West Town, Wicker Park, Ukrainian Village, Kinzie Corridor, Humboldt Park

West Town

Wisconsin

IL • MI • IN

West Loop, Fulton Market, East Garfield Park

West Loop and West Side

Evanston, The North Shore, Northern, Western and Southern Suburbs

Suburbs

Old Town, Lincoln Park, Lakeview, Roscoe Village, Bucktown, Wicker Park, Logan Square, Lincoln Square, Ravenswood, Uptown, Edgewater, Andersonville, Rogers Park

North Side

Michigan Avenue, Streeterville, The Gold Coast, The Loop, and South Loop

Michigan Avenue

Pilsen, Bridgeport, Chinatown, plus Hyde Park, Jackson Park/Dorchester, and Bronzeville

South Side

Superior and Franklin streets, West Chicago Ave, and down to Merchandise Mart and the River

River North

September 17 to October 31, 2026﻿ <a href="https://jxxaepcab.cc.rs6.net/tn.jsp?f=0014NSeTmioPTcKPE2SKLImwATT-eVaYrMgJ8G7XcrClSSAmKSkgfNF4GJ82Rtjbik2x0ekA_aXO3Trzwn9QJN7tkoyGxTd57M2FpHOJ1fp56TxHUlyYWPgDFeT0D83HbexWdImgVgJQuU6KpaPFJnWQmtYhxeoSB7HxIRVytTqe2RS7pj63MNFT3_UgsWHauqlFf01ipLUiJ9GeduYAFWqnQ==&amp;c=XRFpR96WqnQq3v6Y8cwmEhx71pCGSccyMqCGuCpUT0Hb4dOerHDFAA==&amp;ch=ErPS6lgdweoFt1YhhY-wmgHtOv0NxXIwTxWXmDGORX7Unf5p7Y1aFA==" rel="noopener noreferrer" style="color: rgb(0, 64, 247);" target="_blank">Affairs to Remember</a>Lilli CarréJournie CirdainNanako KonoPaul NuddGeoffrey Todd SmithCathrine Whited﻿﻿Olivia Zubko Opening receptionTHURSDAY, September 17, 5-8pm Request&nbsp;<a href="mailto:scott@westernexhibitions.com" rel="noopener noreferrer" style="color: rgb(0, 64, 247);" target="_blank">preview</a> See images&nbsp;<a href="https://jxxaepcab.cc.rs6.net/tn.jsp?f=0014NSeTmioPTcKPE2SKLImwATT-eVaYrMgJ8G7XcrClSSAmKSkgfNF4GJ82Rtjbik2x0ekA_aXO3Trzwn9QJN7tkoyGxTd57M2FpHOJ1fp56TxHUlyYWPgDFeT0D83HbexWdImgVgJQuU6KpaPFJnWQmtYhxeoSB7HxIRVytTqe2RS7pj63MNFT3_UgsWHauqlz7w_jrvGzQeYaNY66Y_lSw==&amp;c=XRFpR96WqnQq3v6Y8cwmEhx71pCGSccyMqCGuCpUT0Hb4dOerHDFAA==&amp;ch=ErPS6lgdweoFt1YhhY-wmgHtOv0NxXIwTxWXmDGORX7Unf5p7Y1aFA==" rel="noopener noreferrer" style="color: rgb(0, 64, 247);" target="_blank">here&nbsp;</a> <img src="https://res.cloudinary.com/dfafo598z/image/upload/v1786834152/wawlmoeq6lipdq49kvde.gif" height="1" width="5">Affairs to Remember&nbsp;features recent work by gallery artists: framed hand-drawn animation cels by&nbsp;<a href="https://jxxaepcab.cc.rs6.net/tn.jsp?f=0014NSeTmioPTcKPE2SKLImwATT-eVaYrMgJ8G7XcrClSSAmKSkgfNF4Ecp4-zmYSfF-VQZBZmUVKlWQVRH6_AhG1I1-V1YYcAM5KETdNf_Kwk6NVsABMUN9VHZmDgowuquPGKVbAjbZ7lrwIG2AJtKHdAeO30nwOTnTGzXszwIVa62uoAagSoKV3nDFIdhypE6&amp;c=XRFpR96WqnQq3v6Y8cwmEhx71pCGSccyMqCGuCpUT0Hb4dOerHDFAA==&amp;ch=ErPS6lgdweoFt1YhhY-wmgHtOv0NxXIwTxWXmDGORX7Unf5p7Y1aFA==" rel="noopener noreferrer" style="color: rgb(0, 64, 247);" target="_blank">Lilli Carré</a>, large graphite drawings by&nbsp;<a href="https://jxxaepcab.cc.rs6.net/tn.jsp?f=0014NSeTmioPTcKPE2SKLImwATT-eVaYrMgJ8G7XcrClSSAmKSkgfNF4KRv7qzeuqPSJbyZEHDQYy0yJnyVTNPuIH6vwdLCZBn7ttl0m_R2h3NMQBcapdTv5USUVaUXsBASWYJzfCxJcrJKzCuKZg7F2_aiA2FuWRVkzWSmD6iiScwy1c6xiMbEU3pPzLB2ajec&amp;c=XRFpR96WqnQq3v6Y8cwmEhx71pCGSccyMqCGuCpUT0Hb4dOerHDFAA==&amp;ch=ErPS6lgdweoFt1YhhY-wmgHtOv0NxXIwTxWXmDGORX7Unf5p7Y1aFA==" rel="noopener noreferrer" style="color: rgb(0, 64, 247);" target="_blank">Journie Cirdain</a>, miniature paintings on plastic by&nbsp;<a href="https://jxxaepcab.cc.rs6.net/tn.jsp?f=0014NSeTmioPTcKPE2SKLImwATT-eVaYrMgJ8G7XcrClSSAmKSkgfNF4KRv7qzeuqPSgoLDHOXbQYNb95U69fNW9R5eWgoGhlJ1yh3FVfYA1Ko0LRE4zcJcUtpB98WU2e8NC-k0Z9nh68bWdPpZV0m7a6wRqPi0sQJ-CtvQFvPEZ5kUaTv9GXJihKE7Qbrh6x4K&amp;c=XRFpR96WqnQq3v6Y8cwmEhx71pCGSccyMqCGuCpUT0Hb4dOerHDFAA==&amp;ch=ErPS6lgdweoFt1YhhY-wmgHtOv0NxXIwTxWXmDGORX7Unf5p7Y1aFA==" rel="noopener noreferrer" style="color: rgb(0, 64, 247);" target="_blank">Nanako Kono</a>,&nbsp;ceramic sculptures by&nbsp;<a href="https://jxxaepcab.cc.rs6.net/tn.jsp?f=0014NSeTmioPTcKPE2SKLImwATT-eVaYrMgJ8G7XcrClSSAmKSkgfNF4Ecp4-zmYSfF3_bHlHaeUlqbOEqfBL3MLki3bO4UuI_Zf8Z7Td_7FH2UNmw_oIsH_Hw5y2ksCp08dt7sfPsSHw_jvldoY1KtyQGdfYyKthDen4Zakp3J7yuL744xeP-Ml9D8RyX5sjBV&amp;c=XRFpR96WqnQq3v6Y8cwmEhx71pCGSccyMqCGuCpUT0Hb4dOerHDFAA==&amp;ch=ErPS6lgdweoFt1YhhY-wmgHtOv0NxXIwTxWXmDGORX7Unf5p7Y1aFA==" rel="noopener noreferrer" style="color: rgb(0, 64, 247);" target="_blank">Paul Nudd</a>,&nbsp;miniature paintings on paper by&nbsp;<a href="https://jxxaepcab.cc.rs6.net/tn.jsp?f=0014NSeTmioPTcKPE2SKLImwATT-eVaYrMgJ8G7XcrClSSAmKSkgfNF4Ecp4-zmYSfF4sQPwAA4ff4O_gipePbp9YPysskUcAFznRXYoQkd1bW67HT23sVWyZgESr8-CquYVpD0mcS0o3TZH8ZMWHJKBN_NgjH9W_Pn55D-mNMsFJt8YR-PWEQ-FFgMG_dvrESQ6d0HSaWABJo=&amp;c=XRFpR96WqnQq3v6Y8cwmEhx71pCGSccyMqCGuCpUT0Hb4dOerHDFAA==&amp;ch=ErPS6lgdweoFt1YhhY-wmgHtOv0NxXIwTxWXmDGORX7Unf5p7Y1aFA==" rel="noopener noreferrer" style="color: rgb(0, 64, 247);" target="_blank">Geoffrey Todd Smith</a>,&nbsp;drawings&nbsp;of household objects&nbsp;by&nbsp;<a href="https://jxxaepcab.cc.rs6.net/tn.jsp?f=0014NSeTmioPTcKPE2SKLImwATT-eVaYrMgJ8G7XcrClSSAmKSkgfNF4OWYFLRuN-JzEVYoEAxENJmIQa7Rww9lyjjIXZNO_znaEKvc0YKlGw4WJ62w8U1_sKam5KtdEP3uPcm0pe8DpaGPwV-UjRtFypm-pZ51vsRqwJ6PUKQScrixMnjbnpgcYkXfIdlYvCoSOhNqRb0_oWU=&amp;c=XRFpR96WqnQq3v6Y8cwmEhx71pCGSccyMqCGuCpUT0Hb4dOerHDFAA==&amp;ch=ErPS6lgdweoFt1YhhY-wmgHtOv0NxXIwTxWXmDGORX7Unf5p7Y1aFA==" rel="noopener noreferrer" style="color: rgb(0, 64, 247);" target="_blank">Cathrine Whited</a>. and&nbsp;wall-mounted ceramic sculptures by&nbsp;<a href="https://jxxaepcab.cc.rs6.net/tn.jsp?f=0014NSeTmioPTcKPE2SKLImwATT-eVaYrMgJ8G7XcrClSSAmKSkgfNF4KRv7qzeuqPSkqj6BPi7qO2UG3nFoI5DPweExNglbXIlAkMBe3D7guCit-k28M2-0mock9r3zYEmXVjObxCj92tpKhX-OGZ1hfxlk4C0yzl2FGgwlXWr2aVzUT8lEWWxT2i4y0oXRbOh_bt2uGcX6hQ=&amp;c=XRFpR96WqnQq3v6Y8cwmEhx71pCGSccyMqCGuCpUT0Hb4dOerHDFAA==&amp;ch=ErPS6lgdweoFt1YhhY-wmgHtOv0NxXIwTxWXmDGORX7Unf5p7Y1aFA==" rel="noopener noreferrer" style="color: rgb(0, 64, 247);" target="_blank">Olivia Zubko</a>.

Affairs to Remember

Told from the point of view of Sansei (third generation) Japanese Americans, Resilience reflects on the effect of the forced imprisonment of Japanese Americans as it resonated from generation to generation. Each in their own way, the artists in this exhibition express moments of deeply felt pain and reluctant acceptance, emotions which were often withheld by their elders.

Resilience: A Sansei Sense of Legacy

&nbsp;<a href="https://www.hydeparkart.org/" rel="noopener noreferrer" target="_blank">Hyde Park Art Center</a>, the renowned non-profit hub for contemporary art located on Chicago’s vibrant South Side, announces&nbsp;Ground Floor, the ninth iteration of the Art Center’s biennial program showcasing select work by recent graduates from each of Chicago’s five MFA (Master of Fine Art) programs, on view from&nbsp;August 9 – November 1, 2026.&nbsp;The exhibition opens on the Art Center’s quarterly open house day,&nbsp;Center Day, with free public programs including artmaking from&nbsp;1-4 p.m.The exhibition offers a single destination to view some of Chicago’s most promising emerging talent who graduated in 2025-26 from one of Chicago’s five MFA programs: Columbia College Chicago, Northwestern University, The School of the Art Institute of Chicago, The University of Chicago, and The University of Illinois at Chicago. Artists represented in&nbsp;Ground Floor&nbsp;include&nbsp;<a href="http://lamiaabukhadra.com/" rel="noopener noreferrer" target="_blank">Lamia Abukhadra</a>,&nbsp;<a href="http://gabriellebanks.co.uk/" rel="noopener noreferrer" target="_blank">Gabby Banks</a>,&nbsp;<a href="http://claireburkedain.com/" rel="noopener noreferrer" target="_blank">Claire Burke Dain</a>,&nbsp;<a href="https://ricardodelima.org/" rel="noopener noreferrer" target="_blank">Ricardo De Lima</a>,&nbsp;<a href="http://emmadifani.com/" rel="noopener noreferrer" target="_blank">Emma Difani</a>,&nbsp;<a href="https://naakitafk.com/" rel="noopener noreferrer" target="_blank">naakita f.k.</a>,&nbsp;<a href="https://aidanannefrierson.com/" rel="noopener noreferrer" target="_blank">Aidan Anne Frierson</a>,&nbsp;<a href="http://www.laveengammie.com/" rel="noopener noreferrer" target="_blank">Laveen Gammie</a>,&nbsp;<a href="https://laurelhauge.com/" rel="noopener noreferrer" target="_blank">Laurel Hauge</a>,&nbsp;<a href="http://lianghestudio.com/" rel="noopener noreferrer" target="_blank">Liang He</a>,&nbsp;<a href="http://xingyuhuang.com/" rel="noopener noreferrer" target="_blank">Xingyu Huang</a>,&nbsp;<a href="http://susanjablonski.com/" rel="noopener noreferrer" target="_blank">Susan Jablonski</a>,&nbsp;<a href="https://yingfeiliang.wixsite.com/fayeliang" rel="noopener noreferrer" target="_blank">Faye Yingfei Liang</a>,&nbsp;<a href="https://mauriciolopezf.com/" rel="noopener noreferrer" target="_blank">Mauricio López F.</a>, Isaiah McDaniel,&nbsp;<a href="http://tepalandjian.com/" rel="noopener noreferrer" target="_blank">Te Palandjian</a>,&nbsp;<a href="http://www.breannarobinson.studio/" rel="noopener noreferrer" target="_blank">Breanna Nannette Robinson</a>,&nbsp;<a href="http://reneeroyale.com/" rel="noopener noreferrer" target="_blank">Renee Royale</a>,&nbsp;<a href="https://kianashahnia.com/" rel="noopener noreferrer" target="_blank">Kiana Shahnia</a>,&nbsp;<a href="http://nanakokono-rolly.com/" rel="noopener noreferrer" target="_blank">Nanako Wagley</a>, and&nbsp;<a href="https://www.judsonwomack.com/#1" rel="noopener noreferrer" target="_blank">Judson Womack</a>.Ground Floor&nbsp;presents the work of select graduates made in the past two years to articulate conceptual and stylistic trends coming out of Chicago art schools right now. Their modes of making range the full spectrum in media, from painting and printmaking to film and sculpture.&nbsp;The artists share their excitement about the opportunity and why it is meaningful at this moment in their practices: "Over the years, I’ve known many artists whose careers and practices have been deeply impacted by this exhibition, and I’ve always seen it as an incredible resource and opportunity for artists navigating life after graduate school. I’ve been connected to the Art Center in many ways—as a South Sider, a visitor, an artist, and coordinator of the Center Program—long before this exhibition. To now have the honor of exhibiting my own work alongside so many other artists feels like a homecoming moment," says&nbsp;Aidan Anne Frierson.&nbsp;And&nbsp;Emma Difani&nbsp;shared: “While graduate school was a period of tremendous growth, it was also a bit of a bubble. This is an exciting opportunity to build relationships outside of the academic setting in a place for art-as-lived that celebrates artists of all ages and stages.”&nbsp;Xingyu Huang&nbsp;said, “For me, this opportunity to show my work on the building facade is an invitation to reimagine the boundaries we build between ourselves and the living world. My work challenges the idea that urban environments and ecological processes are separate by bringing attention to aquatic systems within exhibit spaces. It’s incredibly exciting to create a space at HPAC where audiences can physically confront these invisible, shared dependencies and realize we are entirely continuous with our environment.”The exhibition opening day overlaps with the summer installment of the Art Center’s quarterly series&nbsp;Center Day, an all-ages program offering free public access to art viewing and artmaking, from&nbsp;1-4 p.m.&nbsp;The August 9 programming includes exhibition receptions for three exhibitions (Jeff Carter: The Singer Pavilion Project&nbsp;and&nbsp;OFF THE WALL!, in addition to&nbsp;Ground Floor) from 1-4 p.m., a mural workshop from 1-4 p.m., Chicago Housing Authority mural unveiling from 1-1:30 p.m., a teen artist panel from 1:30-2 p.m., a basket weaving workshop led by Art Center resident artist ebere agwuncha from 1-3 p.m., and open studios from 1-4 p.m. with resident artists (ebere agwuncha, Carlos Flores, Cydney M. Lewis, Pooja Pittie, Fidencio Fifield-Perez, Anwulika Anigbo, D. Lammie-Hanson, Jess Atieno, Laveen Gammie, and Tongji Philip Qian). About Ground Floor 2026Ground Floor—so named because it provides a crucial platform for rising artists and traverses the entire lower level of the Art Center—gives exhibiting artists a major public venue in which to display their works at a critical juncture in their careers, helping to build, support, and ensure a strong and vibrant community of artists in Chicago.The 21 artists in the exhibition were selected by the Art Center’s&nbsp;Ground FloorSelection Committee from a competitive pool of applicants who were nominated by respected Chicago-based artists, curators, and administrators. The 2026 jury committee includes nationally and internationally renowned artists, curators,&nbsp;and educators Cecilia Beaven, Amber Ginsburg, Sherwin Ovid, Lorelei Stewart, and Jade Yumang. The exhibition is curated by Director of Exhibitions and Residency, Mariela Acuña, and Exhibitions and Residency Manager, Tran Tran. The exhibition is enriched with further insight into these artists’ practices by didactic text by writer and curator Nicky Ni. A few notable Ground Floor alumni include Jonathan Castillo, Hai-Wen Lin, Tony Lewis, Maria Gaspar, Norman Teague, and Melissa Leandro.This exhibition is generously supported by the Andy Warhol Foundation for the Visual Arts, Illinois Arts Council, and The Joyce Foundation. ABOUT THE HYDE PARK ART CENTERHyde Park Art Center, at 5020 South Cornell Avenue on Chicago’s vibrant South Side, is a hub for contemporary arts in Chicago, serving as a gathering, production, and exhibition space for artists and the broader community to cultivate ideas, impact social change, and connect with new networks. Since its inception in 1939, Hyde Park Art Center has grown from a small collective of artists to establishing a strong legacy of risk-taking and experimentation, emerging as a unique Chicago arts institution with social impact. Today, the Art Center offers a diverse suite of programs for artists and art lovers of all backgrounds, ages, and stages in their careers including: contemporary art exhibitions in six galleries; open-access community-based school with 2,000 annual enrollments; weekly arts education to 1,000 elementary school students in public schools; weekly and summer teen programs for 100 teen artists; professional-advancement programs for artists; a local and international artist residency; and public programs that connects residents with Chicago art and artists. The Art Center’s Oakman Clinton School + Studio is the nation’s first fully contribute-what-you-can visual art school for all ages. The Art Center functions as an amplifier for creative voices of today and tomorrow, providing the space to cultivate new work and connections.For more information, please visit&nbsp;<a href="https://www.hydeparkart.org/" rel="noopener noreferrer" target="_blank">www.hydeparkart.org</a>.

Ground Floor

The Evanston Art Center (EAC) is excited to welcome the public to our upcoming exhibition, <a href="https://www.evanstonartcenter.org/exhibitions/whispers-dark-curated-azul-alberto-nogueron" rel="noopener noreferrer" target="_blank">Whispers in the Dark | Curated by Azul Alberto Nogueron</a>. The exhibition will be on display from September 26 - November 1, 2026 with an opening reception on Sunday, September 27, 1-3pm that will be free and open to the public. <a href="https://www.evanstonartcenter.org/exhibitions/whispers-dark-curated-azul-alberto-nogueron" rel="noopener noreferrer" target="_blank">Whispers in the Dark</a> is the final exhibition curated by Azul Alberto Nogueron as part of their time as the EAC's COMPASS Resident. Secrecy, hidden agendas, and mental health are the key components of the exhibition, with a celebration of the macabre. The COMPASS Curator Residency provides an emerging curator with an opportunity to curate three shows in the Evanston Art Center’s Lobby Gallery space. The EAC’s Lobby Gallery is a space dedicated to exhibiting emerging and underrepresented artists/curators and responds to current social events. This dynamic and inclusive space draws in new curators, artists, and audiences.&nbsp;

Whispers in the Dark

<h3>August 8 – November 1, 2026</h3> Told from the point of view of Sansei (third generation) Japanese Americans, Resilience—A Sansei Sense of Legacy is an exhibition of eight artists whose work reflects on the effect of EO9066 (The law ordered the forced imprisonment of all Japanese Americans living on the west coast of the United States) as it resonated from generation to generation. While several of the artists in Resilience employ traditional Japanese methods in the construction of their work—Lydia Nakashima Degarrod’s use of boro stitching on her works on paper; Na Omi Judy Shintani’s kimono cutouts honored in ceramic vessels—others use iconography relating to Japanese culture as a jumping-off point for personal explorations on the subject of the incarceration camps—Reiko Fujii’s photographs-as-kimono; Wendy Maruyama’s columns of replicated camp ID tags. Each in their own way, the artists in this exhibition express moments of deeply felt pain and reluctant acceptance, emotions which were often withheld by their elders. Exhibition artists are: Kristine Aono, Reiko Fujii, Wendy Maruyama, Lydia Nakashima Degarrod, Tom Nakashima, Roger Shimomura, Na Omi Judy Shintani, and Jerry Takigawa.

Resilience—A Sansei Sense of Legacy

Opening Reception:&nbsp;Saturday, September 12, 2026, 4pm — 7pm (the gallery will be open 12pm — 7pm)Artist Talk: 4pm&nbsp;About the exhibitionThe Renaissance Society and Fondazione In Between Art Film present&nbsp;Tendered, a solo exhibition by Karimah Ashadu, whose moving-image practice examines the conditions under which bodies are rendered legible within contemporary systems of labor and value, especially within the cultural context of Nigeria and its diaspora.Karimah Ashadu: Tendered&nbsp;will be on view at the Renaissance Society in Chicago from September 12 - November 1, 2026.&nbsp;Working across film and installation, Ashadu develops close, sustained encounters with people whose lives unfold within informal economies, attending to how aspirations are negotiated under material constraint.&nbsp;The exhibition marks the U.S. debut of&nbsp;MUSCLE,&nbsp;a new moving image installation co-commissioned and co-produced by the Renaissance Society, Fondazione In Between Art Film, and Camden Art Centre. Centered on bodybuilders training in the heart of Lagos’s slums, the work situates bodybuilding within a broader field of exertion: the body as site of labor, autonomy, and self-fashioning.&nbsp;MUSCLE&nbsp;is accompanied by a series of new sculptural works,&nbsp;Pure Rugged Water (2025),that draw directly from the film’s environments.Having grown up between Nigeria and the United Kingdom, the artist situates her point of view within a constant negotiation of distance. In&nbsp;MUSCLE, she works with a sympathetic—and sometimes visceral—proximity to the subjects of the film, eschewing the documentary point of view. As she gathers the stories of men in this film, she extends an ongoing inquiry present in earlier works, including&nbsp;Machine Boys&nbsp;(2024) (on view at the Art Institute of Chicago from September 11&nbsp;—&nbsp;November 1, 2026),Plateau&nbsp;(2022), and&nbsp;Red Gold&nbsp;(2016).&nbsp;The exhibition is organized within the framework of&nbsp;Unison, a biennial initiative established by the Fondazione In Between Art Film to commission and produce moving image-based exhibitions in collaboration with international institutions.&nbsp; PublicationTendered9.76 x 12.79 inches168 Pages&nbsp;ISBN: 9788867497089&nbsp;&nbsp;Tendered&nbsp;is accompanied by the first reference monograph dedicated to the artist, edited by Bianca Stoppani,&nbsp;curator for the editorial and discursive programmes&nbsp;at&nbsp;Fondazione In Between Art Film, with Alessandro Rabottini and Leonardo Bigazzi. Published by Mousse, the monograph&nbsp;features contributions from Karimah Ashadu; Myriam Ben Salah, director and chief curator at The Renaissance Society,&nbsp;Chicago; Leonardo Bigazzi, curator at Fondazione In Between Art Film; Gina Buenfeld-Murley, curator at Camden Art Centre,&nbsp;London; Martin Clark, director at Camden Art Centre, London; Dr Clive Chijioke Nwonka, associate professor in film, culture&nbsp;and society, UCL, London; Alessandro Rabottini, artistic director at Fondazione In Between Art Film; Bettina Steinbrügge,&nbsp;director at Mudam Luxembourg; and Arese Uwuoruya, assistant curator at Camden Art Centre. About the ArtistKARIMAH ASHADU (b. London 1985) is a British-born Nigerian artist and film director living and working between Hamburg and Lagos. Her work has been exhibited and screened at institutions internationally, including the 60th Venice Biennale, where she was awarded the Silver Lion for a Promising Young Participant in the International Exhibition. Other Institutional shows and screenings include Camden Arts Centre, London, Canal Projects, New York, MoMA PS1, New York, Kunsthalle Bremen,&nbsp;Tate Modern, London, Secession, Vienna, Kunstverein in Hamburg, South London Gallery, London, Museum of Modern Art, New York and Centre d’Art Contemporain Genève.&nbsp;Current&nbsp;solo shows include the Kestner Gesellschaft, Hannover.&nbsp;Credits&nbsp;Tendered&nbsp;is curated by Alessandro Rabottini and Leonardo Bigazzi of Fondazione In Between Art Film with Myriam Ben Salah and Karsten Lund for its iteration at the Renaissance Society.&nbsp;Supported by Sadie Coles HQ, LondonPure Rugged Water (2025)&nbsp;was produced with additional support of the Alexander Tutsek-Stiftung.Renaissance Society programs are supported by Teiger Foundation and The Andy Warhol Foundation for the Visual Arts.&nbsp;EventsConversations at the Edge: An Evening with Karimah AshaduThu, Sept 10, 6PMSiskel Film Center164 N. State Street, Chicago, IL 60601Presented in collaboration with the School of the Art Institute and Gene Siskel Film Center, this screening presents three other films by Karimah Ashadu—Plateau,Brown Goods, and&nbsp;King of Boys—and will be&nbsp;followed by a conversation with the artist.&nbsp;Opening Reception&nbsp;Sat, Sep 12, 4-7pm&nbsp;&nbsp;&nbsp;Screening by the African Film InstituteWith a conversation between Christian Nyampeta and Natacha NsabimanaThu, Oct 15, 7PMLogan Center for the Arts, 2nd&nbsp;Floor&nbsp;In 2019, artist and filmmaker Christian Nyampeta, who is based in New York, launched the African Film Institute, housed at e-flux. In conjunction with Karimah Ashadu’s exhibition, Nyampeta and anthropologist Natacha Nsabimana will show a film and be in conversation as part of their ongoing collaboration on the question of what is African cinema?Visit&nbsp;<a href="http://renaissancesociety.org/" rel="noopener noreferrer" style="color: rgb(35, 31, 32);" target="_blank">renaissancesociety.org</a>&nbsp;for more information. Image: Karimah Ashadu,&nbsp;MUSCLE, 2025 [Still] HD digital film, colour with stereo sound, 22:20 mins © Karimah Ashadu. Courtesy the Artist, Camden Art Centre, Fondazione In Between Art Film, Sadie Coles HQ and the Renaissance Society at the University of Chicago.

Karimah Ashadu: Tendered 

Our Free Days Are Taking The Night Shift! From March through November, we’re returning to Free First Tuesdays! On the first Tuesday of every month, enjoy extended hours from 5:00 pm to 8:00 pm - admission is free for all, no residency restrictions. Want more chances to visit? Take a look at our full lineup of 2026 Free Days below and mark your calendar! From March through November, we’re returning to Free First Tuesdays! On the first Tuesday of every month, enjoy extended hours from 5:00 pm to 8:00 pm - admission is free for all, no residency restrictions.

Free First Tuesdays

Una Vuelta a Mis Raíces (A Return to My Roots): Monochromatic Pigment Paintings by Robert Lipton SEP 18-NOV 6, 20263rd FLOOR GALLERY Inspired by the powerful materiality of abstract expressionism and contemporary masters such as Antoni Tàpies, Anselm Kiefer, and Bosco Sodi, Robert Lipton presents a series of richly textured mixed-media paintings that explore color, surface, and transformation. Built through layers of pigment and organic processes, these works invite viewers to slow down, look closely, and discover shifting landscapes of texture, depth, and form. Image: Untitled 2025 -Mixed media on canvas 66” x 41”

Una Vuelta a Mis Raíces (A Return to My Roots): Robert Lipton

Art Educator &amp; Alumni Exhibition Presented by ArtConnectED Sept 18 – Nov 6. 3rd Floor Gallery ArtConnectED understands the importance of building community and the role the arts play in bringing people together. Art Connection: Past Meets Present celebrates the enduring connections between art educators and their former students, honoring the shared creative journey that begins in the classroom and continues throughout a lifetime. This exhibition showcases the impact of mentorship, inspiration, and the lasting influence that teachers and students have on one another. Through a variety of media and artistic voices, the show highlights how creative dialogue and exploration can span years, evolve, and continue to inspire new perspectives. Awards:Awards are generously provided by BLICK Art Materials and by donations from partnering art schools, colleges, and universities. Opening ReceptionBridgeport Art Center, 3rd Floor Gallery on September 18th from 7:00-10:00P Image:Natalie Pivoney – Creekside Elementary SchoolMillennial Park – Oil on Canvas 2026 – 30W” x 20H”

Art Connection: Past Meets Present

Laleh Motlagh: Rooted. Uprooted. is an exhibition scheduled from September 12 to November 7, 2026. The exhibition opening reception will be held on Saturday, September 12, from 5-8 pm. The event is organized by SoNa Chicago Contemporary Art, located at 1527 N. Ashland Ave., Chicago, IL 60622.

Laleh Motlagh: Rooted. Uprooted.

The West Town Art Walk is an upcoming event featuring the works of artist Patrick Jilbert. It will take place from October 2nd to November 7th. The event will showcase a variety of art pieces and installations, providing an opportunity for art enthusiasts to explore and appreciate the creativity and talent of Patrick Jilbert. Attendees can expect a vibrant and engaging experience as they walk through the art displays in West Town.

West Town Art Walk Featuring Patrick Jilbert

Krasl Art Center presents a new interdisciplinary installation by Bella Kiser in the Project Space, expanding her ongoing exploration of soft architecture, a practice that uses soft sculpture and participation to consider how identity and experience shape ideas of home.&nbsp;Kiser is a mixed-race Filipino American artist from Chicago, IL, currently based in Detroit, MI. She is a graduate of Tufts University and the School of the Museum of Fine Arts Combined Degree Program, where she received a BFA in Studio Art and a BS in Environmental Studies. Throughout her practice, she works with wearables, textiles, and immersive environments to construct what she describes as&nbsp;fabritecture,&nbsp;a malleable, ever-changing building system shaped by sensory and emotional experience. Her work engages questions of identity, otherness, comfort, and discomfort, as well as critiques of American productivity culture, while foregrounding the physical conditions of lived experience.&nbsp;In this exhibition, Kiser also draws from the form of the&nbsp;Balikbayan Box, a package sent by overseas Filipinos to family back in the Philippines, as a conceptual reference point for thinking about container, care, distance, and return. Through soft sculpture and audience interaction, she builds environments that invite bodily experience, informing the interpretation of the work.&nbsp; Other exhibition related events:PUBLIC P<a href="https://sfpwlrdab.cc.rs6.net/tn.jsp?f=001UBr39of_zhZbpwGpurhBfkSk8_znP-1C_6OeatmVlbgZisH0dVlz9P0eY1VGdkbj1RI3xMTfo8ZUaP4NPTPnBYveoiC0LqukjH939JJ3rtaYt8m_BKqVTU-eg46q84BzhPZJLjupHDvjnaw_7Oir1ZpMc28_6lGKqx7XfgXEj0wEuzwAmaJEyQ==&amp;c=fiKcx2h_nBWAS4xnKbX2wcgC3ytmtOVOAVjva-94UWvNMn1OuqkCKg==&amp;ch=i-cMYFbz8TWdKndA4lMm5sSeTCcgFToAOAANxGBD1S3l1CTb6sOI8g==" rel="noopener noreferrer" target="_blank">REVIEW PARTY</a>Friday, August 14, 2026﻿﻿6 - 8 PMARTIST TALK: BELLA KISERSaturday, August 15, 202612 - 1 PM<a href="https://sfpwlrdab.cc.rs6.net/tn.jsp?f=001UBr39of_zhZbpwGpurhBfkSk8_znP-1C_6OeatmVlbgZisH0dVlz9P0eY1VGdkbjxGAUsfPhX1V60O6mobrFrw1W78bxf_AZ4F6fAX1AbDDoKH21-9itZ-vn3mKnpa_wR4wcMBoN7FMmZXE8v9D1XkozdJr6boDkXsdi3RGJz2-NVGNEG7pltQcybDR4xdFD&amp;c=fiKcx2h_nBWAS4xnKbX2wcgC3ytmtOVOAVjva-94UWvNMn1OuqkCKg==&amp;ch=i-cMYFbz8TWdKndA4lMm5sSeTCcgFToAOAANxGBD1S3l1CTb6sOI8g==" rel="noopener noreferrer" target="_blank">COFFEE WITH THE CURATOR</a>Thursday,&nbsp;August 20, 202612 - 1 PMCLASS OFFERINGS: APPROACHES TO CONTEMPORARY PAINTINGInstructors: Meli Bandera, Tami Fauver, and Nathan Margoni(5) Tuesdays, 6 - 7 PM, September 1 - 29. For more information regarding the exhibitions, visit&nbsp;<a href="https://sfpwlrdab.cc.rs6.net/tn.jsp?f=001UBr39of_zhZbpwGpurhBfkSk8_znP-1C_6OeatmVlbgZisH0dVlz9BV97qIuz4gK2PyLrsJQGItl1YuGgfNx7Z7dIS3NrwpsUJG67nvBG_r1LZsrlQdKB7ogsOoYS3VAtCTnMl1Onqmnuog-FXfPb15Bn09n6WjE&amp;c=fiKcx2h_nBWAS4xnKbX2wcgC3ytmtOVOAVjva-94UWvNMn1OuqkCKg==&amp;ch=i-cMYFbz8TWdKndA4lMm5sSeTCcgFToAOAANxGBD1S3l1CTb6sOI8g==" rel="noopener noreferrer" target="_blank">www.krasl.org</a>.

In the Project Space: Balikbayan Box by Bella Kiser

Krasl Art Center presents&nbsp;Intervals of Mark and Matter, a group exhibition featuring KC Crow Maddox, Karen Dana Cohen, Evan Mazzelan, Amelia Mendelsohn,&nbsp;Ivan Montoya, Thương Hoài Trần, and Antonio Scott Nichols. On view from August 15 through November 7, 2026, the exhibition brings together artists whose practices approach painting through layered processes and cross-medium experimentation. Across the exhibition, painting extends past tradition. The artists work across oil, acrylic, textile, and hybrid approaches, allowing representational imagery to come together in different forms. These works speak to painting as an open field and framework that expands beyond the medium. The artists draw from personal histories and cultural references to shape works that move between intimate scale and broader social context. Figures, patterns, and textures are built up and reference individual experiences and the artists’ specific perspectives.&nbsp;&nbsp; Across the exhibition, painting becomes more than a surface; it becomes a language for relation. These images offer a portrait of contemporary painting as a living, inclusive practice, one that reflects the complex emotional and cultural landscapes of the present. Other exhibition related events:PUBLIC P<a href="https://sfpwlrdab.cc.rs6.net/tn.jsp?f=001pSSRl7evIb86RM80nIvm5Hy9YjoYjA5bEd3F7q3w_sCHUKjU229cZXVHuroKXZrKkmofcgjUzdjvigac_nl6rwRgtRsUT6v0TZ2FjWxaiHjZB96ch0h-AsSeiUa_pgbaK-le-SmEp0PdBhBkKPgTN2w6-McHSUjpyZcQOWs5QqUHaWyykTYm1Q==&amp;c=6hib9qryNzLfZvFGK85jhGcMsJR__HdSoZYLRo1_u2hGBpzNkfW0dg==&amp;ch=UEQe7idMHjCsN8dwYdbmLQ_rS_u0IY0QRKxgrpKLSEg2V1dllVXIjw==" rel="noopener noreferrer" target="_blank">REVIEW PARTY</a>Friday, August 14, 20266 - 8 PM <a href="https://sfpwlrdab.cc.rs6.net/tn.jsp?f=001pSSRl7evIb86RM80nIvm5Hy9YjoYjA5bEd3F7q3w_sCHUKjU229cZXVHuroKXZrKtfDWvDHHFA3YKYyInWDKpr7yrejL5zZpa_F5o_v_nT8811KUx_HSd1N_CmMDec6N09F7sUmj0WD3aNhp53SYPcb9FKQYYNhinK2MluAMlugdSNG1hTGYopIdkSN_QMwR&amp;c=6hib9qryNzLfZvFGK85jhGcMsJR__HdSoZYLRo1_u2hGBpzNkfW0dg==&amp;ch=UEQe7idMHjCsN8dwYdbmLQ_rS_u0IY0QRKxgrpKLSEg2V1dllVXIjw==" rel="noopener noreferrer" target="_blank">COFFEE WITH THE CURATOR</a>Thursday,&nbsp;August 20, 202612 - 1 PM CLASS OFFERINGS: APPROACHES TO CONTEMPORARY PAINTING Instructors: Meli Bandera, Tami Fauver, and Nathan Margoni(5) Tuesdays, 6 - 7 PM, September 1 - 29. For more information regarding the exhibitions, visit&nbsp;<a href="https://sfpwlrdab.cc.rs6.net/tn.jsp?f=001pSSRl7evIb86RM80nIvm5Hy9YjoYjA5bEd3F7q3w_sCHUKjU229cZTgx-nBs_T0I20ArstDnjsh-3AiwkY3XB9iF1u4E9q325Qxi_Yzcs_3MRYXaqbNox3UbPVCKbepaWvuCVLs0B-YghzGV2LJiTQGs69kp-Dvp&amp;c=6hib9qryNzLfZvFGK85jhGcMsJR__HdSoZYLRo1_u2hGBpzNkfW0dg==&amp;ch=UEQe7idMHjCsN8dwYdbmLQ_rS_u0IY0QRKxgrpKLSEg2V1dllVXIjw==" rel="noopener noreferrer" target="_blank">www.krasl.org</a>. Evan Mazellan,&nbsp;Embracing Couple, Oil on canvas, 24 in. x 16 in., 2026.

Intervals of Mark and Matter 

DOCUMENT is delighted to present&nbsp;The Awnings, Alexandra Barth’s second solo exhibition with the gallery and the artist’s first in Chicago.Alexandra Barth is a Slovakian artist based in a small town near Verona, in Northern Italy. Her painting practice is grounded in the observation of quietly evocative interiors and furnishings, rendered through precisely layered applications of airbrushed paint. For the past two years, she has turned this attention toward the retractable awning, a common feature of commercial and residential buildings across Italy and Southern Europe. Painting from unstaged photographs sourced on the web, Barth focuses on the awning in every form except its fully functional state—emphasizing instead its everyday, technical, and non-aesthetic aspects, and the tension between its familiar Italian character and its purely mechanical qualities.The exhibition treats the awning less as a functional object than as a symbol, tracing the hidden lifecycle it typically undergoes unseen: manufacture, retail display, and eventual resale. Barth’s source images are drawn from online marketplaces such as Facebook Marketplace and Subito, where sellers of secondhand units post close-up photographs of pattern and condition alongside pictures of shuttered awnings removed from the storefronts and entryways they once shaded.In&nbsp;The Showroom, a formation of small-scale models in various awning shapes curiously adorns an interior wall, echoing the display logic of the retail settings found throughout the exhibition. Red, orange, pink, blue, beige, and gray tones—drawn from the retail displays and online listings that inspire the work—dominate the paintings’ palette.By foregrounding the awning’s “behind-the-scenes” existence, Barth invites viewers to reconsider the quiet, overlooked architecture that structures public space.Alexandra Barth (b. 1989, Malacky, Slovakia) lives and works in Sanguinetto, Italy. She received her degree from the Academy of Fine Arts and Design in Bratislava, Slovakia in 2013. Recent solo exhibitions include DOCUMENT, Lisbon, Portugal (2025); LOOM Gallery, Milan, Italy (2024); Mrs., Maspeth, NY (2023); Photoport, Bratislava, Slovakia (2023); A SUD, Pescara, Italy (2022); Stone Projects, Prague, Czech Republic (2022); Chris Sharp, Los Angeles, CA (2021). Group exhibitions include Photoport, The Elevator, Temporary Parapet, MDŽ, and White&amp;Weiss, in Bratislava, Slovakia. In 2024 she was awarded the TCP Art Finance Prize at The Armory Show, and her work is in the collections of the Zahorie Gallery of Jan Mudroch in Senica, Slovakia and the Morgan Stanley Collection, New York, NY.

Alexandra Barth: The Awnings

Transition&nbsp;September&nbsp;3, 2026 - November 8, 2026 Transition&nbsp;presents a body of work by Mélanie Denis created over three years, crossing three territories, three inner states, and three defining moments of a life. Through this series, the landscape becomes the reflection of a personal transformation, moving through grief, emancipation, and rebirth. View details <a href="https://www.pistachiosonline.com/collections/transition" rel="noopener noreferrer" target="_blank">here</a>&nbsp;

Transition

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Political & Americana Auction

Brendan Fernandes: In the Round

Opening Friday, September 11th, 5-8PM 1801 W Hubbard Street, Chicago Bedford’s new series of veduta paintings employ master works as underpaintings, revisiting moonlit landscapes and seascapes that embrace the essence of the sublime.

Whitney Bedford: Nocturnes

Family Day | Knock on WoodNov 14, 2026 | 11 am–3 pmThe Museum of Contemporary Art Chicago&nbsp;Lean on your materials and create new ways of thinking inspired by the works of Kenzi Shiokava and Mike Cloud.&nbsp;

Family Day | Knock on Wood

<h4>Survey exhibition</h4>Opening Friday, September 11th 5-8PM1801 W Hubbard Street, Chicago … before the dawn&nbsp;explores the enduring artistic pull of the moon, serving as a a scientific frontier and a symbol of longing, transformation, and transcendence. <a href="mailto:britton@secristbeach.com?subject=Preview%20request%20for%20...%20before%20the%20dawn" rel="noopener noreferrer" style="color: rgb(63, 150, 229);" target="_blank">Request Preview</a>

... before the dawn

<a href="https://www.hydeparkart.org/" rel="noopener noreferrer" style="color: rgb(0, 112, 192);" target="_blank">Hyde Park Art Center</a>, the renowned non-profit hub for contemporary art located on Chicago’s vibrant South Side, hosts its&nbsp;2026 Gala&nbsp;activating the entire building on&nbsp;Saturday, November 14, from 5:30 p.m. to 8:30 p.m., with an afterparty that goes till&nbsp;11:30 p.m.&nbsp;The lively event honors American painter&nbsp;Candida Alvarez&nbsp;and Chicago arts leader&nbsp;Nora Daley,&nbsp;and is packed with hands-on art activities, commissioned performances, open studios, art auctions, and DJs from Lumpen Radio. The gala co-chairs are Chicago art patrons&nbsp;Trissa Babrowski and Sundeep Mullangi,&nbsp;Maria Christina and Guy-Karim Caland Puymartin, and Chicago gallerists&nbsp;Monique Meloche and Evan Boris. The Gala after-party is hosted in partnership with Lumpen Radio, with standalone tickets at $75 available for purchase on the Art Center’s website. Guests may RSVP and make donations at&nbsp;<a href="http://www.hydeparkart.org/gala." rel="noopener noreferrer" target="_blank">www.hydeparkart.org/gala</a><a href="http://www.hydeparkart.org/gala." rel="noopener noreferrer" style="color: black;" target="_blank">.</a> With a “creative cocktail” dress code, the evening will feature a cocktail party running from 5:30-7:00 p.m., followed by a seated dinner with remarks by Art Center leadership and artists. With a reputation as one of the city’s most “hands-on” art parties, the Gala will feature an after-party in collaboration with Lumpen Radio from 8:30 p.m. to 11:30 p.m. that includes the popular Interactive Artist Interventions, resident artist open studios, performances, DJs, late-night bites, and more.&nbsp; Interactive Artist Interventions have been a highlight of past Art Center Galas, where guests were engaged in inventive interactions, such as getting inked by a tattoo artist and eating cake off a wall.&nbsp;This year’s participating artists will be announced soon at&nbsp;<a href="http://hydeparkart.org/gala" rel="noopener noreferrer" target="_blank">hydeparkart.org/gala</a>. Gala tickets are available for $750 with host committee sponsorship levels beginning at $2,500. Guests may RSVP and make donations at&nbsp;<a href="http://www.hydeparkart.org/gala" rel="noopener noreferrer" target="_blank">hydeparkart.org/gala</a>. For more information on sponsorship levels, please contact Destinee Johnson at&nbsp;<a href="mailto:djohnson@hydeparkart.org" rel="noopener noreferrer" target="_blank">djohnson@hydeparkart.or</a><a href="mailto:djohnson@hydeparkart.org" rel="noopener noreferrer" style="color: rgb(17, 85, 204);" target="_blank">g</a>. About the honoreesCandida Alvarez&nbsp;is widely regarded as one of her generation’s most highly innovative and experimental painters. Her work has been collected by the Art Institute of Chicago, Museum of Contemporary Art Chicago, Whitney Museum, San Jose Museum of Art, El Museo del Barrio, among others. She has been granted the Anonymous was a Woman Award, Trellis Art Fund Award, Arts and Letters Award in Art by the American Academy of Arts and Letters,&nbsp;Mellon Foundation Latinx Artist Fellowship,&nbsp;Helen Frankenthaler Award for Painting, and the Joan Mitchell Foundation Painter and Sculptors Grant. Alvarez is an alum of Yale School of Art, and held the F.H. Sellers Professorship in Painting at the School of the Art Institute of Chicago, where she is now Professor Emerit. In Fall 2024 Alvarez was the Alex Katz Chair in Painting at The Cooper Union. Her career-spanning solo exhibition at El Museo del Barrio titled Circle, Point, Hoop was on view until August 2025, running concurrently with Real Monsters in Bold Colors:Bob Thompson and Candida Alvarez, GRAY New York. Alvarez is represented by GRAY New York and Monique Meloche Gallery. Nora Daley&nbsp;has focused on helping people and tirelessly strengthening communities throughout her life. In 2025, she was named the board&nbsp;co-chair of the Chicago Architecture Biennial, the largest exhibition of architecture and urbanism in North America. She was appointed Chair of the Illinois Art Council Agency by Governor JB Pritzker in September 2022, and continues to work with other agencies throughout the state to partner and provide access and opportunity for the creative sector. She has been in leadership as chairman of the Board of Trustees and executive committee member of multiple organizations, including Steppenwolf Theatre Company, the Terra Foundation for American Art, After School Matters, Navy Pier, Inc., Frances Xavier Warde School and the Richard J. Daley Global Cities Forum. Daley has served as an advisor to and active participant in various organizations, including the Illinois Justice Project, Museum of Contemporary Art Chicago, Museum of Science and Industry, Hyde Park Art Center, University of Illinois Chicago and Harris School of Public Policy University of Chicago. From 2011-2019 she chaired the City of Chicago’s Cultural Advisory Council under Mayor Rahm Emanuel. In 2022 Daley established Raven Partners, a strategic advisory firm, to continue to build upon her work with various businesses and organizations. As a former Managing Director of Wonderworks, an immersive experiential art museum that disrupts the traditional nonprofit model, she led the relaunch, rebuild and rebrand of the museum. From 2002-2014 Daley worked as a Senior Advisor and Director of Outreach for Metropolis Strategies, an initiative from the Commercial Club of Chicago that created a civic organization focused on the growth of the regional economy to promote sustainable development and create safer communities throughout the Chicago region. Daley received a BA in Art History from Fairfield University. She lives in Chicago with her husband and three children.

Hyde Park Art Center’s 2026 Gala

MONUMENTS OF STILLNESS: Carole Feuerman Public Exhibition:June 2 – November 15, 2026 Ribbon Cutting &amp; Press conference:June 2, 2026 · 10AMWrigley Building400-410 North Michigan Ave.Chicago, Illinois <a href="https://hiltoncontemporary.com/exhibitions/carole-feuerman-monuments-of-stillness/" rel="noopener noreferrer" target="_blank">DETAILS</a>

MONUMENTS OF STILLNESS: Carole Feuerman

On behalf of Lisa M. Key, Executive Director, and the Board of Directors, the Driehaus Museum invites you to join us for The Gilded Gala, an annual celebration of artistic excellence and Chicago’s cultural legacy. This signature event benefits the Museum’s transformative public programming and mission of expanding access to extraordinary art, architecture, and design. The 2026 Gilded Gala will honor Mansueto Office, Inc. for advancing the well-being of communities through philanthropic support of holistic educational and cultural initiatives, as well as the stewardship of our architecturally significant built environment to ensure long-term social impact. Suzette Bross Bulley, Gala ChairLisa M. Key, Executive DirectorZachary Lazar, Board Chair Tuesday, November 17, 2026&nbsp;5:30pm Reception7:00pm Dinner &amp; Program <a href="https://driehausmuseum.org/gala?mc_cid=ef680d6bbe&amp;mc_eid=d1db3f815c" rel="noopener noreferrer" target="_blank">Details</a>

Gilded Gala 2026

At RAM’s Wustum MuseumCynthia Toops is a polymer art pioneer who has been pushing the boundaries of the medium since the 1980s. The artist is well known for her micromosaic technique, which pieces together tiny shards of polymer into figurative or abstract compositions. Her distinctive style pulls inspiration from everyday events or objects, botanical subjects, folk art, and the cultural jewelry and ancient beads which she collects. While Toops works on her own, she also often collaborates with her husband, Dan Adams, who creates the glass beads and components featured in some pieces.

Calendar

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