the Second Floor Gallery of the Evanston Art Center (EAC). Masks are optional but strongly recommended for students, visitors and staff.Gallery HoursMonday–Thursday: 9am–6pmFriday: 9am–5pmSaturday–Sunday: 9am–4pmArtwork sale proceeds benefit both the artist and the Evanston Art Center.&nbsp;If you are interested in purchasing artwork on display, please contact&nbsp;Emma Rose Gudewicz, Director of Development and Exhibition Manager, at&nbsp;egudewicz@evanstonartcenter.org&nbsp;or (847) 475-5300 x 102.This program is partially supported by a grant from the Illinois Arts Council through federal funds provided by the National Endowment for the Arts.

Excerpts of Imagination | Louis De Guzman

This body of work utilizes the performative self-portrait as a feminist act of claiming space, rewriting boundaries, and reimagining what it means to belong. Begun over five years ago,&nbsp;Homesick&nbsp;examines the contrast of Rodrigues’ multinational, transient upbringing with her current life parenting in a Chicago suburb. The images embody a spectrum of emotions: dark humor, maternal frustration, yearning, and hopefulness. They reveal both comfort and discomfort, acknowledging the contradictions of domesticity as both refuge and constraint. Ultimately, this work celebrates the moments of rootedness Rodrigues attempts to build after a lifetime of movement.Homesick&nbsp;opens on Thursday, June 4, 2026&nbsp;with an Opening Reception on Saturday, June 6, 2026 from 5- 7 PM. The exhibit runs through Sunday, June 28, 2026.A Virtual Artist’s Talk will be held on Thursday, June 18, 2026 at 7 PM. To register for the talk,&nbsp;<a href="https://perspectivegallery.us3.list-manage.com/track/click?u=04a588cae42ffc5c2d944d823&amp;id=e037db3d4f&amp;e=d73170d386" rel="noopener noreferrer" target="_blank">click here</a>!

Kathryn Rodrigues: Homesick

<a href="https://www.evanstonartcenter.org/exhibitions/thinking-through-tapestry-american-tapestry-alliance" rel="noopener noreferrer" target="_blank">Thinking Through Tapestry</a>&nbsp;is a juried exhibition featuring work that celebrates, explores, and builds upon specialized techniques often associated with tapestry.&nbsp;Selected artists&nbsp;explore techniques that consist of discontinuous weft-faced woven processes rooted in tapestry techniques, such as wedge weave, pulled tapestry, the use of hachures, or other structures, including the H.V. (Handarbetets Vänner) technique. The exhibition highlights work illustrating the close relationship between tapestry weaving, drawing, painting, and sculpture.&nbsp;The jurors of the exhibition are Emily Silver and Erin M. Riley.Emily Silver lives and works in Los Angeles and is on the faculty at Santa Monica College in the Sculpture Department and the Director/Curator of the Pete and Susan Barrett Gallery. She is also the co-founder of L.A. Tactile Lab, along with Svetlana Shigroff and Liv Aanrud.Erin M. Riley is a Brooklyn-based artist whose work focuses on women and women’s issues primarily in hand-woven, hand-dyed wool tapestries. Riley’s work challenges society’s comfort level by displaying shocking images, including nudity, drugs, violence, self-harm, sexuality, and menstruation.A catalog accompanies the exhibition and is available for purchase on the American Tapestry Alliance’s website.&nbsp;Juried Artists:Laura Burcin, Barbara Burns, Emily Cabaniss, Ching-Ting Chiu, Jasmine Claros, Molly Cleator, Deborah Corsini, Nancy Crampton, Sharon Crary, Liliana Crespi, Sam Dienst, Alex Friedman, Rama Ganesan, Tricia Goldberg, Anne Heide, Barbara Heller, Sally Heller, Sofia Herr, Connie Lynn Higgs, Christine Holtz, Rebecca Hooper, Cameron Kashani, Judit Eszter Kárpáti, Kristin Kelley-Munoz, Brendan Kenny, Riley Klein, Robbie LaFleur, Mary Lane, Fannie Lee, Monique Lehman, Connie Lippert, Kyle McKeown Mansfield, Ann Marie Miller, Pip Milton, Janet Moore, Annabelle O’Reilly, Tea Okropiridze, Anna Olsson, Libby Raab, Ellen Ramsey, Helena Richardson, Minna Rothman, Wendy Saam, Kristin Tinsa Saeterdal, Jennifer Sargent, Rowen Schussheim-Anderson, Mary-Ann Sievert, Kyla Sjogren, Rebecca Smith, Linda Soranno, Karmen Steigenga, Vicki Stone, Adrienn Szabo, Kathe Todd-Hooker, Trang Tran, Alta Turner, David van Buskirk, Stevie Van Housen, Ginny Wallace, Sue Weil, and Xingyi Zhao.GALLERY HOURS &amp; VISITOR INFORMATION:This exhibition will be held in the First Floor Gallery of the Evanston Art Center (EAC). Masks are optional but strongly recommended for students, visitors, and staff.Gallery HoursMonday–Thursday: 9am–6pmFriday: 9am–5pmSaturday–Sunday: 9am–4pmHOW TO PURCHASE ARTWORKArtwork sale proceeds benefit both the artist and the Evanston Art Center.&nbsp;If you are interested in purchasing artwork on display, please contact&nbsp;Emma Rose Gudewicz, Director of Development and Exhibitions, at&nbsp;egudewicz@evanstonartcenter.org&nbsp;or (847) 475-5300 x 102.This program is partially supported by a grant from the Illinois Arts Council through federal funds provided by the National Endowment for the Arts.Image Credits (L to R):&nbsp;Sam Dienst,&nbsp;Tea Okropiridze, and Libby Raab

Thinking Through Tapestry | American Tapestry Alliance

Hosted by the Evanston ASPA (Asian, South Asian, Pacific Islander American) Association Opening Reception: Saturday, June 6th, 4 to 6 PM&nbsp; Exhibition duration: ends June 28th <img src="https://res.cloudinary.com/dfafo598z/image/upload/v1780357521/dvh3qoekh6q17xbzoisn.jpg">

In the Absence of Space

June Special Exhibitor: Amy MalcolmExhibit:&nbsp;Moon ShadowOpening: Friday, June 5th, 5-7 PM This month, we're excited to be exhibiting new work from&nbsp;special exhibitor Amy Malcolm! Amy is a Chicago-area artist who creates&nbsp;painterly cartoon-like art inspired by her work as a professional illustrator and as an employee at DC Comics. She combines spontaneous line with narrative inspiration to concoct visual satire;&nbsp;much of her work depicts women in various states of being female.&nbsp; These satirical "cartoons" allow viewers to&nbsp;create their own stories about the women being depicted.&nbsp;This work is a breath of fresh air - stop in and let it wash over you! <a href="https://vividartgallery.net/amy-malcolm-june-special-exhibitor" rel="noopener noreferrer" target="_blank">See More of the Exhibit</a> First Friday - This Friday, 4-7 PM

Amy Malcolm: Moon Shadow

These artists employ a wide variety of artistic strategies and materials. Some utilize unconventional materials such as spray paint and PVC surfaces as canvases, while others incorporate traditional media in innovative and exciting ways, including encaustic and oil painting techniques. What unifies their work is a bold and dynamic use of color. True to modern sensibilities, color itself becomes the primary subject expressed through striking forms, expressive brushwork, and energetic processes. A public reception is scheduled for&nbsp;Thursday, June 4, from 11:00 AM–1:00 PM.&nbsp;Please join us as we celebrate the work of these outstanding artists. The exhibition opens tomorrow, Tuesday, May 26, and continues through July 2, 2026. Gallery hours are Monday through Thursday, 9:00 AM–5:00 PM.

The Shape of Color

In the words of Marvin Gaye, singer/songwriter, 1939-1984, "We don't need to escalate | You see, war is not the answer | For only love can conquer hate | You know we've got to find a way | To bring some lovin' here today | Come on talk to me | So you can see | What's going on (What's going on)"&nbsp;&nbsp; Opening Reception, Saturday, July 11, 2026Virtual Artists' Talk, Thursday, July 9, 2026, 7 PM CT

9th Annual Vicinity Regional Exhibition

The Evanston Art Center (EAC) is excited to welcome the public to its upcoming exhibition,&nbsp;Moritz Kellerman | Recent Paintings. The exhibition will be on view from June 27 through July 29, 2026, with an opening reception on Sunday, June 28, from 1–4 p.m. The reception is free and open to the public.Born in Nicaragua, Moritz Kellerman is both a 21st-century artist and an art historian whose work is informed by the art of both the past and present. During his graduate studies at the School of the Art Institute of Chicago, Kellerman became inspired by the work of Willem de Kooning and Richard Diebenkorn. He also draws inspiration from the Old Renaissance Masters in his painting practice. His use of wood panels recalls the techniques of Leonardo da Vinci, while his method of mixing paint directly on the surface of the work echoes that of Claude Monet.Since 1981, Kellerman has exhibited extensively at colleges, museums, and galleries. He is a tenured professor at Oakton College, where he teaches Studio Art and Art History.Moritz Kellerman | Recent Paintings&nbsp;will be exhibited in the Second Floor Gallery of the Art Center. The opening reception is free and open to the public. This exhibition is partially funded by the Illinois Arts Council, a state agency, and the EAC’s general membership.

Moritz Kellerman | Recent Paintings

The Evanston Art Center (EAC) is excited to welcome the public to its upcoming exhibition,&nbsp;Rina Akowala | Ode to Color. The exhibition will be on view from June 27 through July 29, 2026, with an opening reception on Sunday, June 28, from 1–4 p.m. The reception is free and open to the public.Chicago-based, Indian-born artist Rina Akowala translates her global travels into vibrant abstract landscapes. Working across oils, inks, mixed media, and acrylics, she captures the essence of diverse locales—from European countrysides to South American waterfalls, from the farmlands of Iowa to the Indian subcontinent—emphasizing the interplay of light on land and water. Her recent work uniquely blends spiritual iconography with natural scenery, depicting ethereal representations of Lord Ganesha, the Hindu deity of wisdom and new beginnings. These pieces incorporate landscape elements, reflecting Ganesha’s invocation at the start of new ventures.Rina Akowala | Ode to Color&nbsp;will be exhibited in the Second Floor Atrium Gallery at the Art Center. The opening reception is free and open to the public. This exhibition is partially funded by the Illinois Arts Council, a state agency, and the EAC’s general membership.

Rina Akowala | Ode to Color

Registration is required. Visit&nbsp;www.EvanstonArtCenter.org&nbsp;for more information.The Evanston Art Center (EAC) is excited to welcome the public to our upcoming exhibition,&nbsp;Presence and Absence: The Space Between | Curated by Indira Freitas Johnson. The exhibition will be on display from July 6 – August 2, 2026 with an opening reception on Sunday, July 12, 1–4 pm that will be free and open to the public.Curated by Indira Freitas Johnson,&nbsp;Presence and Absence: The Space Between&nbsp;is the culminating exhibition for the EAC’s Curatorial Fellowship. Johnson’s fellowship explores the dual reality of death—the physical disappearance of those we love and the enduring emotional, spiritual, and cultural traces they leave behind. Through sculpture, painting, performance, and participatory installations, the exhibition brings together fragile and enduring materials to reflect on memory, loss, and the tension between impermanence and our human desire to hold on. Rather than viewing death as an ending, the exhibition considers it as a connective force between past, present, and future, inviting visitors to reflect on legacy, remembrance, and the ways we remain present even in our absence. Indira Freitas Johnson is a sculptor, cultural worker, peace activist, and educator whose work explores the intersection of art, community, and social change.Presence and Absence: The Space Between&nbsp;will be exhibited in the First Floor Gallery of the Art Center. The opening reception is free and open to the public. This exhibition is partially funded by the Illinois Arts Council, a state agency, and the EAC’s general membership.Evanston Art Center, a nonprofit 501(c)(3) organization, is dedicated to fostering the appreciation and expression of the arts among diverse audiences. The Art Center offers extensive and innovative instruction in broad areas of artistic endeavor through classes, exhibitions, interactive arts activities, and community outreach initiatives.Evanston Art Center is located at&nbsp;1717 Central St., Evanston, IL.

Presence and Absence: The Space Between | Curated by Indira Freitas Johnson

John McIntire is a self-taught artist who turned&nbsp;to oil painting later in life as a way to create and express his interest in modern art. Surrounded by talented artists his entire life, John has been influenced by his mother (grade school art teacher), Tim Ferrarell (Lewis U roommate, art major) and his brother Paul (architect, sculptor). John‘s paintings are all abstract, inviting viewers to see whatever their imagination allows. He envisions them in urban spaces – open, expressive and minimalist.

John McIntire: Fields In Color

In his first exhibition at EAM, visual artist Jeremiah Hulsebos-Spofford presents a series of outdoor sculptures in Wilder Park (on view starting April 18) as well as an immersive installation within the iconic McCormick House. Bridging handcrafted techniques and digital fabrication, featured works serve as a low-carbon alternative to traditional monumental sculpture as a way of reflecting on labor, materiality, the internet age, and architectural legacies. Curated by&nbsp;Allison Peters Quinn, EAM Executive Director and Chief Curator,&nbsp;Near Immortality&nbsp;features&nbsp;new sculptures inside the McCormick House&nbsp;created from 3D scans of important design items in EAM’s collection, including Mies’ Barcelona Chair and a leg splint designed by Charles &amp; Ray Eames.&nbsp;Hulsebos-Spofford is a sculptor and assistant professor of sculpture at Indiana University Northwest. He is also a co-director and founder of the collective Floating Museum, and co-curator of the 2023 Chicago Architecture Biennial. Through his large plaster and silicon sculptures, he reinterprets modern monuments and classical sculptures as glitched assemblages. Although many of his works evoke ancient art history, Hulsebos-Spofford’s pieces are rooted in modernist aesthetics and its relevance in the everyday experience.&nbsp;

Jeremiah Hulsebos-Spofford: Near Eternity

Raised in Wheaton, Illinois, and based in New York, Jeanette Andrews&nbsp;bridges the worlds of illusion, installation, and conceptual art, creating interactive vignettes and surreal, multisensory experiences that investigate perception, cognition, and the seemingly impossible. Andrews applies sensory illusion techniques and her interest in the bounds of perception to create artworks that explore magic, multiple realities, and the human psyche, often inviting audiences in as co-creators in her illusory performances.Her first solo museum exhibition,&nbsp;On Wonder, Mind, &amp; Magic&nbsp;will present interactive and site-specific works including installation, sculpture, video, sound, and performance, alongside&nbsp;new work developed while Artist in Residence at MIT’s Center for Art, Science, and Technology&nbsp;in 2024-25. Curated by&nbsp;Liz Chilsen, Manager of Exhibitions &amp; Collections, the exhibition represents a return home for Andrews, who cites EAM as an early influence in her pursuit of a career honing her technical skills and applying magic and sensory illusion techniques to create artworks.&nbsp;Andrews has presented numerous commissioned works with the Museum of Contemporary Art Chicago, as well as for the Quebec City Biennial and Boca Raton Museum of Art, presented talks for Cooper Hewitt, Chicago Ideas Week, The British Society of Aesthetics, and universities, including Yale, Columbia, Princeton, and Harvard. She has held residencies with the Institute for Art and Olfaction and the Cynthia Woods Mitchell Center for the Arts at the University of Houston and is a former National Arts Club Artist Fellow and Affiliate of metaLAB at Harvard. She was a 2024-2025 Visiting Artist for the Center for Art, Science and Technology at MIT and the current visiting artist for the Arts Institute at Brown University.

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